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Ten More Great Books

Today, I have gathered together ten books which I read quite some time ago, but which I rarely see written or spoken about. The books here are a mixture of fiction and non-fiction from different periods. I wanted to bring a little more attention to these quite excellent tomes, and really hope that you find something which takes your fancy.

1. Basil and Josephine by F. Scott Fitzgerald

‘Basil and Josephine charts the coming of age of two privileged youths from quiet Midwestern towns, Basil Duke Lee and Josephine Perry – based on Fitzgerald himself and a combination of his first love Ginevra King and his wife Zelda. As one struggles to gain the acceptance of his peers and becomes consumed by ambition, the other finds herself obsessed by teenage crushes and has to confront the pitfalls of popularity.

Written for the Saturday Evening Post while the author was working on Tender Is the Night, these stories form a realistic and entertaining portrait of two young adults in the 1910s, fascinating both for the autobiographical insights they provide and the timeless satire that Fitzgerald’s fiction has become synonymous with.’

2. Mad, Bad and Sad: A History of Women and the Mind Doctors from 1800 by Lisa Appignanesi

‘Mad, bad and sad. From the depression suffered by Virginia Woolf and Sylvia Plath to the mental anguish and addictions of iconic beauties Zelda Fitzgerald and Marilyn Monroe. From Freud and Jung and the radical breakthroughs of psychoanalysis to Lacan’s construction of a modern movement and the new women-centred therapies. This is the story of how we have understood mental disorders and extreme states of mind in women over the last two hundred years and how we conceive of them today, when more and more of our inner life and emotions have become a matter for medics and therapists.’

3. Dinosaurs on Other Planets by Danielle McLaughlin

‘A woman battles bluebottles as she plots an ill-judged encounter with a stranger; a young husband commutes a treacherous route to his job in the city, fearful for the wife and small daughter he has left behind; a mother struggles to understand her nine-year-old son’s obsession with dead birds and the apocalypse. In Danielle McLaughlin’s stories, the world is both beautiful and alien. Men and women negotiate their surroundings as a tourist might navigate a distant country: watchfully, with a mixture of wonder and apprehension. Here are characters living lives in translation, ever at the mercy of distortions and misunderstandings, striving to make sense both of the spaces they inhabit and of the people they share them with.’

4. Rain: Four Walks in English Weather by Melissa Harrison

I chose Melissa Harrison’s Rain: Four Walks in English Weather to read during my final Dewey’s 24-Hour Readathon. It is truly lovely; within its pages, Harrison takes four countryside walks around various parts of England, and in different seasons. Her writing is lovely, and she makes the most of discussing the ways in which rain affects particular landscapes, and how the animals which live within them have adapted – or not, as the case may be. Rain is geographically, geologically, historically, and biologically interesting, and provides several nods to works of literature throughout. Charming, thought-provoking, and lovely, particularly when one considers it in tandem with its glossary, which provides one hundred words for different kinds of rain around the United Kingdom.

5. The High Places: Stories by Fiona McFarlane

What a terrible thing at a time like this: to own a house, and the trees around it. Janet sat rigid in her seat. The plane lifted from the city and her house fell away, consumed by the other houses. Janet worried about her own particular garden and her emptied refrigerator and her lamps that had been timed to come on at six.

So begins “Mycenae,” a story in The High Places, Fiona McFarlane’s first story collection. Her stories skip across continents, eras, and genres to chart the borderlands of emotional life. In “Mycenae,” she describes a middle-aged couple’s disastrous vacation with old friends. In “Good News for Modern Man,” a scientist lives on a small island with only a colossal squid and the ghost of Charles Darwin for company. And in the title story, an Australian farmer turns to Old Testament methods to relieve a fatal drought. Each story explores what Flannery O’Connor called “mystery and manners.” The collection dissects the feelings–longing, contempt, love, fear–that animate our existence and hints at a reality beyond the smallness of our lives.

Salon‘s Laura Miller called McFarlane’s The Night Guest “a novel of uncanny emotional penetration . . . How could anyone so young portray so persuasively what it feels like to look back on a lot more life than you can see in front of you?” The High Places is further evidence of McFarlane’s preternatural talent, a debut collection that reads like the selected works of a literary great.’

6. A Little Love, A Little Learning by Nina Bawden

‘It is 1953 and Joanna, Kate and Poll, who are eighteen, twelve and six, are living in a riverside suburb of London with their mother Ellen and their stepfather Boyd, the local doctor. Then the past arrives to upset the present in the person of Aunt Hat, a gossipy old friend whose husband has been imprisoned for assulting her, and who seems to bring news from a different world of chaos and drama. The real danger, however, comes not from Aunt Hat’s indiscretions but from the girls themselves.’

7. Portrait of a Family by Richmal Crompton

‘Happily married for thirty years with three children that have long since grown up, Christopher Mainwaring finds himself at a total loss following the death of his beloved wife, Susan. Yet the joyful marriage he remembers may not have been all it seemed, for no one in the family knows of the troubling words his wife uttered to him from her death bed . . .

Alluding to a possible affair that took place many years ago with a close family friend, the grieving widower is haunted by visions of Susan’s infidelity and seeks to find out the truth. In his quest to unearth his wife’s potential duplicity, Christopher finds himself looking to his children’s complex lives for answers: Joy who is now married with children and concerns of her own, the professionally inept but kind-hearted Frank and his neurotic wife Rachel, and Derek, whose delusions of grandeur with his struggling business causes much distress for his long-suffering wife, Olivia.

Portrait of a Family by Richmal Crompton provides universal reflections and intimate insights into the dynamics of family life with a startling clarity that will stay with the reader long after the final page has been turned.’

8. Heating and Cooling: 52 Micro-Memoirs by Beth Ann Fennelly

‘The 52 micro-memoirs in the genre-defying Heating & Cooling offer bright glimpses into a richly lived life. They build on one another to arrive at a portrait of Beth Ann Fennelly as a wife, mother, writer, and deeply original observer of life’s challenges and joys. Some pieces are wistful, some poignant, and many of them reveal the humor buried below the surface of everyday interactions. Heating & Cooling shapes a life from unexpectedly illuminating moments, and awakens us to these moments as they appear in the margins of our lives.’

I had not heard of Beth Ann Fennelly’s Heating and Cooling before, but stumbled across it on my online library catalogue and borrowed it immediately. I love fragmented memoirs, and this is a particularly interesting one. Through each of these ‘micro-memoirs’, Fennelly reveals herself little by little. The entries are amusing, and sometimes quite touching; Fennelly’s approach is fresh and enjoyable. There is such depth and consideration to the writing, and I will definitely be looking out for Fennelly’s books in future.

