1

Two Reviews: ‘A Lifetime Burning’ and ‘The Room of Lost Things’

A Lifetime Burning by Linda Gillard ***
9781905175253
I really enjoyed Gillard’s novel Emotional Geology when I read it a few years ago, and purchased A Lifetime Burning on my Kindle sometime afterwards. I love immersive family sagas, and was pulled in immediately. There is such an intelligence and compassion to Gillard’s prose, and I enjoyed the non-linear structure, which was effective in showing the depth and backgrounds of the characters.

Elements of the storyline, however, let the whole novel down for me. Some were frankly so unlikely that they felt ridiculous, which surprised me. I was very much enjoying the book up until the first bizarre twist came, but felt my interest in it waning somewhat. Despite being so well written, in some ways, A Lifetime Burning was really rather disappointing, and it has made me think twice about reading all of Gillard’s oeuvre, which was my original plan.

 

The Room of Lost Things by Stella Duffy *** 9781844082131

I decided, after quite enjoying The Hidden Room but not getting on at all well with London Lies Beneath, that I would give Stella Duffy one last chance. Thus, I borrowed The Room of Lost Things from the library. I was not pulled in straight away, but did find myself becoming more interested after a few pages, and almost engrossed a couple of chapters in.

The real strength for me here was the way in which London is portrayed; I miss the city dearly, having studied there for an entire year, and now being a whole country away from it. Duffy goes into so much detail about different boroughs; London, wonderfully evoked in all of its grit and glory, essentially becomes a character in itself, arguably the most important one in the novel. I admired the way in which everything revolved around something as dull and suburban as a dry-cleaning shop, too; it worked very ell as the novel’s focal point. The structure is clever yet simple.

I did find my attention waning after a while though; whilst the main thread of story featuring Robert and Akeel is interesting, some of the secondary characters had stories which felt quite repetitive after a while. This is my favourite of Duffy’s books to date, but I still wasn’t blown away by it.

Purchase from The Book Depository

Advertisements
0

One From the Archive: ‘The Lady and the Unicorn’ by Rumer Godden ****

Rumer Godden’s The Lady and The Unicorn, which was first published in 1937, is the 630th entry upon the Virago Modern Classics list. As with The River and The Villa Fiorita, both republished by Virago at the same time, The Lady and The Unicorn includes a well-crafted and rather fascinating introduction penned by Anita Desai.

9781844088478After setting out the author’s childhood, lived largely in India, Desai goes on to write about the influences which drove Godden to write over sixty acclaimed works of fiction, for both children and adults. Desai states that Godden ‘cannot be said to have been ignorant, or unmindful, of her society and its role in India. In no other book is this made as clear’ as it is in this one, a novel written ‘in the early, unhappy days of her first marriage’. Desai then goes on to write that ‘the contact with her students [at the dance school which Godden opened in Calcutta], their families and her staff taught her a great deal about the unhappy situation of a community looked down upon both by the English and by Indians as “half-castes”‘. The Lady and The Unicorn faced controversy upon its publication, with many English reviewers believing her ‘unfairly critical of English society’, and others viewing ‘her depiction of Eurasians’ as cruel. Her publisher, Peter Davies, however, deemed the novel ‘a little masterpiece’.

The Lemarchant family are Godden’s focus here; ‘neither Indian nor English, they are accepted by no-one’. They live in the small annex of a fading ‘memory-haunted’ mansion in Calcutta. The widowed father of the family is helped only by ‘auntie’ and a servant of sorts named Boy, an arrangement which causes misery for all: ‘There were so many ways that father did not care to earn money that the girls had to be taken at school for charity and the rent was always owing… No matter how badly he [father] behaved they [auntie and Boy] treated him as the honourable head of the house, and auntie complained that the children did not respect him as they ought’. The way in which the family unit is perceived within the community is negative, and often veers upon the harsh: ‘The Lemarchants are not a nice family at all, they cannot even pay their rent’ is the idea which prevails.

