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‘The Unwomanly Face of War’ by Svetlana Alexievich ****

Svetlana Alexievich’s ‘classic oral history’ The Unwomanly Face of War has recently been released in its first English version, translated by Richard Pevear and Larissa Volokhonsky.  I was so excited to pick up a copy, fascinated as I am by Russian history and the Second World War, both of which Alexievich’s work encompasses.

During the Second World War, ‘about a million women fought in the Soviet army,’ Alexievich writes in her introduction.  ‘They mastered all military specialties, including the most “masculine” ones.  A linguistic problem even emerged: no feminine gender had existed till then for the words “tank driver,” “infantryman,” “machine gunner,” because women had never done that work.  The feminine forms were born there, in the war’.  Belarusian Alexievich then goes on to discuss her experiences growing up just after the war in Ukraine, when tragedy affected everyone: ‘We didn’t know a world without war; the world of war was the only one familiar to us, and the people of war were the only people we knew.’

Alexievich, 9780141983523an investigative journalist, wanted to write an account about women, and of their experiences in conflict.  Her reasoning and justification for writing The Unwomanly Face of War are strong.  She saw the existing reportage of wartime accounts flawed, due to their masculine leanings.  She writes: ‘There have been a thousand wars – small and big, known and unknown.  And still more has been written about them.  But… it was men writing about men – that much was clear at once.  Everything we know about war we know with “a man’s voice.”‘  She goes on to exemplify the highly varied experiences of women, and their often far more emotive accounts.  ‘”Women’s” war,’ she points out, ‘has its own colors, its own smells, its own lighting, and its own range of feelings.  Its own words.  There are no heroes and incredible feats, there are simply people who are busy doing inhumanly human things.’

It was markedly important for Alexievich to speak to as many women as she could, and in consequence, she is able to share ‘stories of women’s experiences in World War II on the front lines, on the home front, and in occupied territories.’  To collect the testimonies, she took ‘dozens of trips all over the country, hundreds of recorded cassettes, thousands of yards of tape.  Five hundred meetings, after which I stopped counting; faces left in my memory, only voices remained.  A chorus resounds in my memory.  An enormous chorus; sometimes the words almost cannot be heard, only the weeping.’  Accounts came from Russia, Belarus, and Ukraine.  She interviewed snipers, drivers, traffic controllers, liaison officers, nurses, paramedics, mechanics, telephone operators, pilots, and partisans, to create her multilayered portrait of women in war.

Alexievich is aware of the flaws to be found in any project of this kind, primarily the validity of what she is being told, as there is no way to verify individual accounts.  She says, ‘but the narrators are not only witnesses – least of all are they witnesses, they are actors and makers.  It is impossible to go right up to reality.  Between us and reality are our feelings.’  Her aim here is to portray the ‘sickening’ futility of war, and its far-reaching effects: ‘I write not about war, but about human beings in war.  I write not the history of a war, but the history of feelings.  I am a historian of the soul.’

The Unwomanly Face of War, as far as it can be judged to be so, feels candid.  Both the accounts which have been transposed, and Muller’s intelligent and measured commentary, are expressive and immersive.  Whilst the accounts themselves are sometimes very matter-of-fact, and verge upon the simplistic with regard to their language, they are often horrific and difficult to read.  The Unwomanly Face of War is such an important historical document, touching and tender.  Alexievich has included fragments of so many stories which deserve to be told.

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Books for Pride

I am a little late in creating this post, but thought it would be a nice way to mark Pride, which is occurring worldwide during the month of June.  I have put together a list of ten books with LGBTQIA protagonists or themes, some of which I have read, and some of which are on my to-read list.