9. Undying: A Love Story by Michel Faber

‘In Undying Michel Faber honours the memory of his wife, who died after a six-year battle with cancer. Bright, tragic, candid and true, these poems are an exceptional chronicle of what it means to find the love of your life. And what it is like to have to say goodbye.

All I can do, in what remains of my brief time,
is mention, to whoever cares to listen,
that a woman once existed, who was kind
and beautiful and brave, and I will not forget
how the world was altered, beyond recognition,
when we met.

10. The Gigantic Beard That Was Evil by Stephen Collins

‘On the buttoned-down island of Here, all is well. By which we mean: orderly, neat, contained and, moreover, beardless.

Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable… monster*!

Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?

The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.

(*We mean a gigantic beard, basically.)’

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Short Story Collections

I have always been a fan of the short story; they are sharp, thoughtful reflections on very precise portions of life, and often stick in my mind for an awfully long time. I find that I review short story collections far less often than I do novels, or works of non-fiction, so I thought I would gather together several which I have very much enjoyed, and would highly recommend.

1. Runaway by Alice Munro

‘The incomparable Alice Munro’s bestselling and rapturously acclaimed Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own.’

2. On the Golden Porch by Tatyana Tolstaya

A few words to describe this wonderful, dark short story collection; original, compelling, evocative, rich, creepy, mysterious, startling, overwhelming, claustrophobic, and important. These thirteen stories, which have been translated from the original Russian, focus on outsiders, those who do not quite belong.

3. Help Yourself by Curtis Sittenfeld

‘Sittenfeld’s wryly hilarious and insightful new collection, Help Yourself, illuminates human experience and gracefully upends our assumptions about class and race, envy and disappointment, gender dynamics and celebrity.

Suburban friends fall out after a racist encounter at a birthday party is caught on video and posted on Facebook; an illustrious Manhattan film crew are victims of their own snobbery when they underestimate a pre-school teacher from the Mid-West; and a group of young writers fight about love and narrative style as they compete for a prestigious bursary.

Connecting each of these three stories is Sittenfeld’s truthful yet merciless eye, as her characters stagger from awkwardness, to humiliation and, if they’re lucky, to reconciliation. Full of tenderness and compassion, this dazzling collection celebrates our humanity in all its pettiness and glory.’

4. Not the End of the World by Kate Atkinson

‘This is a daring, witty and provocative collection of twelve thematically-linked stories.

Inspired by Ovid’s Metamorphoses or, if you prefer, by Prada, Mary Poppins, Moschino and Barbie, these are stories of abandoned children and lonely adults, the seductiveness of our consumer society and fatalism in a post-Apocalyptic world.

From Charlene and Trudi, shopping madly while bombs explode outside, to gormless Eddie, a cataloguer of fish, and Meredith Zane who has discovered the secret to eternal life, each story brings to life a startling cast of characters. Linking the stories is an exploration of the infinite variety of ways in which people attempt to change the world around them, and themselves.’

5. I Want to Know That I Will Be Okay by Deirdre Sullivan

‘In this dark, glittering collection of short stories, Deirdre Sullivan explores the trauma and power that reside in women’s bodies.

A teenage girl tries to fit in at a party held in a haunted house, with unexpected and disastrous consequences. A mother and daughter run a thriving online business selling antique dolls, while their customers get more than they bargained for. And after a stillbirth, a young woman discovers that there is something bizarre and wondrous growing inside of her.

With empathy and invention, Sullivan effortlessly blends genres in stories that are by turns strange and exquisite. Already established as an award-winning writer for children and young adults, I Want to Know That I Will Be Okay marks her arrival as a captivating new voice in literary fiction.’

6. Interpreter of Maladies by Jhumpa Lahiri

‘Navigating between the Indian traditions they’ve inherited and the baffling new world, the characters in Jhumpa Lahiri’s elegant, touching stories seek love beyond the barriers of culture and generations. In “A Temporary Matter,” published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.’

Have you read any of these books? Which short story collections are your favourites? Please feel free to send me some recommendations, which will be much appreciated.

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The Book Trail: From Hunger to Nives

I am beginning the first episode of The Book Trail in 2022 with a memoir which I greatly enjoyed listening to last year. As ever, I have chosen to use the ‘Readers Also Enjoyed’ feature on Goodreads in order to generate this list. Please let me know if you’ve read any of these books, and which you would recommend!

1. Hungry by Grace Dent

‘From an early age, Grace Dent was hungry. As a little girl growing up in Currock, Carlisle, she yearned to be something bigger, to go somewhere better. Hungry traces Grace’s story from growing up eating beige food to becoming one of the much-loved voices on the British food scene. It’s also everyone’s story – from treats with your nan, to cheese and pineapple hedgehogs, to the exquisite joy of cheaply-made apple crumble with custard. It’s the high-point of a chip butty covered in vinegar and too much salt in the school canteen, on an otherwise grey day of double-Maths and cross country running. It’s the real story of how we have all lived, laughed, and eaten over the past 40 years.’

2. Holiday Heart by Margarita García Robayo

‘From internationally acclaimed Colombian author Margarita García Robayo, and following the success of Fish Soup (selected by the TLS as one of the Best Books of the Year, 2018), comes her latest novel Holiday Heart.

Lucía and Pablo are a couple, they are also school teachers who left Colombia to make a living in the US. While Pablo keeps fond memories of his motherland and a close relationship with his family, Lucía rejects all notions of patriotism, nostalgia and sense of belonging. After struggling to conceive for a long time, Lucía finally gets pregnant with twins. Zealously looking after them, she excludes her husband from this new family life. Hurt and frustrated, Pablo attempts to boost his ego through dispassionate affairs with underage students. While he works on his novel, Lucía writes a feminist column for a magazine picking apart marriage, motherhood and all things related to being a middle-class woman. After one of his affairs comes to light, Lucía takes the kids to Florida while Pablo remains in their empty home thinking about all the time they’ve shared: petty fights, selfish decisions, unkind words. While being apart, they both begin to wonder whether perhaps their love has come to an irreparable end.’

