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One From the Archive: ‘What There Is To Say We Have Said: The Correspondence of Eudora Welty and William Maxwell’, edited by Suzanne Marrs *****

First published in 2016.

What There Is To Say We Have Said: The Correspondence of Eudora Welty and William Maxwell is one of my most anticipated books – well, ever.  Maxwell is one of my favourite writers (and it pains me that he is so little known), and I very much admire Welty.  Regardless, I knew little about them as individuals, so when I spotted this volume, I immediately put it at the top of my birthday list. 97805477503231

Marrs’ introduction is wonderful.  She writes with such passion, and compassion, for her subjects.  From the very beginning, I knew that I would have loved to meet both of those whom Marrs clearly deeply admires.  Welty was an incredibly sassy, shrewd woman; of Jane Austen’s house, she wrote that it ‘looks big, but is really small.  The opposite of her novels.’  Bill, who struck up a wondrous friendship with her, was an incredibly humble, humane man, filled with a myriad of thoughts, and devoted to all of those around him.

It goes without saying that both are incredible writers.  Learning about the process of their craft was fascinating enough, but getting to know the pair as individuals was far more rewarding.  That rare thing is so evident here; that enduring friendship, built upon mutual respect, which was all the more cherished as the two lived far from one another (Maxwell in New York, and Welty in Mississippi).  They could see one another only at long intervals, but in some ways, both found this beneficial; the therapeutic motion of penning (semi-) regular letters to one another lasted for decades, and much was learnt about the other in consequence.

What There Is To Say We Have Said is a stunning read, and I was a little sad when I came to its end.  Throughout, one is nudged to remember just how important communication is (and just how much the majority of us in the modern world almost instantaneous communication for granted), and how beautiful the art of letter writing.  There is not a single dull sentence in this 450-page long volume, and if it had been twice as long, I would have been thrilled.

I could type out quotes at length here, but I shall leave you, dear reader, with the ones which really touched me:
– Maxwell to Welty: ‘There are enough similarities in our two childhoods to make me feel […] that they grew up on a tandem bicycle.’
– Maxwell to Welty, on the publication of one of her works: ‘But I wanted to write to you now, because when a book first comes out, it is really like a party, and when I am invited to a party, I like to come early.’

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A Month of Favourites: ‘What There Is To Say We Have Said: The Correspondence of William Maxwell and Eudora Welty’, edited by Suzanne Mars

First published in December 2016.

What There Is To Say We Have Said: The Correspondence of Eudora Welty and William Maxwell is one of my most anticipated books – well, ever.  Maxwell is one of my favourite writers (and it pains me that he is so little known), and I very much admire Welty.  Regardless, I knew little about them as individuals, so when I spotted this volume, I immediately put it at the top of my birthday list. 97805477503231

Marrs’ introduction is wonderful.  She writes with such passion, and compassion, for her subjects.  From the very beginning, I knew that I would have loved to meet both of those whom Marrs clearly deeply admires.  Welty was an incredibly sassy, shrewd woman; of Jane Austen’s house, she wrote that it ‘looks big, but is really small.  The opposite of her novels.’  Bill, who struck up a wondrous friendship with her, was an incredibly humble, humane man, filled with a myriad of thoughts, and devoted to all of those around him.

It goes without saying that both are incredible writers.  Learning about the process of their craft was fascinating enough, but getting to know the pair as individuals was far more rewarding.  That rare thing is so evident here; that enduring friendship, built upon mutual respect, which was all the more cherished as the two lived far from one another (Maxwell in New York, and Welty in Mississippi).  They could see one another only at long intervals, but in some ways, both found this beneficial; the therapeutic motion of penning (semi-) regular letters to one another lasted for decades, and much was learnt about the other in consequence.

What There Is To Say We Have Said is a stunning read, and I was a little sad when I came to its end.  Throughout, one is nudged to remember just how important communication is (and just how much the majority of us in the modern world almost instantaneous communication for granted), and how beautiful the art of letter writing.  There is not a single dull sentence in this 450-page long volume, and if it had been twice as long, I would have been thrilled.

I could type out quotes at length here, but I shall leave you, dear reader, with the ones which really touched me:
– Maxwell to Welty: ‘There are enough similarities in our two childhoods to make me feel […] that they grew up on a tandem bicycle.’
– Maxwell to Welty, on the publication of one of her works: ‘But I wanted to write to you now, because when a book first comes out, it is really like a party, and when I am invited to a party, I like to come early.’