317062591. Queer City: Gay London from the Romans to the Present Day by Peter Ackroyd
In Queer City Peter Ackroyd looks at London in a whole new way – through the history and experiences of its gay population.  In Roman Londinium the city was dotted with lupanaria (‘wolf dens’ or public pleasure houses), fornices (brothels) and thermiae (hot baths). Then came the Emperor Constantine, with his bishops, monks and missionaries. And so began an endless loop of alternating permissiveness and censure.  Ackroyd takes us right into the hidden history of the city; from the notorious Normans to the frenzy of executions for sodomy in the early nineteenth century. He journeys through the coffee bars of sixties Soho to Gay Liberation, disco music and the horror of AIDS.  Today, we live in an era of openness and tolerance and Queer London has become part of the new norm. Ackroyd tells us the hidden story of how it got there, celebrating its diversity, thrills and energy on the one hand; but reminding us of its very real terrors, dangers and risks on the other.
2. Transgender History by Susan Stryker
‘Covering American transgender history from the mid-twentieth century to today, Transgender History takes a chronological approach to the subject of transgender history, with each chapter covering major movements, writings, and events. Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-’70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the ’90s and ’00s.  Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.
3. A Single Man by Christopher Isherwood 16059558
When A Single Man was originally published, it shocked many by its frank, sympathetic, and moving portrayal of a gay man in midlife. George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the texture of life itself.
4. Call Me By Your Name by Andre Aciman
Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks’ duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy.  The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman’s frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.
325612375. Beyond Trans: Does Gender Matter? by Heath Fogg Davis
Beyond Trans pushes the conversation on gender identity to its limits: questioning the need for gender categories in the first place. Whether on birth certificates or college admissions applications or on bathroom doors, why do we need to mark people and places with sex categories? Do they serve a real purpose or are these places and forms just mechanisms of exclusion? Heath Fogg Davis offers an impassioned call to rethink the usefulness of dividing the world into not just Male and Female categories but even additional categories of Transgender and gender fluid. Davis, himself a transgender man, explores the underlying gender-enforcing policies and customs in American life that have led to transgender bathroom bills, college admissions controversies, and more, arguing that it is necessary for our society to take real steps to challenge the assumption that gender matters.  He examines four areas where we need to re-think our sex-classification systems: sex-marked identity documents such as birth certificates, driver’s licenses and passports; sex-segregated public restrooms; single-sex colleges; and sex-segregated sports. Speaking from his own experience and drawing upon major cases of sex discrimination in the news and in the courts, Davis presents a persuasive case for challenging how individuals are classified according to sex and offers concrete recommendations for alleviating sex identity discrimination and sex-based disadvantage.  For anyone in search of pragmatic ways to make our world more inclusive, Davis’ recommendations provide much-needed practical guidance about how to work through this complex issue. A provocative call to action, Beyond Trans pushes us to think how we can work to make America truly inclusive of all people.
6. The Miseducation of Cameron Post by Emily M. Danforth
When Cameron Post’s parents die suddenly in a car crash, her shocking first thought is relief. Relief they’ll never know that, hours earlier, she had been kissing a girl.  But that relief doesn’t last, and Cam is soon forced to move in with her conservative aunt Ruth and her well-intentioned but hopelessly old-fashioned grandmother. She knows that from this point on, her life will forever be different. Survival in Miles City, Montana, means blending in and leaving well enough alone (as her grandmother might say), and Cam becomes an expert at both.  Then Coley Taylor moves to town. Beautiful, pickup-driving Coley is a perfect cowgirl with the perfect boyfriend to match. She and Cam forge an unexpected and intense friendship — one that seems to leave room for something more to emerge. But just as that starts to seem like a real possibility, ultrareligious Aunt Ruth takes drastic action to ‘fix’ her niece, bringing Cam face-to-face with the cost of denying her true self — even if she’s not exactly sure who that is.  The Miseducation of Cameron Post is a stunning and unforgettable literary debut about discovering who you are and finding the courage to live life according to your own rules.
7. Unbecoming by Jenny Downham 25582543
Three women – three secrets – one heart-stopping story. Katie, seventeen, in love with someone whose identity she can’t reveal. Her mother Caroline, uptight, worn out and about to find the past catching up with her. Katie’s grandmother, Mary, back with the family after years of mysterious absence and ‘capable of anything’, despite suffering from Alzheimers. As Katie cares for an elderly woman who brings daily chaos to her life, she finds herself drawn to her. Rules get broken as allegiances shift. Is Mary contagious? Is ‘badness’ genetic? In confronting the past, Katie is forced to seize the present. As Mary slowly unravels and family secrets are revealed, Katie learns to live and finally dares to love. Funny, sad, honest and wise, Unbecoming is a celebration of life, and learning to honour your own stories.
8. Night Sky With Exit Wounds by Ocean Vuong
Ocean Vuong’s first full-length collection aims straight for the perennial “big”—and very human—subjects of romance, family, memory, grief, war, and melancholia. None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.
63446649. Skim by Mariko and Jillian Tamaki
Heartbreakingly funny, moving and vibrantly drawn, Skim is an extraordinary book–a smart and sensitive graphic novel of the highest literary and artistic quality, by and about young women.  “Skim” is Kimberly Keiko Cameron, a not-slim, would-be Wiccan goth who goes to a private girls’ school. When Skim’s classmate Katie Matthews is dumped by her boyfriend, who then kills himself, the entire school goes into mourning overdrive. As concerned guidance counselors provide lectures on the “cycle of grief,” and the popular clique starts a new club (Girls Celebrate Life!) to bolster school spirit, Skim sinks into an ever-deepening depression.   And falling in love only makes things worse…  Suicide, depression, love, being gay or not, crushes, cliques, and finding a way to be your own fully human self–are all explored in this brilliant collaboration by cousins Mariko and Jillian Tamaki. An edgy, keenly observed and poignant glimpse into the heartache of being young.
10. We Are Okay by Nina LaCour
Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.

