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Quarterly Picks (Q1, 2022)

Late last year, I started a new full-time job, and I’ve now had to come to terms with the fact that I don’t have as much time to write reviews as I would like. I’m conscious that I want all of the books which I’ve particularly enjoyed to receive attention on the blog, but I haven’t had the chance to write down all of my thoughts about them.

I therefore thought that for the timebeing, I would adopt a new strategy, named Quarterly Picks. At the end of each quarter, I intend to collect together around ten books which I have relished during the last three months, which I want to draw attention to. For each, I will be sharing the official blurbs, and adding a little extra information here and there.

  1. Why We Swim by Bonnie Tsui (non-fiction; exercise; the great outdoors)

‘An immersive, unforgettable, and eye-opening perspective on swimming—and on human behavior itself.
 
We swim in freezing Arctic waters and piranha-infested rivers to test our limits. We swim for pleasure, for exercise, for healing. But humans, unlike other animals that are drawn to water, are not natural-born swimmers. We must be taught. Our evolutionary ancestors learned for survival; now, in the twenty-first century, swimming is one of the most popular activities in the world.

Why We Swim is propelled by stories of Olympic champions, a Baghdad swim club that meets in Saddam Hussein’s palace pool, modern-day Japanese samurai swimmers, and even an Icelandic fisherman who improbably survives a wintry six-hour swim after a shipwreck. New York Times contributor Bonnie Tsui, a swimmer herself, dives into the deep, from the San Francisco Bay to the South China Sea, investigating what about water—despite its dangers—seduces us and why we come back to it again and again.’

2. Teeth in the Back of My Neck by Monika Radojevic (poetry; powerful; hard-hitting; social commentary)

‘Written with profound depth and insight, the poems in Teeth in the Back of My Neck explore the joys, the confusions and the moments of sadness behind having one’s history scattered around the globe ­- and the way in which your identity is always worn on your skin, whether you like it or not.

Bristling with tension and beautifully realised, Monika Radojevic’s impressive debut collection is an introduction to one of the most exciting and impressive poets of her generation.’

3. My Friend Anna: The True Story of a Fake Heiress by Rachel Deloache Williams (non-fiction, memoir; true crime; scandal)

‘Vanity Fair photo editor Rachel DeLoache Williams’s new friend Anna Delvey, a self-proclaimed German heiress, was worldly and ambitious. She was also generous. When Anna proposed an all-expenses-paid trip to Marrakech, Rachel jumped at the chance. But when Anna’s credit cards mysteriously stopped working, the dream vacation quickly took a dark turn. Anna asked Rachel to begin fronting costs—first for flights, then meals and shopping, and, finally, for their $7,500-per-night private villa. Before Rachel knew it, more than $62,000 had been charged to her credit cards. Anna swore she would reimburse Rachel the moment they returned to New York.

Back in Manhattan, the repayment never materialized, and a shocking pattern of deception emerged. Rachel learned that Anna had left a trail of deceit—and unpaid bills—wherever she’d been. Mortified, Rachel contacted the district attorney, and in a stunning turn of events, found herself helping to bring down one of the city’s most notorious con artists.’

4. Women in the Picture: Women, Art and the Power of Looking by Catherine McCormack (non-fiction, criticism; art; feminism; )

‘Women’s identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history’s classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.

In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images – from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists – from Berthe Morisot to Beyoncé, Judy Chicago to Kara Walker – have offered us new ways of thinking about women’s identity, sexuality, race and power. 

Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women’s vision.’

5. A Single Thread by Tracy Chevalier (historical fiction; embroidery; strong women)

‘1932. After the Great War took both her beloved brother and her fiancé, Violet Speedwell has become a “surplus woman,” one of a generation doomed to a life of spinsterhood after the war killed so many young men. Yet Violet cannot reconcile herself to a life spent caring for her grieving, embittered mother. After countless meals of boiled eggs and dry toast, she saves enough to move out of her mother’s place and into the town of Winchester, home to one of England’s grandest cathedrals. There, Violet is drawn into a society of broderers–women who embroider kneelers for the Cathedral, carrying on a centuries-long tradition of bringing comfort to worshippers.

Violet finds support and community in the group, fulfillment in the work they create, and even a growing friendship with the vivacious Gilda. But when forces threaten her new independence and another war appears on the horizon, Violet must fight to put down roots in a place where women aren’t expected to grow. Told in Chevalier’s glorious prose, A Single Thread is a timeless story of friendship, love, and a woman crafting her own life.’