Purchase from The Book Depository

 

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The Book Trail: From William Maxwell to Tommaso Landolfi

I begin with a book by one of my favourite, and sadly very underrated, authors today, and use Goodreads as my guide to come up with seven more tomes which ‘Readers Also Enjoyed’.

1. So Long, See You Tomorrow by William Maxwell 14276
On an Illinois farm in the 1920s, a man is murdered, and in the same moment the tenous friendship between two lonely boys comes to an end. In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

 

2. Blood Tie by Mary Lee Settle
n a novel that begins with accidental death and ends with deliberate murder, Mary Lee Settle tells the story of an eclectic collection of American and European expatriates who take refuge in an ancient Turkish city and, once there, wreak havoc on the Aegean paradise. At first the characters appear to have little in common, but as the novel progresses their motives and desires cross and blend in a geometry of misunderstanding.

 

3. Ten North Frederick by John O’Hara
796907This is the story of a family of the ‘best’ people, living in Gibbsville, Pa. Three generations of the Chapin family are portrayed with intimacy and uncompromising clarity. Many other people at all levels of the social ladder are portrayed as well, and what they do and say to one another is often shocking.

 

4. A Crown of Feathers by Isaac Bashevis Singer
These richly hypnotic tales enfold the reader into Isaac Bashevis Singer’s special world of imps, demons, lovers, and other mischievous creatures. His world is a world of feelings, driven by lust, lechery, greed, madness, and love. All of his creatures are seen with a clear but loving eye; all seem and are in fact possessed by good and evil, caught in fascinating dilemmas, now terrible, now wryly comic.

 

5. The News from Paraguay by Lily Tuck  77691
The year is 1854. In Paris, Francisco Solano — the future dictator of Paraguay — begins his courtship of the young, beautiful Irish courtesan Ella Lynch with a poncho, a Paraguayan band, and a horse named Mathilde. Ella follows Franco to Asunción and reigns there as his mistress. Isolated and estranged in this new world, she embraces her lover’s ill-fated imperial dream — one fueled by a heedless arrogance that will devastate all of Paraguay.
With the urgency of the narrative, rich and intimate detail, and a wealth of skillfully layered characters, The News from Paraguay recalls the epic novels of Gabriel García Márquez and Mario Vargas Llosa.

 

6. The Magic Barrel by Bernard Malamud
Bernard Malamud’s first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud’s alter ego, the struggling New York Jewish painter, Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.  The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.

 

523777. I, etcetera by Susan Sontag
In eight stories, this singular collection of short fiction written over the course of ten years explores the terrain of modern urban life. In reflective, telegraphic prose, Susan Sontag confronts the reader with exposed workings of an impassioned intellect in narratives seamed with many of the themes of her essays—the nature of knowing, our relationship with the past, and the future in an alienated present.

 

8. Gogol’s Wife and Other Stories by Tommaso Landolfi
Much admired in Europe, Landolfi has been called “the Italian Kafka”; he is often linked with the Surrealists, and in the intellectual quality of his fantasy there are certain affinities with Borges; but beyond these superficial comparisons, his is a truly unique—and fascinating—art. It is based in a prodigious imagination, a very curious sense of humor and a rare command of irony.

 

Have you read any of these?  Which pique your interest?

Purchase from The Book Depository

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‘What There Is To Say We Have Said: The Correspondence of Eudora Welty and William Maxwell’, edited by Suzanne Marrs *****

What There Is To Say We Have Said: The Correspondence of Eudora Welty and William Maxwell is one of my most anticipated books – well, ever.  Maxwell is one of my favourite writers (and it pains me that he is so little known), and I very much admire Welty.  Regardless, I knew little about them as individuals, so when I spotted this volume, I immediately put it at the top of my birthday list. 97805477503231

Marrs’ introduction is wonderful.  She writes with such passion, and compassion, for her subjects.  From the very beginning, I knew that I would have loved to meet both of those whom Marrs clearly deeply admires.  Welty was an incredibly sassy, shrewd woman; of Jane Austen’s house, she wrote that it ‘looks big, but is really small.  The opposite of her novels.’  Bill, who struck up a wondrous friendship with her, was an incredibly humble, humane man, filled with a myriad of thoughts, and devoted to all of those around him.