 

Have you read any of these books?  Which are your favourites with LGBTQIA themes or characters?  Have you read anything specifically to celebrate Pride this month?

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One From the Archive: ‘How to be a Victorian’ by Ruth Goodman ****

First published in 2013.

9780670921362In her first venture as a solo author, Ruth Goodman has attempted to present ‘a radical new approach to history’ by showing the ‘overlapping worlds of health, sex, fashion, food, school, work and play’. She states in her introduction that she wanted to ‘explore a more intimate, personal and physical sort of history… one that celebrates the ordinary and charts the lives of the common man, woman and child as they interact with the practicalities of their world’. Goodman herself is an expert in this field, and has experienced life on a Victorian farm whilst taking part in an incredibly interesting BBC documentary.

Goodman has used the timeframe of a day in which to set out her information, beginning with the waking up routine of your average Victorian, and following them until they retire to bed at nighttime. In this way, she has given How to be a Victorian an almost circular feel, which is a refreshing technique in terms of history books. Throughout, she has made use of primary and secondary sources, which have been taken from a vast amalgam of documents and records – diaries, letters, autobiographies, magazines and other printed matter, all of which ‘sought to inform and shape public opinion’.

Throughout, Goodman writes intelligently about a wealth of little known details about life in Victorian Britain. Rather than merely including the commonplace information which the vast majority of us know, the author has dug deeper, unearthing unusual routines which were all the rage during Victorian times. These include the profession of a ‘knocker-upper’, who was employed as a human alarm clock by his clients. He would take a long cane and lantern out with him in the early hours, which he would rap on the appropriate windows, and would then charge a penny a month for the privilege. Goodman explores elements of life such as the rug making techniques of the day, clothing and corsetry, recommended haircare, the dangers of factory work, and how often to bathe a baby – far more often than the average adult would partake, that’s for sure. A section in the middle of the book is devoted to a glossy spread of photographs and illustrations, and many black and white images have also been included within the main body of text. These are rather useful additions, particularly with regard to the advertisements which Goodman writes about.