6. Not on the Label by Felicity Lawrence (non-fiction; investigative; eye-opening)

‘In 2004 Felicity Lawrence published her ground-breaking book, Not on the Label, where, in a series of undercover investigations she provided a shocking account of what really goes into the food we eat. She discovered why beef waste ends up in chicken, why a single lettuce might be sprayed six times with chemicals before it ends up in our salad, why bread is full of water. And she showed how obesity, the appalling conditions of migrant workers, ravaged fields in Europe and the supermarket on our high street are all intimately connected. Her discoveries would change the way we thought about the UK food industry for ever. And, when the horsemeat scandal hit the headlines in 2013, her book seemed extraordinarily prescient once again. Now, in this new edition of her seminal work, Felicity Lawrence delves deeply into that scandal and uncovers how the great British public ended up eating horses.’

7. Misfits: A Personal Manifesto by Michaela Coel (non-fiction, memoir; race; womanhood; creativity)

‘In this sensational agenda-setting début, Michaela Coel, BAFTA-winning actor and writer of breakout series I May Destroy You and Chewing Gum, makes a compelling case for radical honesty.

Drawing on her unflinching Edinburgh Festival MacTaggart lecture, Misfits recounts deeply personal anecdotes from Coel’s life and work to argue for greater transparency. With insight and wit, it lays bare her journey to reclaiming her creativity and power, inviting readers to reflect on theirs.

Advocating for ‘misfits’ everywhere, this timely, necessary book is a rousing and bold case against fitting in.’

8. Be Prepared by Vera Brosgol (graphic novel, memoir; Russian culture in the United States; relationships)

‘A gripping and hilarious middle-grade summer camp memoir from the author of Anya’s Ghost.

All Vera wants to do is fit in—but that’s not easy for a Russian girl in the suburbs. Her friends live in fancy houses and their parents can afford to send them to the best summer camps. Vera’s single mother can’t afford that sort of luxury, but there’s one summer camp in her price range—Russian summer camp.

Vera is sure she’s found the one place she can fit in, but camp is far from what she imagined. And nothing could prepare her for all the “cool girl” drama, endless Russian history lessons, and outhouses straight out of nightmares!

Perfect for fans of Raina Telgemeier, Cece Bell, and Victoria Jamieson, Vera Brosgol’s Be Prepared is a funny and relatable middle-grade graphic novel about navigating your own culture, struggling to belong, and cherishing true friendship.’

9. The Gaps by Leanne Hall (fiction, mystery; race; class)

‘When sixteen-year-old Yin Mitchell is abducted, the news reverberates through the whole Year Ten class at Balmoral Ladies College. As the hours tick by, the girls know the chance of Yin being found alive is becoming smaller and smaller.

Police suspect the abduction is the work of a serial offender, with none in the community safe from suspicion. Everyone is affected by Yin’s disappearance—even scholarship student Chloe, who usually stays out of Balmoral drama, is drawn into the maelstrom. And when she begins to form an uneasy alliance with the queen of Year Ten, Natalia, things get even more complicated.

Looking over their shoulders at every turn, Chloe and Natalia must come together to cope with their fear and grief as best they can. A tribute to friendship in all its guises, The Gaps is a moving examination of vulnerability and strength, safety and danger, and the particular uncertainty of being a young woman in the world.’

10. Our Wives Under the Sea by Julia Armfield (fiction; magical realism; relationships)

‘Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home.

Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp.

Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of salt slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.’

Have you read any of these books? Which are your top picks from the last quarter?

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One From the Archive: ‘Anya’s Ghost’ by Vera Brosgol ****

First published in August 2012.

Hailed by prolific author Neil Gaiman as ‘a masterpiece’, Anya’s Ghost is Russian-American author Vera Brosgol’s first graphic novel.


High-school student Annushka Borzakovskaya, or Anya as she is more commonly known, is the main protagonist in Anya’s Ghost.  On the first morning depicted in the novel, Anya decides not to go to school.  She wanders through a secluded area where she slips and falls down a deep well.  Here, she finds a skeleton.  The ghost of a girl soon reveals herself and a stunned and disbelieving Anya supposes that the well must be filled with ‘some kind of hallucinatory methane or sulfur’ which is causing her to see things.

The ghost girl, trapped in the well for ninety years, is incredibly hurt when Anya seems intent on escaping.  She is unable to stray far from her skeleton, but is able to follow Anya into the real world quite by chance when she is finally rescued.  Despite Anya’s horror at this, she soon discovers the benefits of having her own ghost, one which is hidden from her peers.

The problems which befall teenagers of today have been included throughout the book.  Anya herself is self-conscious, and has what she believes to be a severe lack of friends.  Brosgol broaches such topics as being unpopular, being picked on, feeling shame towards your heritage or your family, and being perceived as ‘different’ by your peers.

Throughout, we meet many different characters – Anya’s mother and younger brother Sasha, the ‘awful little nerdy boy’ Dima, her rebellious friend Siobhan, and popular couple Elizabeth and Sean.

