Ever since I first heard of The Majesties by Tiffany Tsao, I’ve been intrigued by the novel’s plot and underlying mystery. Published by Pushkin Press and characterised as a ‘riveting tale’ of betrayal, revenge and family bonds, The Majesties is a haunting read about the dark side of wealth and the lengths people with power are willing to go to maintain what they have.
The plot follows two sisters, Gwendolyn and Estella, heiresses to the Sulinados, a wealthy Chinese-Indonesian family and their journey to unravel the deep-seated secrets that their family harbours. The novel begins in quite an eventful and shocking manner, as the entire family has just been poisoned by Estella while attending a wedding. Gwendolyn (affectionately called ‘Doll’ by her older sister) is the sole survivor of this incident and she is currently in a coma, trying to piece together the events that led her sister to commit such a heinous act.
As Gwendolyn lies in the hospital bed, unable to move or speak, she delves deep into her memories taking the reader along, recounting various events such as their university days, her sister’s meeting with her future husband, their aunt’s sudden disappearance, while attempting to understand and reveal Estella’s breaking point that led to this tragedy. Although seemingly perfect and superficial, the sisters’ lives are filled with deception, lies and abuse, and the novel depicts this slow escalation of the events until we reach the day of the incident.
Tsao has managed to build her plot masterfully and create a steady pace that gradually intensifies as more and more secrets are revealed and the Sulinados’ entire life is being deconstructed. The story starts with the mystery of finding out the reason why Estella resorted to poisoning the nearly 300 members of her family, yet the suspense keeps on building up as we discover more and more about this rich but deeply problematic family. Gwendolyn’s own narration of her recollections start as very simple, coherent and clear, but as the plot moves forward they culminate in a hazy and feverish recounting of the last conversations she had with Estella before the poisoning.
The Majesties combines the elements of a psychological mystery with a literary style, and, along with its fast-paced plot and suspense, it manages to keep the reader at the edge of their seat until the very last page. What initially appears like ‘rich people problems’, superficial worries about mundane things, quickly escalates to much more serious themes of abuse, both physical and psychological, deception, loss of freedom and, eventually, loss of identity.
The premise of two sisters, one of which ends up killing their family (and herself in the process in the case of The Majesties) initially reminded me of Shirley Jackson’s We Have Always Lived in The Castle. Although they are two very different books in their respective plots and eventual execution, Tsao has crafted an equally intriguing psychological mystery, exploring the darkness that resides in one’s heart and the lengths certain people are willing to go to in order to keep up appearances and preserve their supposed image.
Needless to say, I really enjoyed The Majesties and Tsao’s portrayal of the seemingly ideal yet corrupt world of this Asian family, as well as exploring the psychology of both sisters and their attempt to cope with a reality that seems to increasingly suffocate them and entrap them.
A copy of this book was very kindly provided to me by the publisher via NetGalley.