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2018 Travel: Books Set in America

My second stop on my 2018 travel list is America; I travelled to the Niagara Falls State Park in New York State whilst on holiday in Canada.  Here are seven of my favourite books set in various states around the US.

26571. To Kill a Mockingbird by Harper Lee (1960)
The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.  Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior – to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

2. The Grapes of Wrath by John Steinbeck (1939)
First published in 1939, Steinbeck’s Pulitzer Prize winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads, driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into haves and have-nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity.  A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes the very nature of equality and justice in America.
3. The Secret Life of Bees by Sue Monk Kidd (2001) 37435
Set in South Carolina in 1964, The Secret Life of Bees tells the story of Lily Owens, whose life has been shaped around the blurred memory of the afternoon her mother was killed. When Lily’s fierce-hearted black “stand-in mother,” Rosaleen, insults three of the deepest racists in town, Lily decides to spring them both free. They escape to Tiburon, South Carolina–a town that holds the secret to her mother’s past. Taken in by an eccentric trio of black beekeeping sisters, Lily is introduced to their mesmerizing world of bees and honey, and the Black Madonna. This is a remarkable novel about divine female power, a story women will share and pass on to their daughters for years to come.
4. The Catcher in the Rye by J.D. Salinger (1951)
The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children’s voices, adult voices, underground voices-but Holden’s voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.
63365615. The Glass Menagerie by Tennessee Williams (1945)
Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, life in Blue Mountain when she was pursued by ‘gentleman callers’. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother’s suffocating embrace, while Laura, her daughter, has her glass menagerie and her memories.
6. The Bell Jar by Sylvia Plath (1963)
Sylvia Plath’s shocking, realistic, and intensely emotional novel about a woman falling into the grip of insanity.   Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther’s breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.
7. One Summer: America 1927 by Bill Bryson (2013; review here) 17612752
Britain’s favourite writer of narrative non-fiction Bill Bryson travels back in time to a forgotten summer when America came of age, took centre stage, and, in five eventful months, changed the world for ever.  In the summer of 1927, America had a booming stock market, a president who worked just four hours a day (and slept much of the rest of the time), a semi-crazed sculptor with a mad plan to carve four giant heads into an inaccessible mountain called Rushmore, a devastating flood of the Mississippi, a sensational murder trial, and a youthful aviator named Charles Lindbergh who started the summer wholly unknown and finished it as the most famous man on earth. (So famous that Minnesota considered renaming itself after him.)  It was the summer that saw the birth of talking pictures, the invention of television, the peak of Al Capone’s reign of terror, the horrifying bombing of a school in Michigan by a madman, the ill-conceived decision that led to the Great Depression, the thrillingly improbable return to greatness of a wheezing, over-the-hill baseball player named Babe Ruth, and an almost impossible amount more.  In this hugely entertaining book, Bill Bryson spins a story of brawling adventure, reckless optimism and delirious energy, with a cast of unforgettable and eccentric characters, with trademark brio, wit and authority.

 

Have you read any of these?  Which, if any, take your fancy?

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5

One From the Archive: ‘The Grapes of Wrath’ by John Steinbeck ****

First published in May 2014.

The Grapes of Wrath, which won the Pulitzer Prize in 1940,is due to be released as part of Penguin’s new ‘Great Steinbeck’ series at the end of the month.  A note at the beginning of the book states that the text of this edition is ‘based upon the special fiftieth-anniversary edition of the novel, which reproduced the original text’.  The novel, arguably Steinbeck’s most famous, was first published in 1939, and takes as its subjects the Joad family from Oklahoma, who are intent upon chasing the American Dream. 

A long and informative introduction at the start of the volume, which heralds The Grapes of Wrath ‘the greatest of his seventeen novels’, sets out Steinbeck’s life and the elements which inspired him to write, as well as what he set out to achieve with this particular story.  The introduction goes on to say that ‘Steinbeck’s aggressive mixture of native philosophy, common-sense politics, blue-collar radicalism, working-class characters, folk wisdom, and home-spun literary form… qualified the novel as the “American book” he had set out to write’.  Further, it goes on to say that in The Grapes of Wrath, Steinbeck ‘summed up the Depression era’s socially conscious art’.

The opening of the novel is stunning.  Steinbeck is so perceptive; he views scenes with such clarity, and uses even the smallest of details to build up a realistic vision in the mind of his readers.  He cleverly uses nature to demonstrate the ways in which scenes change, and to denote the passing of the seasons.  One of the most memorable such scenes here is in chapter three, when a tortoise tries to make its way across the highway, and is set back on his mission. Steinbeck’s beautiful writing is so vivid that one can almost feel the oppressive heat of the Oklahoma summer beating down upon him- or herself as one reads.  As in much of his work, he sets the visual scene marvellously, and here he does so mainly through the use of colour.  The start of the tale takes place in ‘the red country and part of the gray country of Oklahoma’, where ‘every day the earth paled’.  Here the Joads, a family of tenant farmers, live.  They are driven from their home in the infamous Dust Bowl due to hardship, and decide to follow the rest of the ‘Okies’ to California, in order to search for a more promising future.