3. The Pear Field by Nana Ekvtimishvili

‘In post-soviet Georgia, on the outskirts of Tbilisi, on the corner of Kerch St., is an orphanage. Its teachers offer pupils lessons in violence, abuse and neglect. Lela is old enough to leave but has nowhere else to go. She stays and plans for the children’s escape, for the future she hopes to give to Irakli, a young boy in the home. When an American couple visits, offering the prospect of a new life, Lela decides she must do everything she can to give Irakli this chance.’

4. The Dangers of Smoking in Bed by Mariana Enríquez

‘Following the “propulsive and mesmerizing” (New York Times Book Review ) Things We Lost in the Fire comes a new collection of singularly unsettling stories, by an Argentine author who has earned comparisons to Shirley Jackson and Jorge Luis Borges.

Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken — fetish, illness, the female body, the darkness of human history — with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can’t let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly.

Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina’s most exciting writers finds Enriquez at her most sophisticated, and most chilling.’

5. Eartheater by Dolores Reyes

‘Electrifying and provocative, visceral and profound, a powerful literary debut novel about a young woman whose compulsion to eat earth gives her visions of murdered and missing people—an imaginative synthesis of mystery and magical realism that explores the dark tragedies of ordinary lives.

Set in an unnamed slum in contemporary Argentina, Earth-eater is the story of a young woman who finds herself drawn to eating the earth—a compulsion that gives her visions of broken and lost lives. With her first taste of dirt, she learns the horrifying truth of her mother’s death. Disturbed by what she witnesses, the woman keeps her visions to herself. But when Earth-eater begins an unlikely relationship with a withdrawn police officer, word of her ability begins to spread, and soon desperate members of her community beg for her help, anxious to uncover the truth about their own loved ones.

Surreal and haunting, spare yet complex, Earth-eater is a dark, emotionally resonant tale told from a feminist perspective that brilliantly explores the stories of those left behind—the women enduring the pain of uncertainty, whose lives have been shaped by violence and loss.’

6. The Pharmacist’s Mate and 8 by Amy Fusselman

‘Amy Fusselman’s first two books, The Pharmacist’s Mate and 8, weave surprising beauty out of diverse strands of personal reflection. Half memoir and half philosophical improvisation, each focuses loosely on a relationship with a man in the author’s life: The Pharmacist’s Mate with her recently deceased father, and 8 with “my pedophile” (as Fusselman painfully refers to her childhood assailant). Along the way, Fusselman covers sea shanties and artificial insemination, World War II and AC/DC, alternative healers and monster-truck videos. Fusselman’s “wholly original epigrammatic style” (Vogue) “makes the world strange again, a place where dying and making life are equally mysterious and miraculous activities” (Time Out New York).’

7. The Gunners by Rebecca Kauffman

‘Following on her wonderfully received first novel, Another Place You’ve Never Been, called “mesmerizing,” “powerful,” and “gorgeous,” by critics all over the country, Rebecca Kauffman returns with Mikey Callahan, a thirty-year-old who is suffering from the clouded vision of macular degeneration. He struggles to establish human connections—even his emotional life is a blur.

As the novel begins, he is reconnecting with “The Gunners,” his group of childhood friends, after one of their members has committed suicide. Sally had distanced herself from all of them before ending her life, and she died harboring secrets about the group and its individuals. Mikey especially needs to confront dark secrets about his own past and his father. How much of this darkness accounts for the emotional stupor Mikey is suffering from as he reaches his maturity? And can The Gunners, prompted by Sally’s death, find their way to a new day? The core of this adventure, made by Mikey, Alice, Lynn, Jimmy, and Sam, becomes a search for the core of truth, friendship, and forgiveness.

A quietly startling, beautiful book, The Gunners engages us with vividly unforgettable characters, and advances Rebecca Kauffman’s place as one of the most important young writers of her generation.’

8. Nives by Sacha Naspini

‘One of the most exciting new voices in Italian literature brings to life a hauntingly beautiful story of undying love, loss, and resilience, and a fierce, unforgettable new heroine

Nives can’t seem to be able to shed a tear for her husband’s death. She didn’t cry when she found the body, she didn’t cry at the funeral. Even the fog of her loneliness evaporates quickly when she decides to keep her favorite chicken Giacomina with her in the bedroom. She suddenly feels relieved, almost happy, but also guilty: how can the company of a chicken replace her dead husband?

Then one day, Giacomina becomes paralyzed in front of the tv. Unable to wake her up, Nives has no choice but to call the town’s veterinarian, Loriano Bottai, an old acquaintance of hers. What follows is a phone call that seems to last a lifetime. The conversation veers from the chicken to the past—to the life they once shared, the secrets they never had the courage to reveal, wounds that never healed.

Nives echoes the stories we tell ourselves at night, when we can’t sleep: stories of love lost, of abandonment, of silent and heart-breaking nostalgia. With delicate yet sharp prose and raw, astonishing honesty, Sacha Naspini bravely explores the core of our shared humanity.’

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‘Of Cats and Elfins: Short Tales and Fantasies’ by Sylvia Townsend Warner ****

I received a copy of Sylvia Townsend Warner’s Of Cats and Elfins: Short Tales and Fantasies from a dear friend for Christmas. We studied Townsend Warner’s fantastic masterpiece of a novel, Lolly Willowes, together whilst postgraduate students, and have both retained a fondness for her inventive work. I was unaware that this collection, printed by Handheld Press, had been published, so it was a lovely surprise to open.

The pieces within Of Cats and Elfins are previously uncollected, and range from between 1927 and 1984, spanning Townsend Warner’s entire writing career. It is, says its blurb, a ‘forgotten collection of fantasy stories and folk tales about human bravery and dispassionate animals, written in the darkest days of wartime Britain’. It includes Townsend Warner’s 1927 essay, ‘Elfins’, and the entirety of her Cat’s Cradle book, which was originally published in the United States in 1940, and the United Kingdom in 1960. Of Cats and Elfins is intended as a companion volume to Kingdoms of Elfin, a collection of Townsend Warner’s fantasy stories, which were published by Handheld Press in 2018.

Of Cats and Elfins features a meticulous introduction by fantasy author Greer Gilman. She writes of the diversity collected here: ‘Fantasy ran underground with Warner, flashing out like a hidden river, each time in a new landscape: witchlore; myth; folktale; invisible kingdoms. What they share is Warner’s worldview, her inimitable voice.’ Greer goes on to give a lot of specific critique of the pieces collected here.