The three daughters of the Lemarchant family could not be more different; twins Belle and Rosa are often at odds with one another, and the youngest, Blanche, is treated no better than an outcast. Blanche is described as ‘the family shame, for she was dark. Suddenly, after Belle and Rosa, had come this other baby like a little crow after twin doves. Auntie said she was like their mother, and they hated to think of their mother who was dead and had been dark like Blanche. Belle could not bear her, and even Rosa was ashamed to be her sister’. Of the twins, Godden writes that Rosa, constantly overshadowed by her twin sister, ‘could never be quite truthful, she had always to distort, to embroider, to exaggerate, and if she were frightened, she lied’. The family in its entirety ‘were sure that Belle was not good, and yet at home she gave hardly any trouble; it was just that she was quite implacable, quite determined and almost fearless… Belle did exactly as she chose. When she was crossed she was more than unkind, she was shocking’. The divisions within the family therefore echo those which prevail in society.

The sense of place is deftly built, particularly with regard to the house in which the Lemarchants live: ‘There was not a corner of the house that Blanche did not know and cherish, all of them loved it as if it were their own; that was peculiar to the Lemarchants, for the house did not like its tenants, it seemed to have some strange resentment’. Of their surroundings, of which the girls know no different, Belle sneers the following, exemplifying her discontent: ‘We know a handful of people in Calcutta and most of them are nobodies too. What is Calcutta? It is not the world’. There is not much by way of plot here, really, but the whole has been beautifully written, and the non-newsworthy aspects of the girls’ lives have been set out with such feeling and emotion.

The Lady and The Unicorn is a captivating novel, which captures adolescence, and the many problems which it throws up, beautifully. Part love story and part coming-of-age novel, Godden is shrewd throughout at showing how powerful society can be, and how those within it often rally together to shun those ‘outsiders’ who have made it their home.

Purchase from The Book Depository

2

‘The Lie Tree’ by Frances Hardinge ****

Finding a book to read after submitting my Master’s dissertation this August has been one of the most daunting tasks of the past few months. Nothing I picked up seemed interesting enough to keep me reading and now I have several books of which the first ten to twenty pages have been read but have unfortunately been set aside for the time being.

9781509837564the lie tree illustrated edition_4The Lie Tree was almost one of those books. Usually, when I go through a reading slump I either read something I am certain I will like or something very short to get me back into reading. My copy of The Lie Tree with its 490 pages is definitely not a short read but it certainly sounded like one of those books I am bound to love since it contains mystery, fantasy and historical elements. Plus, the edition I own was illustrated by the wonderful Chris Riddell, whose work I first encountered through his collaborations with Neil Gaiman, and that certainly contributed greatly to my picking up this book.

The story takes place in Victorian England and it follows Faith, the daughter of a once renowned scientist whose recently bad reputation in society due to some scandal that arose from his research resulted in his family fleeing home and seeking refuge in a smaller town. Secrets never stay hidden for long, however, and their new society labels and mistreats their family again. Faith, being the curious and science-loving girl that she is, is determined to find out what her father’s research was all about and what discovery of his led to their family’s demise. The fantastic elements are not apparent from the outset but I couldn’t speak more about them without revealing some plot spoilers.

Perhaps due to its length, the story starts off in a rather slow manner and it takes the first hundred pages or so for the mystery and the actual plot to truly begin. I usually don’t mind slow books, but for a murder mystery book a slow start isn’t really the best introduction for the readers. The mystery itself, though, was very well crafted. For the very attentive reader the culprit might have been obvious from earlier on, but for me, suspecting everyone due to their dismissive behaviour towards Faith and her family, the revelation was quite a shock. The fantastic elements included, as I mentioned before, are not ever-present and fantasy has been inserted in the world of the book in a very crafty and believable manner.

480x360bb

Chris Riddell’s stunning illustrations.

The writing is sometimes lyrical and others more practical, but beautiful nevertheless and very fitting to the entire atmosphere of the novel. I really enjoyed Faith’s character, a young girl growing up in an era when female curiosity and desire to learn was everything but rewarded and when women had to hide their research behind the name of a much more powerful and well-established man. The novel raises those issues in a subtle yet satisfying manner, as Faith’s indignation for her being treated unfairly by society and family alike merely for being a girl is evident throughout and is what ultimately empowers her and gives her courage to investigate the mystery surrounding her father. It reminded me somehow of Marie Brennan’s The Memoirs of Lady Trent series, which also centers around a lady scientist in Victorian era who struggles to get her research and scholarly profession accepted by society.