How to be a Victorian is best read in small sections, as it is filled with a lot of information, much which is likely to be lost by the reader if the entirety of the text is taken in at once. Each chapter has been split into relatively short sections, which allows it to be picked up and put down at will. Goodman is clearly incredibly enthusiastic of her subject, and the fact that she has first-hand experience at using many of the techniques and routines which she describes sets her apart from a lot of historians. Here, she has presented a far-reaching account of Victorian life throughout the entirety of the monarch’s reign, and in consequence, she has created a marvellous guide for anyone at all interested in the period.

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2018 Travel: Books Set in Germany

Germany is the third country which I have been lucky enough to visit so far this year.  My boyfriend and I travelled to beautiful Munich at the end of February.  Here are seven books set in Germany which I have loved, and would highly recommend.
1. The Book Thief by Markus Zusak (2005) 893136
HERE IS A SMALL FACT:  YOU ARE GOING TO DIE.  1939. Nazi Germany. The country is holding its breath. Death has never been busier.  Liesel, a nine-year-old girl, is living with her foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.  SOME MORE IMPORTANT INFORMATION:  THIS NOVEL IS NARRATED BY DEATH.  It’s a small story, about: a girl, an accordionist, some fanatical Germans, a Jewish fist fighter, and quite a lot of thievery.  ANOTHER THING YOU SHOULD KNOW: DEATH WILL VISIT THE BOOK THIEF THREE TIMES.
2. The Reader by Bernhard Schlink (1995)
Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany.  When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.
494653. Those Who Save Us by Jenna Blum (2004)
For fifty years, Anna Schlemmer has refused to talk about her life in Germany during World War II. Her daughter, Trudy, was only three when she and her mother were liberated by an American soldier and went to live with him in Minnesota. Trudy’s sole evidence of the past is an old photograph: a family portrait showing Anna, Trudy, and a Nazi officer, the Obersturmfuhrer of Buchenwald.  Driven by the guilt of her heritage, Trudy, now a professor of German history, begins investigating the past and finally unearths the dramatic and heartbreaking truth of her mother’s life.  Combining a passionate, doomed love story, a vivid evocation of life during the war, and a poignant mother/daughter drama, Those Who Save Us is a profound exploration of what we endure to survive and the legacy of shame.
4. Visitation by Jenny Erpenbeck (2008)
A house on the forested bank of a Brandenburg lake outside Berlin (once belonging to Erpenbeck’s grandparents) is the focus of this compact, beautiful novel. Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change.
5. A Woman in Berlin: Eight Weeks in the Conquered City by Anonymous (1953) 12238919
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. The anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject–the mass rape suffered by all, regardless of age or infirmity.
6. The Blue Flower by Penelope Fitzgerald (1995)
‘From the Booker Prize-winning author of Offshore comes this unusual romance between the poet Novalis and his fiancee Sophie, newly introduced by Candia McWilliam.The year is 1794 and Fritz, passionate, idealistic and brilliant, is seeking his father’s permission to announce his engagement to his heart’s desire: twelve-year-old Sophie. His astounded family and friends are amused and disturbed by his betrothal. What can he be thinking?Tracing the dramatic early years of the young German who was to become the great romantic poet and philosopher Novalis, The Blue Flower is a masterpiece of invention, evoking the past with a reality that we can almost feel.’
95455457. The End: Germany 1944-1945 by Ian Kershaw (2011)
Ian Kershaw’s The End is a gripping, revelatory account of the final months of the Nazi war machine, from the failed attempt to assassinate Hitler in July 1944 to the German surrender in May 1945.  In almost every major war there comes a point where defeat looms for one side and its rulers cut a deal with the victors, if only in an attempt to save their own skins. In Hitler’s Germany, nothing of this kind happened: in the end the regime had to be stamped out town by town with an almost unprecedented level of brutality.  Just what made Germany keep on fighting? Why did its rulers not cut a deal to save their own skins?  And why did ordinary people continue to obey the Fuhrer’s suicidal orders, with countless Germans executing their own countrymen for desertion or defeatism?

 

Have you read any of these?  Have any made their way onto your to-read list?