The first piece in this collection is ‘The Kingdom of Elfin’, which sets out Townsend Warner’s imagined fantasy world. Here, she writes: ‘It is a sad fact, but undeniable; the Kingdom of Elfin had a very poor opinion of humankind. I suppose we must seem to them shocking boors, uncouth, noisy, ill-bred and disgustingly oversized.’ There are several Elfin stories to be found here, all set in a vividly imagined and expansive land, which is redolent almost of that in The Lord of the Rings. Townsend Warner’s worldbuilding is faultless; there is such a thoroughness to it. I enjoyed this part of the collection to a point, but I did find it a little difficult at times to suspend my disbelief, and feel that I would have got more out of it if I had read Kingdoms of Elfin previously.

Townsend Warner’s wicked sense of humour is displayed throughout the Elfin stories, and can also be found at times in her animal stories. These tales have an almost Aesop’s Fables-style feel to them; some could be construed as moralistic. There are echoes of the fairytale here too, but Townsend Warner makes the genre something all her own. The unexpected lives in each of these stories, which follow many different animal species – magpies, foxes, phoenixes, a tiger who learns the meaning of ‘virtue’… In ‘Introduction’, as an example, the many cat characters can interact – in clever flourishes of speech, and witty asides – with the humans they live alongside. This piece is my favourite in the entirety of Of Cats and Elfins; I found it quite delightful.

Entwined throughout is the wonder of the natural world, something which feeds into each of these stories. Her descriptions are exquisite. In ‘Stay, Corydon, Thou Swain’, for instance, she crafts: ‘But in the shadow of the wood, where the sun had not penetrated, the thorn trees were at the perfection of their bloom. They were very old trees, gnarled, and tufted with greenish-grey moss, dry and dead-coloured. It did not seem possible that these angular boughs should have pit out the lacework of milky blossoms: each a blunt star, each with its little pointed pink star within it. It seemed rather as though light had rested upon the dead boughs and turned it into blossom.’ In ‘Introduction’, the first piece in the Cat’s Cradle collection, she writes: ‘The house was handsome too, its good looks sobered by age and usage – a seventeenth-century house with a long façade… It gave an impression of slenderness, of being worn smooth and thin like an old spoon… the general tint of the house was that of a ripening pear with streaks of vague rose and pale madder flushing its sallow skin.’

I must admit that I am not really a fan of fantasy, and it is a genre which I rarely – if ever – reach for. Townsend Warner is a firm favourite of mine, however, and I will gladly read all of her work. This sounded both intriguing and charming, and it was; there is a real otherworldly quality to it. It was a joy to reacquaint myself with Townsend Warner, and I was struck once again by her inventiveness, and the myriad ways in which she was well ahead of her time.

Of Cats and Elfins collects together a full bibliography of Townsend Warner’s published work; it reminded me both that I have hardly explored her oeuvre to date, and that a lot of her work is sadly very difficult to get hold of, particularly for an affordable price. This collection is wonderful to have; it provides such wonderful escapism, and I very much appreciated the lively unpredictability of her work.

Of Cats and Elfins is undoubtedly odd, but rather enchanting. It reminded me throughout of Scottish author Naomi Mitchison, whose work has so enchanted and – I admit – mildly confused me in the past. The collection is highly memorable, and whilst I was perhaps a little less enraptured by the Elfin stories than many readers will be, I will certainly be thinking about them in future. I would like to revisit this collection, particularly if I do pick up the Kingdoms of Elfin tales at some point – although unless I make a dramatic U-turn in my reading life and start enjoying fantasy novels, I’m not sure that this will be at the top of my to-read list.

Regardless, Of Cats and Elfins is highly recommended, whether you are a fan of fantasy, or just of Modernism. There is so much to admire here, and a great deal to consider. If you have never read Townsend Warner, and my comments here have enticed you to pick up one of her books, I would point you towards Lolly Willowes as a starting point. Of Cats and Elfins, though, would be a good choice to follow her most famous novel with.

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‘The Merry Spinster’ by Daniel Mallory Ortberg ****

I had not heard of The Merry Spinster: Tales of Everyday Horror before I plucked it from a library shelf, but I had read snippets about its author, Mallory Ortberg, around the Internet. I really enjoy magical realism, and hadn’t read much of it during 2020, so I very much looked forward to beginning this short story collection.

The Merry Spinster reminded me – after reading its blurb, and a host of comments which point to its originality – of something by Kirsty Logan, an author whose work I always find clever and imaginative. A review by John Scalzi particularly caught my eye; he writes that ‘the sloe gin wit of Dorothy Parker and the soul of a Classics nerd’ have been combined in Ortberg’s work.

The Merry Spinster is comprised of eleven ‘darkly mischievous stories based on classic fairy tales. Sinister and inviting, familiar and alien’, Ortberg ‘updates traditional children’s stories… with elements of psychological horror, emotional clarity and a keen sense of feminist mischief.’ The author has also included a short note on the sources and inspirations used in this collection – the Brothers Grimm feature heavily, but authors famous for tales about anthropomorphic animals, such as Kenneth Grahame and Arnold Lobel, also make an appearance. There is even a biblical tale, based on Genesis.

I very much liked the frank, cool matter-of-fact prose in these tales. In the first, ‘Daughter Cells’, Ortberg writes: ‘There once was a king who owned a great deal of what lay under the surface of the sea, and he happened to fill it with his daughters. Another man might have filled it with something else – potato farmers or pop-eyed scholars or merchant marines – but this one filled it with daughters, so there’s no use arguing about it now.’

I loved the unusual descriptions which Ortberg often creates, in which the monstrous is made a thing of beauty, and vice versa. For instance, in ‘The Daughter Cells’: ‘Now here is what the sea witch looked like: she was hinged neatly in the middle; she could jump very high by bending and straightening her great-foot; she could whistle water through her teeth and hit a swimming fish one hundred yards away; and she had no head at all. She was lovely to look at.’

Ortberg somehow makes the lewd and ridiculous feel quite realistic, and writes throughout with a practiced hand. A lot of societal conventions, particularly those regarding sexuality and gender, are turned on their head. There is something both whimsically old-fashioned and searingly modern to be found within The Merry Spinster, particularly with regard to its dialogue patterns.

Clues are given in each story regarding their original source material, but there is certainly something which feels fresh and new within The Merry Spinster. Much of Ortberg’s prose holds the sinister, unsettling feeling which, of course, exists in the vast majority of fairytales. Ortberg’s stories, which often move in surprising directions, are rather beguiling, and highly memorable. They provoke much consideration in the mind of the reader with their clever subversion of events. The Merry Spinster is strange and unsettling, but it also hums with a true beauty.