Overall, The Lie Tree is an utterly compelling novel which successfully combines mystery, fantasy, feminist and social issues, as well as a coming-of-age story. Although it starts off very very slowly, the pace picks up after a while and the story becomes so intriguing that it’s impossible to put it down. It’s also a very spooky story with many gothic elements, so I guess it’s a very fitting recommendation for Halloween as well. I’m very glad I didn’t put this book aside like all the rest that came before it, as it was definitely worth reading it.

Have you read this book? What did you think of it? Let me know in the comments below 🙂

0

Really Underrated Books (Part Four)

The penultimate post of this week’s Really Underrated Books showcase brought a lot of gems to my attention which I’m going to scour secondhand bookshops for for the foreseeable.

909053.jpg1. The Furies by Janet Hobhouse
An exhilarating, fiercely honest, ultimately devastating book, The Furies confronts the claims of family and the lure of desire, the difficulties of independence, and the approach of death.  Janet Hobhouse’s final testament is beautifully written, deeply felt, and above all utterly alive.

 

2. Swallow by Sefi Atta
‘In the 1980s in Lagos, the government’s War Against Indiscipline and austerity measures are in full swing. A succession of unfortunate events leads Tolani, a bank secretary, to be persuaded by her roommate Rose to consider drug trafficking as a way to make a living. Tolani’s subsequent struggle with temptation forces her to reconsider her morality—and that of her mother Arikes—as she embarks on a turbulent journey of self-discovery.’

 

3. Burn Lake by Carrie Fountain 7734078
Set in southern New Mexico, where her family’s multi­cultural history is deeply rooted, the poems in Carrie Fountain’s first collection explore issues of progress, history, violence, sexuality, and the self. Burn Lake weaves together the experience of life in the rapidly changing American Southwest with the peculiar journey of Don Juan de Oñate, who was dispatched from Mexico City in the late sixteenth- century by Spanish royalty to settle the so-called New Mexico Province, of which little was known. A letter that was sent to Oñate by the Viceroy of New Spain, asking that should he come upon the North Sea in New Mexico, he should give a detailed report of “the configuration of the coast and the capacity of each harbor” becomes the inspiration for many of the poems in this artfully composed debut.

 

4. Stone Virgin by Barry Unsworth
A mysterious sculpture of a beautiful and erotic Madonna holds the key to the Fornarini family’s secrets. When Raikes, a conservation expert, tries to restore her, he is swept under the statue’s spell and swept under the spell of the seductive Chiara Litsov, a member of the Fornarini family now married to a famous sculptor. Raikes finds himself losing all moral grounding as his love for statue and woman intertwine in lust and murder.

 

2187700.jpg5. In the Shadow of the Magic Mountain: The Erika and Klaus Mann Story by Andrea Weiss
Thomas Mann’s two eldest children, Erika and Klaus, were unconventional, rebellious, and fiercely devoted to each other. Empowered by their close bond, they espoused vehemently anti-Nazi views in a Europe swept up in fascism and were openly, even defiantly, gay in an age of secrecy and repression. Although their father’s fame has unfairly overshadowed their legacy, Erika and Klaus were serious authors, performance artists before the medium existed, and political visionaries whose searing essays and lectures are still relevant today. And, as Andrea Weiss reveals in this dual biography, their story offers a fascinating view of the literary and intellectual life, political turmoil, and shifting sexual mores of their times.  In the Shadow of the Magic Mountain begins with an account of the make-believe world the Manns created together as children—an early sign of their talents as well as the intensity of their relationship. Weiss documents the lifelong artistic collaboration that followed, showing how, as the Nazis took power, Erika and Klaus infused their work with a shared sense of political commitment. Their views earned them exile, and after escaping Germany they eventually moved to the United States, where both served as members of the U.S. armed forces. Abroad, they enjoyed a wide circle of famous friends, including Andre Gide, Christopher Isherwood, Jean Cocteau, and W. H. Auden, whom Erika married in 1935. But the demands of life in exile, Klaus’s heroin addiction, and Erika’s new allegiance to their father strained their mutual devotion, and in 1949 Klaus committed suicide.  Beautiful never-before-seen photographs illustrate Weiss’s riveting tale of two brave nonconformists whose dramatic lives open up new perspectives on the history of the twentieth century.