The ghost herself does introduce some historical information into the novel, and we as readers learn a lot about Anya and the ghost as the book progresses.  The only real downside is that the ghost’s dialogue does seem a little too modern at times to be believable, but this does not really detract from the rest of the book. 

The illustrations throughout, all printed in monochrome, are lovely.  Brosgol has managed to evoke the world in which Anya lives, and she has made her character seem incredibly realistic.  Anya has been wonderfully portrayed, and has been built up so realistically that she seems to jump from each page.  Each scene in the book has clearly been carefully thought out, from Anya’s reluctance to eat an unhealthy meal with her family, to her meeting new people in and around her school.  Some of the illustrations have been drawn using different perspectives, from looking directly at Anya to watching her from above as she walks to school.  The dialogue throughout has been well thought out, and the words and pictures work incredibly well together.  Not all of the pages in Anya’s Ghost contain speech, but the illustrations make it incredibly easy to follow the storyline regardless.

The bare bones of Anya’s Ghost are deceptively simple, but the story itself has been incredibly well fleshed out.  The storyline itself is incredibly clever and the twists and turns which Brosgol has woven in from the outset leave the reader both intrigued and longing to know what happens next.  The overall effect is as sweet as it is creepy.
Anya’s Ghost is a wonderful and accomplished debut, which uses a deceptively simple plot structure in which many smaller storylines are woven together to create a rich whole.  The book is a must for any graphic novel fans, and a wonderful book for those interested in exploring the genre.  The book itself is a work of art from cover to cover, and one which will grace any bookshelf.

Purchase from The Book Depository

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One From the Archive: ‘Anya’s Ghost’ by Vera Brosgol ****

First published in September 2012.

Hailed by prolific author Neil Gaiman as ‘a masterpiece’, Anya’s Ghost is Russian-American author Vera Brosgol’s first graphic novel. High-school student Annushka Borzakovskaya, or Anya as she is more commonly known, is the main protagonist in Anya’s Ghost. On the first morning depicted in the novel, Anya decides not to go to school. She wanders through a secluded area where she slips and falls down a deep well. Here, she finds a skeleton. The ghost of a girl soon reveals herself and a stunned and disbelieving Anya supposes that the well must be filled with ‘some kind of hallucinatory methane or sulfur’ which is causing her to see things.

The ghost girl, trapped in the well for ninety years, is incredibly hurt when Anya seems intent on escaping. She is unable to stray far from her skeleton, but is able to follow Anya into the real world quite by chance when she is finally rescued. Despite Anya’s horror at this, she soon discovers the benefits of having her own ghost, one which is hidden from her peers.

The many problems which befall teenagers of today have been included throughout the book. Anya herself is self-conscious, and has what she believes to be a severe lack of friends. Brosgol broaches such topics as being unpopular, being picked on, feeling shame towards your heritage or your family, and being perceived as ‘different’ by your peers.

Throughout, we meet many different characters – Anya’s mother and younger brother Sasha, the ‘awful little nerdy boy’ Dima, her rebellious friend Siobhan, and popular couple Elizabeth and Sean. Through these characters, we learn about Anya’s attitudes to those around her, and equally how she is perceived through the eyes of others.

The ghost herself does introduce some historical information into the novel, and we as readers learn a lot about both Anya and the ghost as the book progresses. The only real downside is that the ghost’s dialogue does seem a little too modern at times to be believable, but this does not really detract from the rest of the book.

The illustrations throughout, all printed in monochrome, are lovely. Brosgol has managed to evoke the world in which Anya lives, and she has made her character seem incredibly realistic. Anya has been wonderfully portrayed, and has been built up so realistically that she seems to jump from each page. Each scene in the book has clearly been carefully thought out, from Anya’s reluctance to eat an unhealthy meal with her family, to her meeting new people in and around her school. Some of the illustrations have been drawn using different perspectives, from looking directly at Anya to watching her from above as she walks to school. The dialogue throughout has been well thought out, and the words and pictures work incredibly well together. Not all of the pages in Anya’s Ghost contain speech, but the illustrations make it incredibly easy to follow the storyline regardless.

The bare bones of Anya’s Ghost are deceptively simple, but the story itself has been incredibly well fleshed out. The storyline itself is incredibly clever and the twists and turns which Brosgol has woven in from the outset leave the reader both intrigued and longing to know what happens next. The overall effect is as sweet as it is creepy.

Anya’s Ghost is a wonderful and accomplished debut, which uses a deceptively simple plot structure in which many smaller storylines are woven together to create a rich whole. The book is a must for any graphic novel fans, and a wonderful book for those interested in exploring the genre. The book itself is a work of art from cover to cover, and one which will grace any bookshelf.

Purchase from The Book Depository