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Eight Great Audiobooks

I had sampled the odd audiobook in the past, but it wasn’t until 2020 that I began to listen to them regularly. I am fortunate that my local library offers a great deal of titles for free on the BorrowBox app, and although this is the sole resource which I personally use for audiobooks, I know that many people pay for subscriptions to the likes of Audible and Scribd.

I haven’t reviewed any of the books which I came to on audio, but the following eight were standouts to me last year. I loved the narration and delivery for the mostpart, and also the way in which I was able to immerse myself in so many titles which I otherwise would not have been able to find very easily. I would highly recommend that if you are interested in the following books, you should try and find the audio version. However, I’m sure they would be just as good on the page too!

The Bright Hour: A Memoir of Living and Dying by Nina Riggs
‘Nina Riggs was just thirty-seven years old when initially diagnosed with breast cancer–one small spot. Within a year, the mother of two sons, ages seven and nine, and married sixteen years to her best friend, received the devastating news that her cancer was terminal. How does one live each day, “unattached to outcome”? How does one approach the moments, big and small, with both love and honesty.

Exploring motherhood, marriage, friendship, and memory, even as she wrestles with the legacy of her great-great-great grandfather, Ralph Waldo Emerson, Nina Riggs’s breathtaking memoir continues the urgent conversation that Paul Kalanithi began in his gorgeous When Breath Becomes Air. She asks, what makes a meaningful life when one has limited time?

Brilliantly written, disarmingly funny, and deeply moving, The Bright Hour is about how to love all the days, even the bad ones, and it’s about the way literature, especially Emerson, and Nina’s other muse, Montaigne, can be a balm and a form of prayer. It’s a book about looking death squarely in the face and saying “this is what will be.” Especially poignant in these uncertain times, The Bright Hour urges us to live well and not lose sight of what makes us human: love, art, music, words.’

Death and the Seaside by Alison Moore
‘With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents’ home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together – to the seaside, perhaps.

The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.’

I Want You To Know We’re Still Here: A Post-Holocaust Memoir by Esther Safran-Foer
‘Esther Safran Foer grew up in a home where the past was too terrible to speak of. The child of parents who were each the sole survivors of their respective families, for Esther the Holocaust loomed in the backdrop of daily life, felt but never discussed. The result was a childhood marked by painful silences and continued tragedy. Even as she built a successful career, married, and raised three children, Esther always felt herself searching.

So when Esther’s mother casually mentions an astonishing revelation–that her father had a previous wife and daughter, both killed in the Holocaust–Esther resolves to find out who they were, and how her father survived. Armed with only a black-and-white photo and a hand-drawn map, she travels to Ukraine, determined to find the shtetl where her father hid during the war. What she finds reshapes her identity and gives her the opportunity to finally mourn.

I Want You to Know We’re Still Here is the poignant and deeply moving story not only of Esther’s journey but of four generations living in the shadow of the Holocaust. They are four generations of survivors, storytellers, and memory keepers, determined not just to keep the past alive but to imbue the present with life and more life.’

Salt Slow by Julia Armfield
‘This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.’

The Wolf Border by Sarah Hall
‘Rachel Caine is a zoologist working in Nez Perce, Idaho, as part of a wolf recovery project. She spends her days, and often nights, tracking the every move of a wild wolf pack—their size, their behavior, their howl patterns. It is a fairly solitary existence, but Rachel is content.

When she receives a call from the wealthy and mysterious Earl of Annerdale, who is interested in reintroducing the grey wolf to Northern England, Rachel agrees to a meeting. She is certain she wants no part of this project, but the Earl’s estate is close to the village where Rachel grew up, and where her aging mother now lives in a care facility. It has been far too long since Rachel has gone home, and so she returns to face the ghosts of her past.

The Wolf Border is a breathtaking story about the frontier of the human spirit, from one of the most celebrated young writers working today.’

The Glass House by Eve Chase
‘Outside a remote manor house in an idyllic wood, a baby girl is found. The Harrington family takes her in and disbelief quickly turns to joy. They’re grieving a terrible tragedy of their own and the beautiful baby fills them with hope, lighting up the house’s dark, dusty corners. Desperate not to lose her to the authorities, they keep her secret, suspended in a blissful summer world where normal rules of behaviour – and the law – don’t seem to apply.

But within days a body will lie dead in the grounds. And their dreams of a perfect family will shatter like glass. Years later, the truth will need to be put back together again, piece by piece . . .

From the author of Black Rabbit Hall, The Glass House is a emotional, thrilling book about family secrets and belonging – and how we find ourselves when we are most lost.’

Vesper Flights by Helen Macdonald
‘Helen Macdonald’s bestselling debut H is for Hawk brought the astonishing story of her relationship with goshawk Mabel to global critical acclaim and announced Macdonald as one of this century’s most important and insightful nature writers. H is for Hawk won the Samuel Johnson Prize for Nonfiction and the Costa Book Award, and was a finalist for the National Book Critics Circle Award and the Kirkus Prize for Nonfiction, launching poet and falconer Macdonald as our preeminent nature essayist, with a semi-regular column in the New York Times Magazine.

In Vesper Flights Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing songbirds from the Empire State Building as they migrate through the Tribute of Light, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk’s poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds’ nests, and the unexpected guidance and comfort we find when watching wildlife. By one of this century’s most important and insightful nature writers, Vesper Flights is a captivating and foundational book about observation, fascination, time, memory, love and loss and how we make sense of the world around us.’

Uncanny Valley by Anna Wiener
‘At twenty-five years old, Anna Wiener was beginning to tire of her assistant job in New York publishing. There was no room to grow, and the voyeuristic thrill of answering someone else’s phone had worn thin. Within a year she had moved to San Francisco to take up a job at a data analytics start-up in Silicon Valley. Leaving her business casual skirts and shirts in the wardrobe, she began working in company-branded T-shirts and hoodies. She had a healthy income for the first time in her life. She felt like part of the future.

But a tide was beginning to turn. People were speaking of tech start-ups as surveillance companies. Out of sixty employees, only eight of her colleagues were women. Casual sexism was rife. Sexual harassment cases were proliferating. And soon, like everyone else, she was addicted to the internet, refreshing the news, refreshing social media, scrolling and scrolling and scrolling. Slowly, she began to realise that her blind faith in ambitious, arrogant young men from America’s soft suburbs wasn’t just her own personal pathology. It had become a global affliction.