 

6. The Shadow-Boxing Woman by Inka Parei
In The Shadow-Boxing Woman, a novel from German writer Inka Parei, a decaying apartment building in post-Wall Berlin is home to Hell, a young woman with a passion for martial arts. When Hell’s neighbor disappears she sets out across the city in search of her. In the course of her quest, she falls in love with a bank robber, confronts her own dark memories, and ends up saving more than just her missing neighbor.  What is on the surface a crime novel is actually a haunting dual portrait of a city and a woman caught up in times of change and transition. This debut novel in English combines Parei’s tight prose with a compulsive delight in detail that dynamically evokes many lost and overlooked corners of Berlin.

 

7. Yesterday, at the Hotel Clarendon by Nicole Brossard 1806153
Carla Carlson is at the Hotel Clarendon in Quebec City trying to finish a novel. Nearby, a woman, preoccupied with sadness and infatuated with her boss, catalogues antiquities at the Museum of Civilization. Every night, the two women meet at the hotel bar and talk – about childhood and parents and landscapes, about time and art, about Descartes and Francis Bacon and writing.  When Yesterday, at the Hotel Clarendon appeared in French (as Hier), the media called it the pinnacle of Brossard’s remarkable forty-year literary career. From its intersection of four women emerges a kind of art installation, a lively read in which life and death and the vertigo of ruins tangle themselves together to say something about history and desire and art.

 

8. Mycophilia: Revelations from the Weird World of Mushrooms by Eugenia Bone
An incredibly versatile cooking ingredient containing an abundance of vitamins, minerals, and possibly cancer-fighting properties, mushrooms are among the most expensive and sought-after foods on the planet. Yet when it comes to fungi, culinary uses are only the tip of the iceberg. Throughout history fungus has been prized for its diverse properties—medicinal, ecological, even recreational—and has spawned its own quirky subculture dedicated to exploring the weird biology and celebrating the unique role it plays on earth. In Mycophilia, accomplished food writer and cookbook author Eugenia Bone examines the role of fungi as exotic delicacy, curative, poison, and hallucinogen, and ultimately discovers that a greater understanding of fungi is key to facing many challenges of the 21st century.  Engrossing, surprising, and packed with up-to-date science and cultural exploration, Mycophilia is part narrative and part primer for foodies, science buffs, environmental advocates, and anyone interested in learning a lot about one of the least understood and most curious organisms in nature.

 

3281869. The Tiger in the House: A Cultural History of the Cat by Carl van Vechten
“A god, a companion to sorceresses at the Witches’ Sabbath, a beast who is royal in Siam, who in Japan is called ‘the tiger that eats from the hand,’ the adored of Mohammed, Laura’s rival with Petrarch, the friend of Richelieu, the favorite of poets”—such are just a few of the feline distinctions that Carl Van Vechten records in this glorious historical overview of humanity’s long love affair with the cat. As delightful as it is learned, Tiger in the House explores science, art, and history to assemble a treasury of cat lore, while Van Vechten’s sumptuous baroque prose makes the book’s every page an inexhaustible pleasure.

 

10. The Perfect Prince: The Mystery of Perkin Warbeck and His Quest for the Throne of England by Ann Wroe
In 1491, as Machiavelli advised popes and princes and Leonardo da Vinci astonished the art world, a young man boarded a ship in Portugal bound for Ireland. He would be greeted upon arrival as the rightful heir to the throne of England. The trouble was, England already had a king.   The most intriguing and ambitious pretender in history, this elegant young man was celebrated throughout Europe as the prince he claimed to be: Richard, Duke of York, the younger of the “Princes in the Tower” who were presumed to have been murdered almost a decade earlier. Handsome, well-mannered, and charismatic, he behaved like the perfect prince, and many believed he was one. The greatest European rulers of the age—among them the emperor Maximilian, Ferdinand and Isabella of Spain, and Charles VIII of France—used him as a diplomatic pawn to their own advantage. As such, he tormented Henry VII for eight years, attempting to invade England three times. Eventually, defeated and captured, he admitted to being Perkin Warbeck, the son of a common boatman from Flanders. But was this really the truth?  Ann Wroe, a historian and storyteller of the first rank, delves into the secret corners of the late medieval world to explore both the elusive nature of identity and the human propensity for deception. In uncovering the mystery of Perkin Warbeck, Wroe illuminates not only a life but an entire world trembling on the verge of discovery.