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‘Everything is Wonderful: Memories of a Collective Farm in Estonia’ by Sigrid Rausing ****

I chose Sigrid Rausing’s Everything is Wonderful: Memories of a Collective Farm in Estonia as part of my Around the World in 80 Books challenge.  I was quite looking forward to it, particularly as I have included very little non-fiction on my list.  It seemed as though it would offer something a bit different, and whilst a lot of the themes are similar to some of the other Eastern European literature which I read before it, the very fact that it is a memoir makes it all the more fascinating.

9780802122179Between 1993 and 1994, Sigrid Rausing, a Swedish anthropology student working towards her PhD at University College London, travelled to Estonia to undertake fieldwork.  She stayed in a former Soviet Union border protection zone named Noarootsi.  She met and interviewed many different people for her project.  The book’s blurb proclaims that ‘Rausing’s conversations with the local people touched on many subjects: the economic privations of post-Soviet existence; the bewildering influx of Western products; and the Swedish background of many of their people.’  In this memoir, published twenty years after her fieldwork ended, Rausing reflects upon history and political repression, and the way in which the wider world affected the individuals whom she met.

Of the aims of her PhD, Rausing writes that she wanted to explore the themes of history and memory in Estonia: ‘I was there to study the local perception and understanding of historical events in the context of the Soviet repression and the censorship of history.’  The collective farm which she stayed and worked on folded after the collapse of the Soviet Union, and was ‘officially closed down in February 1993, following a vote by all the members in which just one person voted for its continued existence.’  Rausing lived and worked in the village, immersing herself as much as she was able into gatherings and the like, and trying her best to learn the very difficult Estonian language.

One gets a feel for Rausing’s surroundings almost as soon as the book begins.  She writes: ‘The rest of the villages on the peninsula – bedraggled collections of grey wooden houses with thatched rooves, sometimes propped up by shoddy white brick – were like villages all over the Soviet Union at that particular time.  Forgotten places sinking into quiet poverty.’  Rausing gives many examples of the visible changes within Estonia following the breakdown of the Soviet Union, and the effects which poverty and strict rule had: ‘Haapsalu was the nearest town to my prospective field site.  It had been a spick-and-span little coastal town in the 1930s, a summer spa where people came for mineral mud baths.  Now, the baths were long since gone, the paint on the beautiful wooden houses flaking and unkempt…  The main street was wide and muddy, with many shops selling few things, and almost no cars.’

The most fascinating element of Everything is Wonderful is the way in which Rausing manages to be at once a participant and an outsider in Noarootsi.  Because of her position, she is able to gather so many different perspectives on issues affecting Estonian people.  She builds a full picture of life for those villagers and townsfolk ‘forgotten’ by the wider world, often lived in poverty: ‘The people on the collective farm had little connection either with the land or with high culture.  They just got by, day by day, enduring the uncertainty, the confusion, and the quiet fear: fear of unemployment, fear of Russia, fear of the future.’  Everything is Wonderful is stark and bleak, but very human; it is at once enlightening and harrowing.  Rausing’s memoir is a fascinating and important piece of social history, told from a position of retrospect, but working from the notes which she collected whilst on her fieldwork trip.

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‘Berlin 1936: Sixteen Days in August’ by Oliver Hilmes ****

9781847924346I love books with concepts such as Oliver Hilmes’ Berlin 1936, where an entire event – in this case, the 1936 Olympic Games, held in Berlin – is charted using not just official figures and statistics, but with the inclusion of ordinary people who witnessed part of it. Hilmes has put this particular book together using a diverse range of diaries and letters, along with historical information about the weather on each given day, and surprising figures, such as the amount of food in kilograms eaten within the Olympic Park.

The spectators included in Hilmes’ account are as diverse as the Chair of the International Olympic Committee, composer Richard Strauss’ wife Pauline, the American author Tom Wolfe, and Austria’s Ambassador to Germany. There are also extracts from the diaries of high-ranking Nazi officers, and Jewish people who were already beginning to see what an enormous threat Hitler was to their freedom. One of the real strengths in Berlin 1936 is the way in which Hilmes demonstrates how ordinary lives play out against the pomp and circumstance of the Olympic spectacle, which is just as fraught with social problems as the city of Berlin itself.

