Regina Porter’s sweeping debut novel, The Travelers, was recommended to me by the wonderful Storygraph website. For those readers who have yet to check it out, I would highly recommend it. You can important existing reading lists, and the recommendations are tailored specifically to you; basically, it weeds out a lot of the generic fiction which Goodreads seems to proffer, and allows you to come across titles which you perhaps wouldn’t otherwise. The Travelers was such a title for me.
Porter has blended together a history of the United States, which ranges from the middle of the twentieth century, to President Obama’s first year in office. It illuminates more than six decades of tumult and change on a grand scale, moving from the Civil Rights Movement of the 1960s, to the Vietnam War and beyond. Porter incorporates several US states – New York, New Hampshire, Georgia, and Tennessee – as well as the likes of France and Germany. Her focus is two families, who seem rather different on the face of it, and who come together in ‘unexpected, intimate and profoundly human ways’.
The first character we meet is Jimmy Vincent; Porter moves rather hurriedly through the momentous occasions in his life. As the novel progresses, we meet one character after another in this way, and learn more about them when their paths cross. The links between them come to light slowly at times, and quickly at others; some are self-explanatory, and others are rather surprising. The connections forged are many, and clever.
Each of the characters, perhaps unsurprisingly given the novel’s title, undergoes travel in some way; sometimes across continents, and at others just to a house in the same town they grew up in, or from one relationship to another. They move towards, and away from things. Porter effortlessly captures how each individual, as well as the places which they inhabit, change over time, and understands so well how different neighbourhoods and communities can so easily become gentrified.
Much is revealed about each of the protagonists; for instance, in 1966, we meet nineteen-year-old Agnes Miller. Porter writes: ‘Agnes’s legs were so long they could skip across the Nile. Her hemline was modest. She worked part-time in the college library. Whenever anyone asked Agnes what she wanted to be when she grew up, she would tell him or her automatically that she wanted to be a teacher. It did not matter if Agnes liked the profession. The answer was suitable and pleasing.’ The first tense moment in the novel – and there are many which follow it – occurs when Agnes and her fiancé, Claude, are stopped by police whilst driving.
Porter’s prose is rather more matter-of-fact than I was expecting, but her style works wonderfully given the scope of the novel. She has managed to fit in an astonishing amount in just over 300 pages. Two elements of her writing which I very much enjoyed are the use of vignettes, and the differing perspectives which she creates. Whilst we hear from a few characters in the first person, an omniscient narrative has been chosen for others. This helps to break up the writing, and stops any of the characters from feeling too similar, as can so often happen in books featuring multiple perspectives. The structure is not a linear one either, and moves back and forth in time, which allows Porter to build up the more mysterious elements of the stories with a great deal of tension and wonder.
That The Travelers is infused with melancholy seems obvious, given that Porter covers a lot of difficult and grave topics here – the aftermath of war, grieving, racial issues, and the breakdown of relationships, for instance – but there are also some amusing and lighthearted moments to be found. There is also a great deal of emotion within the pages of The Travelers, and some passages which will stay with me for a long time yet: ‘Nevertheless, Eloise would remember these rare evenings from hr childhood when she sat at the kitchen table on a broken stool between her mother and father and the three of them peered down together at the newspaper clipping and she did not have to vie for their attention with beer, bourbon, scotch, or gin.’
First published in 2019, The Travelers is a remarkable debut. The different threads of story, set in different locations and time periods, which run through the whole, have been wonderfully wrapped up at the end, without rushing, or making unrealistic claims. There is such variety here, and so much for the reader to enjoy. The characters are distinctive, and everything within the novel has been executed admirably. Each time period is well anchored, with a lot of specific social and societal detail. I found The Travelers to be wonderfully absorbing, and transporting.