Purchase from The Book Depository

3

Really Underrated Books (Part One)

My Really Underrated Books week which ran in November last year proved to be quite popular, and I received a lot of kind comments about how much you enjoyed the series.  What better, then, to champion fifty other underrated books, which look of interest, and are certainly worthy of one seeking them out?  Each day this week, I will be finding ten interesting books which have fewer than five hundred ratings on Goodreads, bringing them to your attention, and hopefully to a wider readership.

1. They Were Counted (The Transylvania Trilogy, #1) by Miklos Banffy 9781910050903
Painting an unrivalled portrait of the vanished world of pre-1914 Hungary, this story is told through the eyes of two young Transylvanian cousins, Count Balint Abády and Count László Gyeroffy. Shooting parties in great country houses, turbulent scenes in parliament, and the luxury of life in Budapest provide the backdrop for this gripping, prescient novel, forming a chilling indictment of upper-class frivolity and political folly, in which good manners cloak indifference and brutality. Abády becomes aware of the plight of a group of Romanian mountain peasants and champions their cause, while Gyeroffy dissipates his resources at the gaming tables, mirroring the decline of the Austro-Hungarian Empire itself.’

 

2. The Book of Hrabal by Peter Esterhazy
An elegant homage to the great Czech storyteller Bohumil Hrabal, The Book of Hrabal is also a glowing paean to blues music, saxophones, and the mixed blessings of domestic life. It is also a farewell to the years of communism in Eastern Europe. And it is a treatise on the ongoing relationship between God and humankind as reflected in the lives of a Hungarian writer and his wife. The novel centers on Anna, the blues-singing housewife and mother of three (soon to be four) who suffers through her husband’s often impossible writing experiments. She addresses her reminiscences and reflections to Hrabal, his current subject. Her thoughts swing from domestic matters to the injustices suffered by her family during the Stalinist 1950s, the police harassment in subsequent years, and the many strains on her marriage. Her husband, in turn, is so hopelessly entangled in his project celebrating Hrabal that he is incapable of actually writing it. The story develops into a literary love triangle, as Hrabal becomes Anna’s confidant and an invisible participant in the marriage. Meanwhile two angels shadow the house, disguised as secret policemen and speaking with God via walkie-talkie in a surprising blend of celestial and urban slang. Their mission: to prevent Anna from aborting her fourth child. When this outcome is in doubt, God himself (aka Bruno) enters the scene; he chats with Hrabal, takes saxophone lessons from an irreverent Charlie Parker, and plays the sax for Anna to try to dissuade her from ending the pregnancy. Unfortunately the Lord is tone deaf, and his love for jazz and blues is matched only by his utter lack of musical talent. A brilliant stylist, Esterhazy creates a complex and playful novel through deft manipulation of language, tone, and perspective.

 

97818739823033. The Opal and Other Stories by Gustav Meyrink
Meyrink’s short stories epitomised the non-plus-ultra of all modern writing. Their magnificent colour, their spine-chilling and bizarre inventiveness, their aggression, their succinctness of style, their overwhelming originality of ideas, which is so evident in every sentence and phrase that there seems to be no lacunae; all this captivated me, and seemed to me to provide the proper antidote to all the adjectival prose and shallow, false romanticism of the immediate preceding generation.

 

4. Goose of Hermogenes by Ithell Colquhoun
The heroine of this story (described only as “I”) is compelled to visit a mysterious uncle who turns out to be a black magician who lords over a kind of Prospero’s Island that exists out of time and space. Startled by his bizarre behavior and odd nocturnal movements, she eventually learns that he is searching for the philosopher’s stone. When his sinister attentions fall upon the priceless jewel heirloom in her possession, bewilderment turns into stark terror and she realizes she must find a way off the island. An esoteric dreamworld fantasy composed of uncorrelated scenes and imagery mostly derived from medieval occult sources, Goose of Hermogenes might be described as a gothic novel, an occult picaresque, or a surrealist fantasy. However one wants to approach this obscure tale, it remains today as vividly unforgettable and disturbing as when it was first published by Peter Owen in 1961.