Berlin 1936 is a fascinating piece of social history, with a direct focus that never fades from Hilmes’ commentary. The narrative which the author has created works very well, and he seems to effortlessly tie the numerous different occurrences and opinions together. The structure too, which is given on a chronological day-to-day basis, is splendid. Berlin 1936 is engaging and well researched, and builds wonderfully as it goes on.

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One From the Archive: ‘Signed, Sealed, Delivered: Celebrating the Joys of Letter Writing’ by Nina Sankovitch ****

First published in April 2014.

Nina Sankovitch, author of the highly acclaimed memoir Tolstoy and the Purple Chair: My Year of Magic Reading, has decided to explore the art of corresponding by letter in her newest book.  She has chosen to go ‘on a quest through the history of letters and her own personal correspondence to discover and celebrate what is special about the handwritten letter’.

It is utterly charming to write a book about something which seems, to the modern world, to be so quaint, particularly in an age when it is far more likely to type a quick email or contact friends through mediums like Facebook and Twitter, than to settle down with a pen and paper and send off the finished result in the more traditional way, envelope et al.  Those who love to read letter collections – and there are, it seems, many of us scattered around the globe – are sure to find much of interest within Signed, Sealed, Delivered: Celebrating the Joys of Letter Writing.

Throughout, Sankovitch moves from letters written in ancient times, focusing upon those within Greece and Egypt, to the correspondence which exists between famous writers.  We as readers are able to see how letter writing has adapted over time, to fit the changing world – from documenting love and expressing sorrow, to solving the most brutal of crimes and passing trivial notes at school.  She begins her book with rather a sweet personal anecdote, of the moment at which her young son sent her his first letter: ‘He quickly covered an index card with blue marker squiggles, then carefully worked the card into an envelope.  His face serious, he turned and handed me the envelope’.  Sankovitch also writes of the importance of saving letters, believing that they are ‘the history of our lives made solid’, which ‘place us firmly within our history’.

Sankovitch’s writing style is lovely, and the warmth of her personality can be found in every page.  The way in which she weaves in her own experiences of writing and receiving letters, and the delicious silence which comes between the two, works marvellously.  An avid letter writer as a child, it seems as though she was spurred on to start writing Signed, Sealed, Delivered after unearthing ‘a trove of old letters’ from members of the Seligman family in the shed of her newly purchased house in New York.  Throughout, she sets out the history of each family or person whom she discovers through the art of their correspondence, describing the ways in which the things that they wrote and sent reveal crucial elements about themselves and their personalities.  She sees the importance in every scrap of letter which she encounters, believing that even the tiniest note has a story to tell.  The structure which Sankovitch uses is not a chronological one, but one segment leads wonderfully to another, and the entirety feels well-rounded in consequence.

Sankovitch also portrays the way in which letter writing through history has been able to cross the boundaries set in place by society – to speak about forbidden relationships, and to converse with those of other races in the United States far before the advent of the Civil Rights Movement, for instance.  The social history has been well written and considered, giving each letter and the story which goes with it a good grounding.  The author brings fascinating people to the fore, and the aforementioned Seligman family are a fabulous example of this.  One of the sons, James, whom Sankovitch is particularly fond of, is ‘a sweet and funny and affectionate correspondent’, who touchingly ‘wrote home almost daily’ when he was away.

Rather than becoming overdone in the stories it relates or its gushing love for letter writing, as could so easily have happened in the putting together of such a book, Sankovitch has created a work which is both far-reaching and concise.  Signed, Sealed, Delivered is a lovely piece of praise for something which should be revived – the simple practice of writing letters, which surely means a lot more to its recipient than a hastily composed email or text message.  Hopefully, Sankovitch will inspire far more people to correspond by traditional methods, and will help to bring back the popularity of something which has been so very important to our ancestors for millennia.

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