Tom Joad is the first of the family whom we meet.  He has just been released after doing ‘time’ in a facility called McAlester, after murdering a man: ‘[I got] seven years.  I’m sprung in four for keepin’ my nose clean’.  Their experiences as a family unit are very sad, and occasionally almost brutal.  Along with the more obvious, two of the main themes in The Grapes of Wrath are loneliness and the notion of belonging, both of which almost every character is affected by.

On a wider scale, Steinbeck does not just follow the Joads on their physical and metaphorical journey.  Instead, he considers the whole community who are selling up or leaving their homes in Oklahoma, in order to set themselves up in the more promising location of California.  In so doing, we meet a wealth of different characters, from preachers like Jim Casy, who ‘ain’t got the call [of religion] no more’, and those to whom money matters more than anything else.  In consequence, Steinbeck has written such a rich novel, whose story is comprised of many small plots and stories which have been placed atop one another.  One of the strongest elements of The Grapes of Wrath is the way in which he has exemplified how humans can adapt to different and even alien environments, and how the places in which they find themselves can impact so heavily upon them for a wealth of different reasons.

Purchase from The Book Depository

2

‘The Grapes of Wrath’ by John Steinbeck ****

The Grapes of Wrath, which won the Pulitzer Prize in 1940,is due to be released as part of Penguin’s new ‘Great Steinbeck’ series at the end of the month.  A note at the beginning of the book states that the text of this edition is ‘based upon the special fiftieth-anniversary edition of the novel, which reproduced the original text’.  The novel, arguably Steinbeck’s most famous, was first published in 1939, and takes as its subjects the Joad family from Oklahoma, who are intent upon chasing the American Dream.

‘The Grapes of Wrath’ by John Steinbeck (Penguin)

A long and informative introduction at the start of the volume, which heralds The Grapes of Wrath ‘the greatest of his seventeen novels’, sets out Steinbeck’s life and the elements which inspired him to write, as well as what he set out to achieve with this particular story.  The introduction goes on to say that ‘Steinbeck’s aggressive mixture of native philosophy, common-sense politics, blue-collar radicalism, working-class characters, folk wisdom, and home-spun literary form… qualified the novel as the “American book” he had set out to write’.  Further, it goes on to say that in The Grapes of Wrath, Steinbeck ‘summed up the Depression era’s socially conscious art’.

The opening of the novel is stunning.  Steinbeck is so perceptive; he views scenes with such clarity, and uses even the smallest of details to build up a realistic vision in the mind of his readers.  He cleverly uses nature to demonstrate the ways in which scenes change, and to denote the passing of the seasons.  One of the most memorable such scenes here is in chapter three, when a tortoise tries to make its way across the highway, and is set back on his mission. Steinbeck’s beautiful writing is so vivid that one can almost feel the oppressive heat of the Oklahoma summer beating down upon him- or herself as one reads.  As in much of his work, he sets the visual scene marvellously, and here he does so mainly through the use of colour.  The start of the tale takes place in ‘the red country and part of the gray country of Oklahoma’, where ‘every day the earth paled’.  Here the Joads, a family of tenant farmers, live.  They are driven from their home in the infamous Dust Bowl due to hardship, and decide to follow the rest of the ‘Okies’ to California, in order to search for a more promising future.

Tom Joad is the first of the family whom we meet.  He has just been released after doing ‘time’ in a facility called McAlester, after murdering a man: ‘[I got] seven years.  I’m sprung in four for keepin’ my nose clean’.  Their experiences as a family unit are very sad, and occasionally almost brutal.  Along with the more obvious, two of the main themes in The Grapes of Wrath are loneliness and the notion of belonging, both of which almost every character is affected by.

On a wider scale, Steinbeck does not just follow the Joads on their physical and metaphorical journey.  Instead, he considers the whole community who are selling up or leaving their homes in Oklahoma, in order to set themselves up in the more promising location of California.  In so doing, we meet a wealth of different characters, from preachers like Jim Casy, who ‘ain’t got the call [of religion] no more’, and those to whom money matters more than anything else.  In consequence, Steinbeck has written such a rich novel, whose story is comprised of many small plots and stories which have been placed atop one another.  One of the strongest elements of The Grapes of Wrath is the way in which he has exemplified how humans can adapt to different and even alien environments, and how the places in which they find themselves can impact so heavily upon them for a wealth of different reasons.

Purchase from The Book Depository