Uncanny Valley is a coming of age story set against the backdrop of our generation’s very own gold rush. It’s a story about the tension between old and new, between art and tech, between the quest for money and the quest for meaning – about how our world is changing for ever.’

Have you read, or listened to, any of these books? Are you a fan of audiobooks? Which is your favourite?

2

‘Awayland: Stories’ by Ramona Ausubel ****

Ramona Ausubel is one of my absolute favourite authors, but her work has proven to be rather difficult to find in the United Kingdom. When I spotted a copy of her newest publication, a short story collection entitled Awayland, for an affordable price on AbeBooks, I just had to order it. This gorgeously designed paperback has been well received, with the San Francisco Chronicle, for instance, writing that it ‘astounds for its daring visionary scope and compassion.’

Eleven tales make up Awayland, and these have been subsequently split up into different sections, something which feels rather rare in the form of a short story collection. They introduce us, says the blurb, ‘to a geography both fantastic and familiar’, and to the ‘tangle and thump of her characters’ inner worlds and emotional truths’.

The first rather humorous story in the collection, ‘You Can Find Love Now’, takes us through the dating profile of a Cyclops; he calls himself Cyclops15 online, as ‘Cyclops 1 through 14 were taken’. In ‘Freshwater from the Sea’, a woman in Lebanon is nearing the end of her life, and is beginning to disappear. Ausubel writes: ‘Where she had once been a precise oil painting, now she was a watercolor.’ Her state is continually changing, and as we near the end of the story, her daughter observes: ‘She looked more and more like weather, like a brewing storm.’

‘Template for a Proclamation to Save the Species’ is set in the ‘shittiness’ of a town in northern Minnesota, where the residents are failing to reproduce. The narrator of the story observes: ‘It is as if their lives are so boring, so deeply muddy that it hardly even occurs to two people with enough feeling to create anything other than a disappointed sigh.’ The town’s mayor puts into place a ‘designated sex day’, which culminates in the prize of a free car for whichever couple gives birth first on a chosen date.

‘Departure Lounge’ is a story about a group of astronauts, in training in a remote part of Hawaii: ‘We lived in a bubble on a crater on a mountain on an island in the middle of the Pacific Ocean, but where we imagined we lived was Mars.’ The chef of the group, who narrates the story, later reveals her loneliness, and her sadness at the way in which her own plans have been put on hold in order to take part in the experiment: ‘I would be a good mother. I would be generous and interested in all the side-roads of childhood – superheroes and princesses and dinosaurs and bugs and minor weaponry and animal rights. I would mean it, if only someone would join me in my little life.’

There is much in Awayland about bodies changing, both in terms of ageing, and from flesh into other states. Many of the stories contain pregnancy, and what it means to move into the state of motherhood. Ausubel also reflects at length on what it means to confront one’s own mortality. Throughout, Ausubel’s prose is layered, and unusual. In ‘Remedy’, for instance, protagonist Summer is described as ‘the smell of fire and the smell of pine forest and the smell of a storm’.

I find Ausubel’s work wondrously inventive, but I must admit that Awayland is my least favourite of her publications to date. Whilst there are undoubtedly some great and original ideas to be found here, I did not feel as though the sense of creativity and imagination which normally suffuses her stories was as strong as it perhaps could have been. The tales are not as memorable as I was expecting, either.

There is whimsy here, something which Ausubel usually excels with, but this sometimes feels a little overshadowed by other elements. There is also a great deal less magical realism than can be found in earlier stories and novels. Regardless, Ausubel definitely deserves a great deal more attention, and I wholeheartedly look forward to her next book – whatever that may be.

3

‘Miss Browne’s Friend: A Story of Two Women’ by F.M. Mayor ****

As a reader who likes to pick up books that barely anyone seems to be reading, I am so grateful to publishers like Michael Walmer, who make it their mission to sift through a great deal of forgotten literature, and reprint the real gems for a modern audience. The gorgeously designed hardback edition of F.M. Mayor’s Miss Browne’s Friend is the newest addition to my collection, and is part of the Zephyr Books list.

I have read, and very much enjoyed, two of Virago author F.M. Mayor’s novels in the past – The Rector’s Daughter and The Third Miss Symons – and was overjoyed when I was offered a review copy of her little known serialised short story, Miss Browne’s Friend. It first appeared in four parts in the Free Church Suffrage Times, between June 1914 and March 1915, and was published just a year after her first novel, The Third Miss Symons. In this printed format, it fills just 32 pages, and can easily be read in a single sitting.

The protagonist of the piece is Miss Ethel Browne, ‘a typical adornment of her era’. In the years before World War One, Miss Browne is a single woman of a ‘certain age’, seen as a spinster by all around her. After reading an advertisement printed by the Rescue Home, Miss Browne is paired with a young woman named Mabel Roberts, who has ‘fallen into dubious ways’. The aim of this programme is to aid fallen women, and to make them more respectable. The book’s blurb writes of the way in which ‘Miss Browne is somewhat dazzled by Mabel’s beauty, and charmed by her simple transparency and determination to be good.’

I love the way in which the story begins. Mayor writes: ‘In almost every village in England a Miss Browne is to be found; in every town several Miss Brownes; in London they must be almost too many to count.’ These ‘Miss Brownes’ are described as ‘spinsters from thirty onwards’, who are using their lives to help others – ‘their families, their friends, their village, their town, and their country.’ Our particular Miss Browne hails from Croydon, where she largely ‘waited on a mother who did not want waiting on.’

After their initial meeting, Miss Browne has a real fondness for her charge. Mayor writes: ‘even in this little half-hour they had come close to intimacy’, and explains that afterwards, Miss Browne almost forgot to get out at her proper turning, she was so busy with benevolent schemes for Mabel’s future.’ It becomes, in a way, Miss Browne’s responsibility to help Mabel into work, and she finds several positions for her. This has a great effect on Miss Browne, too. When she learns of the mistakes which Mabel has made in her first posting, in which she is supposed to be helping two elderly ladies, ‘the whole taste’ goes out of her tea, ‘and she almost forgot to answer her mother cheerfully.’ One after another, these positions fall through, as employers tire of Mabel’s ways, and of her attitude. In a later posting, in which Mabel becomes a waitress in a London restaurant, Mayor wryly comments: ‘Everything went beautifully – until the usual earthquake.’