 

5. The Devastating Boys by Elizabeth Taylor 9780860683605
Here is the collection of Elizabeth Taylor’s greatest short stories. Varied in their settings and characters, they are nevertheless the quintessence of all that is most distinguished, and witty, in her art. We meet women, children and men, often ostensibly ordinary, who follow their paths of ruthlessness and ambition, each in pursuit of happiness, love, or power – each a classic creation.

 

6. The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism by Nicola Humble
“Middlebrow” has always been a dirty word, used disparagingly since its coinage in the mid-1920s for the sort of literature thought to be too easy, insular and smug. Aiming to rehabilitate the feminine middlebrow, Nicola Humble argues that the novels of writers such as Rosamund Lehmann, Elizabeth Taylor, Stella Gibbons, Nancy Mitford, played a powerful role in establishing and consolidating, but also in resisting, new class and gender identities in this period of volatile change for both women and the middle classes.

 

97818784487437. Trutor & the Balloonist by Debbie Lee Wesselmann
Trutor and the Balloonist has it all: mystery, Victorian riddles, contemporary issues, art mirroring a most unusual life, eccentric and lovable characters, suspected and surprise villains, domestic strife, and conflicted romance. Michelle Trutor accepts the task of compiling the biography of deceased Caroline Wharton, sifting through shocking materials forbidden to the Balloonist and his family in the will, and guarded by an overly zealous attorney. Readers are invited into the sleuthing as Caroline’s riddles are revealed – as if she planned the visits with Michelle’s all along.

 

8. Bright Day by J.B. Priestley
The novel was written towards the end of World War II. J.B. Priestley disclaimed any autobiographical roots in the work, but it is nontheless resonent with his early youth and coincided with JBP’s recoil from the commercial film world. Bright Day was the only serious novel that he wrote in the first person.  Gregory Dawson, the novel’s hero, is a middle-aged film script writer who goes off to Cornwall to complete a script. At his hotel he spots Lord and Lady Harndean, and realizes that they are the Malcolm and Eleanor Nixey he knew when he worked as a clerk in a Bruddersford wool firm. They represent the beginning of the break-up of the bright day which had preceded the year 1914, and thus the story starts to unfold…

 

9. The Misses Mallett by E.H. Young the-misses-mallett-e-h-young1
She sat there, vividly conscious of herself, and sometimes she saw the whole room as a picture and she was part of it; sometimes she saw only those three whose lives, she felt, were practically over, for even Aunt Rose was comparatively old. She pitied them because their romance was past, while hers waited for her outside; she wondered at their happiness, their interest in their appearance, their pleasure in parties; but she felt most sorry for Aunt Rose, midway between what should have been the resignation of her stepsisters and the glowing anticipation of her niece.

 

10. The Tudor Wench by Elswyth Thane
A novel of the young Queen Elizabeth I, first published in 1932, subsequently a play in London. Beginning with six year old Elizabeth puzzled by Anne Boleyn’s life and death, rocky relationship with her father, King Henry VIII, and her own instinctive, evolving regal role. Four sections: child, maid, princess and woman. Imaginative early years of the Elizabethan force based on extensive historical research, actual letters and compelling writing.

Purchase from The Book Depository

 

0

‘Wake’ by Anna Hope ****

‘Remembrance Day 1920: A wartime secret connects three women’s lives: Hettie whose wounded brother won’t speak; Evelyn who still grieves for her lost lover; and Ada, who has never received an official letter about her son’s death, and is still waiting for him to come home. As the mystery that binds them begins to unravel, far away, in the fields of France, the Unknown Soldier embarks on his journey home. The mood of the nation is turning towards the future – but can these three women ever let go of the past?’

