The thirty-fifth book in the Penguins Modern series is Truman Capote’s The Duke in His Domain, a piece of journalism which covers an extended meeting with Marlon Brando in Japan. This ‘peerless piece of journalism’ presents, promises its blurb, a ‘mesmerising profile of an insecure, vulnerable young Marlon Brando, brooding in a Kyoto hotel during a break from filming’. The interview was conducted in 1956, when Brando was filming ‘Sayonara’, and the extended article was published in The New Yorker the following year.
Amongst Capote’s many gifts is the ease with which he wonderfully depicts settings, such as one of the more traditionally Japanese decorated rooms of a Westernised hotel which Brando is staying in: ‘His quarters consisted of two rooms, a bath and a glassed-in sun porch. Without the overlying and underlying clutter of Brando’s personal belongings, the rooms would have been textbook illustrations of the Japanese penchant for ostentatious barrenness… In these rooms, the divergent concepts of Japanese and Western decoration – the one seeking to impress by a lack of display, an absence of possession-exhibiting, the other intent on precisely the reverse – could both be observed, for Brando seemed unwilling to make use of the apartment’s storage space, concealed behind sliding paper doors.’ The way in which Capote writes about Kyoto too, is stunning: ‘Below the windows, the hotel garden, with its ultra-simple and soigné arrangements of rock and tree, floated in the mists that crawl off Kyoto’s waterways – for it is a watery city, crisscrossed with shallow rivers and cascading canals, dotted with pools as still as coiled snakes and mirthful little waterfalls that sound like Japanese girls fighting.’
Capote also had a marvellous ability to capture so much in just a single sentence, as he does here: ‘My guide tapped at Brando’s door, shrieked “Marron!” and fled away along the corridor, her kimono sleeves fluttering like the wings of a parakeet.’ His descriptions of his guide, as well as the woman who looks after Brando, are rather enchanting; he describes them variously as ‘doll-delicate’, with ‘tiny, pigeon-toed skating steps’ in their kimonos, and having a ‘plump peony-and-pansy kimonoed figure.’
Brando’s elusive qualities are discussed in swathes in The Duke in His Domain. Whilst defined as a ‘slouchingly dignified, amiable-seeming young man who was always ready to cooperate with, and even encourage, his co-workers’, he would rarely accept invitations to spend time with anyone, ‘preferring, during the tedious lulls between scenes, to sit alone reading philosophy or scribbling in a schoolboy notebook.’ Capote captures Brando and his curiosities in such a playful, precise manner: ‘Resuming his position on the floor, he lolled his head against a pillow, dropped his eyelids, then shut them. It was as though he’d dozed off into a disturbing dream; his eyelids twitched, and when he spoke, his voice – an unemotional voice, in a way cultivated and genteel, yet surprisingly adolescent, a voice with a probing, asking, boyish quality – seemed to come from sleepy distance.’ He also gives a real insight into Brando’s thought processes, and the manner in which he conducts himself: ‘The voice went on, as though speaking to hear itself, an effect Brando’s speech often has, for like many persons who are intensely self-absorbed, he is something of a monologuist – a fact that he recognizes and for which he offers his own explanation. “People around me never say anything,” he says. “They just seem to want to hear what I have to say. That’s why I do all the talking.”‘
I knew very little about Brando before reading The Duke in His Domain, and was looking forward to learning about him. Capote is one of my absolute favourite authors, and his journalism is the only part of the work which I’ve not yet got to from his oeuvre. As well as outlining his observance of Brando, and the in-depth conversations which they have, Capote has also included testimony from several of Brando’s friends here, which helps to build a full picture, and explores the effects which others have had on him. The Duke in His Domain is a great piece of extended journalism, and one which I would highly recommend.
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