Mayor has a real knack for setting scenes deftly, with just a few details. She does the same with her characters; Miss Browne, for instance, possessed ‘a face which no one (herself included) could ever remember much about, [and so] she had a peculiar tenderness for beauty.’ Despite the shortness of the piece, Mayor manages to cover a great deal of ground here. Miss Browne’s Friend feels as expansive as a novel, in many ways, and its plot is whole, and well shaped. The balance between seriousness and humour has been expertly handled here, too.

The blurb of Miss Browne’s Friend hails F.M. Mayor as ‘one of the most sensitive exponents of the challenges and uncertainties of single women’s lives in her times’. I have to agree; despite the brevity of this story, it is tremendously useful from an historical perspective. Mayor wrote largely about women’s lives, and always takes into account differences between the classes, and the way in which individuals can often be so naive about the lives and situations of others.

Miss Browne’s Friend is immediately absorbing, and provides a lot of intrigue. I would highly recommend it to anyone interested in the social aspect of the period immediately preceding the First World War, and to any fans of Virago and Persephone books. This is a story which is sure to delight. I thoroughly hope that a great deal of readers go on to pick it up, and that they enjoy it just as much as I did.

6

The TED Reading List

I recently came across this very interesting reading list, published by TED in 2018.  It is wonderfully varied, and certainly contains quite a few niche genres which I certainly have not read before.  Although the list specifies that these choices are aimed at summer reading, I thought that I would look through it and pick out ten titles which I would like to get to over the next year or two.

 

1. A Lucky Man: Stories by Jamel Brinkley 412vb-c3-l._sx336_bo1204203200_
‘In the nine expansive, searching stories of A Lucky Man, fathers and sons attempt to salvage relationships with friends and family members and confront mistakes made in the past. An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.  Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class–where luck may be the greatest fiction of all.’

 

51xf8lggsll2. Sophie’s Misfortunes by Comtesse de Ségur
Les Malheur de Sophie (Sophie’s Misfortunes) describes the life of Sophie before the events of Les Petites Filles Modèles, when she still lives with her parents in the French countryside. She is a lively, adventurous child who keeps getting into mischief with the critical complicity of her cousin Paul. Each chapter, with a few exceptions, follow a similar pattern: Sophie does something bad or stupid; she is found out or confesses her mischief; and she gets punished –or not – by her mother Mme de Réan, who uses each incident to teach a moral lesson.’

 

3. Eunice: The Kennedy Who Changed the World by Eileen McNamara 41gx2bnlk4el._sx327_bo1204203200_
‘A Pulitzer Prize–winning journalist examines the life and times of Eunice Kennedy Shriver, arguing she left behind the Kennedy family’s most profound political legacy.  While Joe Kennedy was grooming his sons for the White House and the Senate, his Stanford-educated daughter Eunice was tapping her father’s fortune and her brothers’ political power to engineer one of the great civil rights movements of our time on behalf of millions of children and adults with intellectual disabilities. Now, in Eunice, Pulitzer Prize winner Eileen McNamara finally brings Eunice Kennedy Shriver out from her brothers’ shadow to show an officious, cigar-smoking, indefatigable woman of unladylike determination and deep compassion born of rage: at the medical establishment that had no answers for her sister Rosemary; at the revered but dismissive father whose vision for his family did not extend beyond his sons; and at the government that failed to deliver on America’s promise of equality.  Granted access to never-before-seen private papers—from the scrapbooks Eunice kept as a schoolgirl in prewar London to her thoughts on motherhood and feminism—McNamara paints a vivid portrait of a woman both ahead of her time and out of step with it: the visionary founder of the Special Olympics, a devout Catholic in a secular age, and a formidable woman whose impact on American society was longer lasting than that of any of the Kennedy men.’

 

41ipnhudval._sx326_bo1204203200_4. The Bright Hour: A Memoir of Living and Dying by Nina Riggs
‘Poet and essayist Nina Riggs was just thirty-seven years old when initially diagnosed with breast cancer–one small spot. Within a year, she received the devastating news that her cancer was terminal.  How does a dying person learn to live each day “unattached to outcome”? How does one approach the moments, big and small, with both love and honesty? How does a young mother and wife prepare her two young children and adored husband for a loss that will shape the rest of their lives? How do we want to be remembered?  Exploring motherhood, marriage, friendship, and memory, Nina asks: What makes a meaningful life when one has limited time? “Profound and poignant” (O, The Oprah Magazine), The Bright Hour is about how to make the most of all the days, even the painful ones. It’s about the way literature, especially Nina’s direct ancestor, Ralph Waldo Emerson, and her other muse, Montaigne, can be a balm and a form of prayer.’

 

5. The Boys in the Boat by Daniel James Brown 51uu9frdkhl._sx324_bo1204203200_
‘For readers of Unbroken, out of the depths of the Depression comes an irresistible story about beating the odds and finding hope in the most desperate of times–the improbable, intimate account of how nine working-class boys from the American West showed the world at the 1936 Olympics in Berlin what true grit really meant.  It was an unlikely quest from the start. With a team composed of the sons of loggers, shipyard workers, and farmers, the University of Washington’s eight-oar crew team was never expected to defeat the elite teams of the East Coast and Great Britain, yet they did, going on to shock the world by defeating the German team rowing for Adolf Hitler. The emotional heart of the tale lies with Joe Rantz, a teenager without family or prospects, who rows not only to regain his shattered self-regard but also to find a real place for himself in the world. Drawing on the boys’ own journals and vivid memories of a once-in-a-lifetime shared dream, Brown has created an unforgettable portrait of an era, a celebration of a remarkable achievement, and a chronicle of one extraordinary young man’s personal quest.’

 

51epm2wuoil._sx327_bo1204203200_6. The Overstory by Richard Powers
‘An Air Force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers-each summoned in different ways by trees-are brought together in a last and violent stand to save the continent’s few remaining acres of virgin forest. In his twelfth novel, National Book Award winner Richard Powers delivers a sweeping, impassioned novel of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond, exploring the essential conflict on this planet: the one taking place between humans and nonhumans. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe. The Overstory is a book for all readers who despair of humanity’s self-imposed separation from the rest of creation and who hope for the transformative, regenerating possibility of a homecoming. If the trees of this earth could speak, what would they tell us? “Listen. There’s something you need to hear.”‘

 

