Nick Bradley’s debut novel is a collection of intertwined stories that take place in Tokyo, this fascinating, terrifying, overpopulated and lonely city. Although the stories initially seem separate from one another, the reader will quickly recognise the recurring characters and realise that they are all connected in one way or another. And, of course, there is a calico cat that makes an appearance in every single one of these stories, leaving its mark in the lives of all these struggling characters.
Japanese literature is known for its frequent fascination with cats, and Bradley, having himself lived and worked in Japan, attempted to weave a story of this complicated city where anything and everything seems possible. Instead of an ode to Tokyo and Japan in general, Bradley often seems to view certain events and practices with a critical eye, which is quite refreshing, since most foreigners who write about Japan tend to over-romanticise the country and everything they have experienced whilst there.
I also enjoyed Bradley’s prose and writing style a lot. While I started this book with a certain level of caution and apprehension, I was quickly drawn into the author’s words and found myself reading one story after another, curious to discover which character we are going to follow next and what kind of role the calico cat will play in the story. I also loved how Bradley’s writing seemed to change and shift according to the needs of the story, while some stories surpassed the boundaries of conventional prose as they were enriched with pages of a manga comic one of the characters was writing, the case notes of a detective, etc.
Although my experience reading The Cat and the City is mostly positive, there were a couple of things that I had an issue with. Firstly, there were a number of words that were purposely left in Japanese throughout the text (but especially in the first few stories), although there was no need to. I understand that since the stories are set in Japan and most of the characters are Japanese it seems more natural for them to use certain Japanese words, but when there is an English equivalent (which was often used right after the Japanese word anyway), it seems rather redundant to me to use the Japanese word. Also, although I gather that most of the book’s readers might have an interest in Japan, not all of them will be acquainted with the Japanese language, so it might be quite bothersome and interrupting for them to encounter random Japanese words.
Secondly, even though Bradley created very solid characters and stories that covered a wide spectrum of personalities and interests, I still felt like I was reading Japanese characters written by a non-Japanese person. Of course, I understand that the author is not Japanese and this is to be expected, but I simply couldn’t shake off the feeling that quite often his characters would behave or speak in a way that felt a bit unnatural for a Japanese person.
Still, The Cat and the City is a very entertaining, unique and well-written book that is definitely worth reading, especially if you have an interest in Japan and its culture. As a debut work, it is quite promising and Bradley is definitely a writer I will be looking forward to read more of in the future.
A copy of this book was very kindly provided to me by the publisher via NetGalley.