It goes without saying that both are incredible writers.  Learning about the process of their craft was fascinating enough, but getting to know the pair as individuals was far more rewarding.  That rare thing is so evident here; that enduring friendship, built upon mutual respect, which was all the more cherished as the two lived far from one another (Maxwell in New York, and Welty in Mississippi).  They could see one another only at long intervals, but in some ways, both found this beneficial; the therapeutic motion of penning (semi-) regular letters to one another lasted for decades, and much was learnt about the other in consequence.

What There Is To Say We Have Said is a stunning read, and I was a little sad when I came to its end.  Throughout, one is nudged to remember just how important communication is (and just how much the majority of us in the modern world almost instantaneous communication for granted), and how beautiful the art of letter writing.  There is not a single dull sentence in this 450-page long volume, and if it had been twice as long, I would have been thrilled.

I could type out quotes at length here, but I shall leave you, dear reader, with the ones which really touched me:
– Maxwell to Welty: ‘There are enough similarities in our two childhoods to make me feel […] that they grew up on a tandem bicycle.’
– Maxwell to Welty, on the publication of one of her works: ‘But I wanted to write to you now, because when a book first comes out, it is really like a party, and when I am invited to a party, I like to come early.’

Purchase from The Book Depository

1

The Book Trail: From Correspondence to the Jazz Age

I have decided to begin this particular Book Trail with a marvellous book filled with correspondence.  As soon as I began What There Is To Say We Have Said back in September, I knew that I would absolutely love it.  It leads us through a wonderful selection of biographies, all of which I am itching to get my hands on.

97805477503231. What There Is To Say We Have Said: The Correspondence of William Maxwell and Eudora Welty, edited by Suzanne Marrs
What There Is to Say We Have Said bears witness to Welty and Maxwell’s more than fifty years of friendship and their lives as writers and readers. It serves as a chronicle of their literary world, their talk of Katherine Anne Porter, Salinger, Dinesen, Updike, Percy, Cheever, and more. Through more than three hundred letters, Marrs brings us the story of a true, deep friendship and an homage to the forgotten art of letter writing.’

 

2. Byron: Child of Passion, Fool of Fame by Benita Eisler
In this masterful portrait of the poet who dazzled an era and prefigured the modern age of celebrity, noted biographer Benita Eisler offers a fuller and more complex vision than we have yet been afforded of George Gordon, Lord Byron.  Eisler reexamines his poetic achievement in the context of his extraordinary life: the shameful and traumatic childhood; the swashbuckling adventures in the East; the instant stardom achieved with the publication of Childe Harold’s Pilgrimage; his passionate and destructive love affairs, including an incestuous liaison with his half-sister; and finally his tragic death in the cause of Greek independence. This magnificent record of a towering figure is sure to become the new standard biography of Byron.

 

3. Young Romantics: The Tangled Lives of English Poetry’s Greatest Generation by Daisy Hay
9781408809723
Young Romantics tells the story of the interlinked lives of the young English Romantic poets from an entirely fresh perspective—celebrating their extreme youth and outsize yearning for friendship as well as their individuality and political radicalism.  The book focuses on the network of writers and readers who gathered around Percy Bysshe Shelley and the campaigning journalist Leigh Hunt. They included Lord Byron, John Keats, and Mary Shelley, as well as a host of fascinating lesser-known figures: Mary Shelley’s stepsister and Byron’s mistress, Claire Clairmont; Hunt’s botanist sister-in-law, Elizabeth Kent; the musician Vincent Novello; the painters Benjamin Haydon and Joseph Severn; and writers such as Charles and Mary Lamb, Thomas Love Peacock, and William Hazlitt. They were characterized by talent, idealism, and youthful ardor, and these qualities shaped and informed their politically oppositional stances—as did their chaotic family arrangements, which often left the young women, despite their talents, facing the consequences of the men’s philosophies.  In Young Romantics, Daisy Hay follows the group’s exploits, from its inception in Hunt’s prison cell in 1813 to its disintegration after Shelley’s premature death in 1822. It is an enthralling tale of love, betrayal, sacrifice, and friendship, all of which were played out against a background of political turbulence and intense literary creativity.

 

4. Desperate Romantics: The Private Lives of the Pre-Raphaelites by Franny Moyle
Desperate Romantics, a tie-in with a new BBC series, focuses on the scandals, rather than on the group’s ideas, social experiments or artistic development: Ruskin’s loveless marriage and critical championing of Millais, who then went off with Effie Ruskin, Rossetti’s various loves, above all, Lizzie Siddal, his long affair with Jane Morris, and Burne-Jones’s obsession with Mary Zambaco.