7. No Pity by Joe Shapiro 41gldpjfgsl._sx321_bo1204203200_
‘In No Pity: People with Disabilities Forging a New Civil Rights Movement, Joe Shapiro of U.S. News & World Report tells of a political awakening few nondisabled Americans have even imagined. There are over 43 million disabled people in this country alone; for decades most of them have been thought incapable of working, caring for themselves, or contributing to society. But during the last twenty-live years, they, along with their parents and families, have begun to recognize that paraplegia, retardation, deafness, blindness, AIDS, autism, or any of the hundreds of other chronic illnesses and disabilities that differentiate them from the able-bodied are not tragic. The real tragedy is prejudice, our society’s and the medical establishment’s refusal to recognize that the disabled person is entitled to every right and privilege America can offer. No Pity‘s chronicle of disabled people’s struggle for inclusion, from the seventeenth-century deaf communities on Martha’s Vineyard to the enactment of the Americans with Disabilities Act of 1992, is only part of the story. Joe Shapiro’s five years of in-depth reporting have uncovered many personal stories as well. ‘

 

8. A Kind of Mirraculus Paradise by Sandra Allen 51hyyhwsbql._sx338_bo1204203200_
‘Writer Sandra Allen did not know their uncle Bob very well. As a child, Sandy had been told Bob was “crazy,” that he had spent time in mental hospitals while growing up in Berkeley in the 60s and 70s. But Bob had lived a hermetic life in a remote part of California for longer than Sandy had been alive, and what little Sandy knew of him came from rare family reunions or odd, infrequent phone calls. Then in 2009 Bob mailed Sandy his autobiography. Typewritten in all caps, a stream of error-riddled sentences over sixty, single-spaced pages, the often-incomprehensible manuscript proclaimed to be a “true story” about being “labeled a psychotic paranoid schizophrenic,” and arrived with a plea to help him get his story out to the world.  In A Kind of Mirraculas Paradise: A True Story about Schizophrenia, Sandy translates Bob’s autobiography, artfully creating a gripping coming-of-age story while sticking faithfully to the facts as he shared them. Lacing Bob’s narrative with chapters providing greater contextualization, Sandy also shares background information about their family, the culturally explosive time and place of their uncle’s formative years, and the vitally important questions surrounding schizophrenia and mental healthcare in America more broadly. The result is a heartbreaking and sometimes hilarious portrait of a young man striving for stability in his life as well as his mind, and an utterly unique lens into an experience that, to most people, remains unimaginable.’

 

9. Do Not Say We Have Nothing by Madeleine Thien 61u61td7s2bl._sx331_bo1204203200_
‘Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations–those who lived through Mao’s Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story. Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming’s father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli were forced to reimagine their artistic and private selves during China’s political campaigns and how their fates reverberate through the years with lasting consequences. With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.’

 

51ni9lnyfdl._sx325_bo1204203200_10. Sorry, Not Sorry by Haji Mohamed Dawjee
‘Why don’t white people understand that Converse tekkies are not just cool but a political statement to people of colour? Why is it that South Africans of colour don’t really ‘write what we like’? What’s the deal with people pretending to be ‘woke’? Is Islam really as antifeminist as is claimed? What does it feel like to be a brown woman in a white media corporation? And what life lessons can we learn from Bollywood movies? In Sorry, Not Sorry, Haji Mohamed Dawjee explores the often maddening experience of moving through post-apartheid South Africa as a woman of colour. In characteristically candid style, she pulls no punches when examining the social landscape: from arguing why she’d rather deal with an open racist than some liberal white people, to drawing on her own experience to convince readers that joining a cult is never a good idea. In the provocative voice that has made Mohamed Dawjee one of our country’s most talked-about columnists, she offers observations laced with acerbic wit. Sorry, Not Sorry will make readers laugh, wince, nod, introspect and argue.’

 

 

Which of these books take your fancy?  Have you read any of them?

7

Two Short Story Collections: George Saunders and Mary Gaitskill

Today, I have put together two reviews of short story collections which I was expecting to love, but which both somewhat disappointed me.

4157xu1loml._sx324_bo1204203200_Tenth of December by George Saunders **
I had yet to read any of George Saunders’ work before picking up his much-lauded short story collection, Tenth of December.  The author won the 2017 Man Booker Prize for his novel Lincoln in the Bardo, which, on reflection, perhaps would have been a better place to start with his work.

I must admit that I wasn’t really a fan of Saunders’ prose in this collection.  The stories often go off at tangents, and I did not feel as though the different disjointed threads always came together in the end.  The stories here are certainly varied – there are forays into science-fiction, and some writing which verges on the experimental, for instance – but I did not find that a single tale stood out for me as a reader.  Some of the storylines themselves intrigued me, but others ended too abruptly.  The story ‘Sticks’ only covers two pages, and was the tale which I could see the most potential in.

I felt pulled in by very few of the stories in Tenth of December.  I ended up reading the first four pages or so of the tales, and if they had not captured my attention, I moved on.  I was expecting to find moments of brilliance in this collection, but was unable to.  So many people have loved these short stories, so perhaps I’m missing something, but throughout I found so little to connect with.  I’m now unsure whether to read Lincoln in the Bardo based on my experience of this collection.

Don’t Cry by Mary Gaitskill ** 91j2b2bsthmbl
Mary Gaitskill’s short story collection, Don’t Cry, was first published in the USA in 2009, and in the United Kingdom in 2017.  Gaitskill was not an author whom I had read before, but I’d heard such great things about her writing, and consequently picked up Don’t Cry when browsing in my local library.

Described as ‘full of jagged, lived emotion and powerful, incisive writing’, I was certainly intrigued by this collection, which is made up of ten stories.  Gaitskill’s opening sentences are often quite startling and unusual, and sometimes packed a real punch.  ‘College Town, 1980’, for instance, begins: ‘Dolores did not look good in a scarf’; and ‘Mirror Bowl’ opens ‘He took her soul – though, being a secular-minded person, he didn’t think about it that way’.  They also provide a sense of intrigue. ‘Don’t Cry’, the title story, has ‘Our first day in Addis Ababa, we woke up to wedding music playing outside our hotel’ as its first sentence.

I admired Gaitskill’s skill at creating striking sentences and images, but found that there was perhaps a little too much sexual content, darkness, and grit in Don’t Cry for my personal taste.  I found a few of the stories grotesque, and quite difficult to read in consequence.  Whilst Gaitskill’s stories are largely about everyday occurrences, she twists them around until they seem nasty and unsettling.  Only some of her characters interested me, and I wasn’t that taken by her quite matter-of-fact writing.  The title story in the collection was by far my favourite, but it has not led me to want to pick up any more of Gaitskill’s work in future.

Have you read either of these collections?  Are there any authors whose short stories you would particularly recommend to me?