My library kindly purchased Cristina Sánchez-Andrade’s The Winterlings on my behalf. I thought that it would be an excellent choice to review for Women in Translation Month, as I’ve seen little written about it. I also wanted to be sure to include something set in Spain, as I am making a concerted effort to read more fiction set throughout the country. Published in English by Scribe in 2016, and translated from its original Spanish by Samuel Rutter, the novel has been the recipient of a few accolades to date; it is the winner of the English PEN Award for translation, and was also a finalist for the Herralde Novel Prize.
In The Winterlings, we meet two sisters, named Saladina and Dolores who have returned to their childhood home. They lived with their grandfather in a small community in Galicia, named Tierra de Chá. Here, they find that ‘nothing and everything has changed: the people, the distant little house in the rain, the acrid smell of gorse, the flowers, the crops, the customs.’ Their return serves to disrupt the ‘placid existence of the villagers, stirring up memories best left alone.’
The writing in this novel is strong. I particularly admired the romanticism which Sánchez-Andrade weaves into her descriptions, which gives them the feel of a fairytale. She writes, for instance, ‘Bats and owls crashed into each other, flying in loops. Ivy had invaded the house, and the chimney, bursting with foliage, had acquired the dimensions and appearance of a crumbling tower. The house had an orchard with a lemon tree, and bushes that sheltered butterflies and rustling noises; at the bottom, a river coursed with slender and succulent trout.’ The house in which the sisters live is on the edge of a forest described as ‘taut and dense’. I liked the relatively matter-of-fact descriptions too, which contrast nicely with the above. When the sisters spend their first evening in the house, Sánchez-Andrade writes: ‘They swept the floor. They pulled down the cobwebs. They put away the provisions they had brought. They made soup. The light dwindled, and the cold sharpened.’
The character descriptions here are excellent, if rather too few and far between. We learn, early on: ‘The older one was dried-out and bony; she had a pointy face and an aquiline nose… Closed off in her personal universe of magazines, soap operas, and melodrama, she had a single passion: an unhealthy need for security and to be left alone… By the time she was twenty, she looked like she was forty. By thirty-five, she looked like she was outside of time.’ Her sister, on the other hand, ‘was remarkable for her heavy jet-black hair, her narrow figure, her flashy lips, and above all her gaze… She had always been very patient, that patience being both her best quality and her greatest weakness.’
I really liked the way in which the relationship between Saladina and Dolores was depicted. Upon their return to their childhood home, the author tells us: ‘They feel comfortable in this slowness. The less they talk, the better. Words entangle, confuse, and deceive; you don’t need words to feel. They are comfortable, and the mere fact of being together, being alone, sharing their surrounds, a soup, an anise, makes them feel good. They do not expect more, and they do not wish for more.’ Sánchez-Andrade clearly gave a great deal of thought to how the way they interacted with one another would change as their circumstances altered. Later, Sánchez-Andrade comments: ‘Dolores needed her sister’s obsessions, her ascetic discipline, her way of being in the world, somewhere between madness and the void. There was a mixture of order and chaos in Saladina that fascinated her.’
The time period in which The Winterlings is set is not quite precise. The villagers are reeling from the past war, where Spain was split into National and Republican fronts. This still looms large in their memories. During this war, some of them ‘who had voted for the Left in the elections no longer left their houses’, and others fled to Cuba, or Portugal. When the sisters return, the community is still divided, and this is something which I would have liked to seen explored in greater detail as the novel went on. Something which is done relatively expansively, and well, though, is the coverage given to the tumultuous history of Spain, and its effects upon the villagers. Of these, we meet some only in passing, and others in more detail.
I am always drawn to literary fiction which features an element of mystery; The Winterlings has this in abundance. I do not wish to give too much away; just know that I very much enjoyed this intriguing novel, and that my attention was held throughout. The translation is excellent, and I was drawn in from the outset. If you are looking for a relatively quiet novel, which focuses on the ever-shifting relationship between two family members, I would look no further than The Winterlings.