 

97818570289115. George Eliot: The Last Victorian by Kathryn Hughes
Mary Ann Evans, aka George Eliot (1819-1880) achieved lasting renown with the novels Silas Marner, Middlemarch, and Adam Bede. Her masterworks were written after years of living an unconventional life, including a scandalous voyage to Europe with the married writer and editor George Henry Lewes. The scandal intensified when she moved in with Lewes after he separated from his wife. Eliot re-entered London’s social life years later, when her literary success made it impossible for respectable society to dismiss her (even Queen Victoria enjoyed her books). She counted among her friends and supporters Dickens, Trollope, and several other Victorian literati. In this intimate biography, author Hughes provides insight into Eliot’s life and work, weighing Eliot’s motivations for her controversial actions, and examining the paradoxical Victorian society which she documented to perfection in her novels.

 

6. The Bronte Myth by Lucasta Miller
‘Following the Brontë sisters through their many reincarnations at the hands of biographers, Lucasta Miller reveals as much about the impossible art of biography as she does about the Brontës themselves. Their first biographer, Mrs Gaskell, transformed their story of literary ambition into one of the great legends of the 19th century, a dramatic tale of three lonely sisters playing out their tragic destiny on top of a windswept moor. Lucasta Miller reveals where this image came from and how it took such a hold on the popular imagination.  Each generation has rewritten the Brontës to reflect changing attitudes – towards the role of the woman writer, towards sexuality, towards the very concept of personality. The Brontë Myth gives vigorous new life to our understanding of the novelists and their culture. It is a witty, erudite and refreshingly unsentimental unravelling of what Henry James described as “the most complete intellectual muddle ever achieved on a literary question by our wonderful public.”‘

 

7. The Bronte Cabinet: Three Lives in Nine Objects by Deborah Lutz 9780393240085
In this unique and lovingly detailed biography of a literary family that has enthralled readers for nearly two centuries, Victorian literature scholar Deborah Lutz illuminates the complex and fascinating lives of the Brontës through the things they wore, stitched, wrote on, and inscribed. By unfolding the histories of the meaningful objects in their family home in Haworth, Lutz immerses readers in a nuanced re-creation of the sisters’ daily lives while moving us chronologically forward through the major biographical events: the death of their mother and two sisters, the imaginary kingdoms of their childhood writing, their time as governesses, and their determined efforts to make a mark on the literary world.  From the miniature books they made as children to the blackthorn walking sticks they carried on solitary hikes on the moors, each personal possession opens a window onto the sisters’ world, their beloved fiction, and the Victorian era. A description of the brass collar worn by Emily’s bull mastiff, Keeper, leads to a series of entertaining anecdotes about the influence of the family’s dogs on their writing and about the relationship of Victorians to their pets in general. The sisters’ portable writing desks prove to have played a crucial role in their writing lives: it was Charlotte’s snooping in Emily’s desk that led to the sisters’ first publication in print, followed later by the publication of Jane Eyre and Wuthering Heights.

 

8. Irrepressible: The Jazz Age Life of Henrietta Bingham by Emily Bingham
Raised like a princess in one of the most powerful families in the American South, Henrietta Bingham was offered the helm of a publishing empire. Instead, she ripped through the Jazz Age like an F. Scott Fitzgerald character: intoxicating and intoxicated, selfish and shameless, seductive and brilliant, endearing and often terribly troubled. In New York, Louisville, and London, she drove both men and women wild with desire, and her youth blazed with sex. But her love affairs with women made her the subject of derision and caused a doctor to try to cure her queerness. After the speed and pleasure of her early days, the toxicity of judgment from others coupled with her own anxieties resulted in years of addiction and breakdowns. And perhaps most painfully, she became a source of embarrassment for her family-she was labeled “a three-dollar bill.” But forebears can become fairy-tale figures, especially when they defy tradition and are spoken of only in whispers. For the biographer and historian Emily Bingham, the secret of who her great-aunt was, and just why her story was concealed for so long, led to Irrepressible: The Jazz Age Life of Henrietta Bingham.  Henrietta rode the cultural cusp as a muse to the Bloomsbury Group, the daughter of the ambassador to the United Kingdom during the rise of Nazism, the seductress of royalty and athletic champions, and a pre-Stonewall figure who never buckled to convention. Henrietta’s audacious physicality made her unforgettable in her own time, and her ecstatic and harrowing life serves as an astonishing reminder of the stories lying buried in our own families.’

 

Have you read any of these books?

Purchase from The Book Depository