9780552779463I had heard only good things about Wake, and some of my very favourite book bloggers have absolutely loved it, which was reason enough for me to pick up the relatively hefty hardback when I spotted it in the library.  I love historical fiction, but do not feel as though I’ve read much of it at late.  It perhaps goes without saying that had high hopes for the novel.

Wake is set across five days in November 1920, beginning in Arras in northern France (a city which I’m very familiar with) and then following several characters in London (ditto).  Its short span does not stop the novel from containing an awful lot.  Hope’s prose is so well structured, and I very much liked the way in which she drew protagonists from different places and walks of life.  We follow a single woman, a dancer working in a Hammersmith hall, a mother whose son is dead but who does not quite believe it, and an ex-Army Captain.  Each character has been broken in some way by the First World War, whether physically, emotionally, or mentally.  Every single one changes, or is changed, over the course of the five day period; Hope has clearly put a lot of thought into the realistic emotional changes which could occur, given the situations which each has been put into, or scenes which they encounter during this time.  Not quite knowing for the most part what would transpire for each protagonist, it made for a very rich, textured reading experience.

Wake is compelling.  The way in which Hope approached the novel was both sympathetic and well researched; I found myself interested in every character, and every scene.  As a debut novel, it is incredibly accomplished, and I come away feeling no surprise whatsoever that so many readers have raved about it.  It did not quite reach the heady heights of a novel which I adored, but I very much admired Hope’s effort, and will not hesitate to pick up another of her books in the near future.

Purchase from The Book Depository

0

One From the Archive: ‘Under the Tripoli Sky’ by Kamal Ben Hameda

Kamal Ben Hameda’s Under the Tripoli Sky – which has been nominated for various worldwide prizes – is Peirene Press’ third publication of 2014, and their fifteenth title in total.  It is the final book in their ‘Coming of Age’ series, and presents ‘a fascinating portrait of a pre-Gaddafi society on the verge of change’.  Under the Tripoli Sky has been translated from its original French by Adriana Hunter.

The novella takes place in Libya’s capital city during the 1960s, when it was ‘a sweltering, segregated society’.  The extract which Hameda has chosen to open Under the Tripoli Sky with, from The Book of Flies, sets the tone of the piece immediately: ‘The natives of this region were savage, hairy, toothless barbarians whose rutting season never came to an end, so they mated constantly, like their neighbours the monkeys’.  Hameda’s work is very dark in terms of its setting: ‘The land was surrounded by steep cliffs and impenetrable mountains…  The ground seethed with giant black snakes which fed on ostriches and antelope’.

Under the Tripoli Sky is told from the first person perspective of Hadachinou, a lonely young boy living in Tripoli.  From the first, his narrative voice is strong, as is the way in which he presents things: ‘I walked through the rooms filled with silence and a thousand motes of dust rising in sunbeams, spiralling steadily in apparent chaos towards a secret, absent centre’.  The majority of the scenes which unfold are vividly imagined.  There is a sense of gritty darkness from the beginning, when we realise, along with our protagonist, that Hadachinou’s family have been preparing for the circumcision of he and his brothers.  His naivety as a young character shines through here; upon the act, he says, ‘only now, at last, do I gauge the extent of the threat and try to get away’.

The real strength in Under the Tripoli Sky comes with the way in which Hameda demonstrates how bleak the city – and, indeed, Libya as a whole – was for its female inhabitants.  The rigid patriarchal society of the mid-twentieth century makes no bones about the way in which women are used only to keep the population going.  The men have not yet learnt to respect them, and the women are made to feel inferior through their actions.  Through Hadachinou, who watches those around him, Hameda shows the importance of women in Tripoli at the time; how much work they were involved in to prepare just a single meal, for example, and how they tended so lovingly to their families for no thanks whatsoever.  Violence and fear are woven into Hadachinou’s life, and all of the women around him have something to be frightened about.  His Aunt Hiba, for example, ‘didn’t want to show her broken teeth or her face with its fresh bruises from the latest blows inflicted by her husband…  He beat her whatever state he was in, drunk or first thing in the morning, and on any grounds’.

Whilst Under the Tripoli Sky is not the strongest novella on the Peirene list, it is both thought-provoking and powerful, and really does give a taste of Libyan life during the turbulent 1960s.

Purchase from The Book Depository