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Quarterly Picks (Q1, 2022)

Late last year, I started a new full-time job, and I’ve now had to come to terms with the fact that I don’t have as much time to write reviews as I would like. I’m conscious that I want all of the books which I’ve particularly enjoyed to receive attention on the blog, but I haven’t had the chance to write down all of my thoughts about them.

I therefore thought that for the timebeing, I would adopt a new strategy, named Quarterly Picks. At the end of each quarter, I intend to collect together around ten books which I have relished during the last three months, which I want to draw attention to. For each, I will be sharing the official blurbs, and adding a little extra information here and there.

  1. Why We Swim by Bonnie Tsui (non-fiction; exercise; the great outdoors)

‘An immersive, unforgettable, and eye-opening perspective on swimming—and on human behavior itself.
 
We swim in freezing Arctic waters and piranha-infested rivers to test our limits. We swim for pleasure, for exercise, for healing. But humans, unlike other animals that are drawn to water, are not natural-born swimmers. We must be taught. Our evolutionary ancestors learned for survival; now, in the twenty-first century, swimming is one of the most popular activities in the world.

Why We Swim is propelled by stories of Olympic champions, a Baghdad swim club that meets in Saddam Hussein’s palace pool, modern-day Japanese samurai swimmers, and even an Icelandic fisherman who improbably survives a wintry six-hour swim after a shipwreck. New York Times contributor Bonnie Tsui, a swimmer herself, dives into the deep, from the San Francisco Bay to the South China Sea, investigating what about water—despite its dangers—seduces us and why we come back to it again and again.’

2. Teeth in the Back of My Neck by Monika Radojevic (poetry; powerful; hard-hitting; social commentary)

‘Written with profound depth and insight, the poems in Teeth in the Back of My Neck explore the joys, the confusions and the moments of sadness behind having one’s history scattered around the globe ­- and the way in which your identity is always worn on your skin, whether you like it or not.

Bristling with tension and beautifully realised, Monika Radojevic’s impressive debut collection is an introduction to one of the most exciting and impressive poets of her generation.’

3. My Friend Anna: The True Story of a Fake Heiress by Rachel Deloache Williams (non-fiction, memoir; true crime; scandal)

‘Vanity Fair photo editor Rachel DeLoache Williams’s new friend Anna Delvey, a self-proclaimed German heiress, was worldly and ambitious. She was also generous. When Anna proposed an all-expenses-paid trip to Marrakech, Rachel jumped at the chance. But when Anna’s credit cards mysteriously stopped working, the dream vacation quickly took a dark turn. Anna asked Rachel to begin fronting costs—first for flights, then meals and shopping, and, finally, for their $7,500-per-night private villa. Before Rachel knew it, more than $62,000 had been charged to her credit cards. Anna swore she would reimburse Rachel the moment they returned to New York.

Back in Manhattan, the repayment never materialized, and a shocking pattern of deception emerged. Rachel learned that Anna had left a trail of deceit—and unpaid bills—wherever she’d been. Mortified, Rachel contacted the district attorney, and in a stunning turn of events, found herself helping to bring down one of the city’s most notorious con artists.’

4. Women in the Picture: Women, Art and the Power of Looking by Catherine McCormack (non-fiction, criticism; art; feminism; )

‘Women’s identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history’s classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles.

In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images – from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists – from Berthe Morisot to Beyoncé, Judy Chicago to Kara Walker – have offered us new ways of thinking about women’s identity, sexuality, race and power. 

Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women’s vision.’

5. A Single Thread by Tracy Chevalier (historical fiction; embroidery; strong women)

‘1932. After the Great War took both her beloved brother and her fiancé, Violet Speedwell has become a “surplus woman,” one of a generation doomed to a life of spinsterhood after the war killed so many young men. Yet Violet cannot reconcile herself to a life spent caring for her grieving, embittered mother. After countless meals of boiled eggs and dry toast, she saves enough to move out of her mother’s place and into the town of Winchester, home to one of England’s grandest cathedrals. There, Violet is drawn into a society of broderers–women who embroider kneelers for the Cathedral, carrying on a centuries-long tradition of bringing comfort to worshippers.

Violet finds support and community in the group, fulfillment in the work they create, and even a growing friendship with the vivacious Gilda. But when forces threaten her new independence and another war appears on the horizon, Violet must fight to put down roots in a place where women aren’t expected to grow. Told in Chevalier’s glorious prose, A Single Thread is a timeless story of friendship, love, and a woman crafting her own life.’

6. Not on the Label by Felicity Lawrence (non-fiction; investigative; eye-opening)

‘In 2004 Felicity Lawrence published her ground-breaking book, Not on the Label, where, in a series of undercover investigations she provided a shocking account of what really goes into the food we eat. She discovered why beef waste ends up in chicken, why a single lettuce might be sprayed six times with chemicals before it ends up in our salad, why bread is full of water. And she showed how obesity, the appalling conditions of migrant workers, ravaged fields in Europe and the supermarket on our high street are all intimately connected. Her discoveries would change the way we thought about the UK food industry for ever. And, when the horsemeat scandal hit the headlines in 2013, her book seemed extraordinarily prescient once again. Now, in this new edition of her seminal work, Felicity Lawrence delves deeply into that scandal and uncovers how the great British public ended up eating horses.’

7. Misfits: A Personal Manifesto by Michaela Coel (non-fiction, memoir; race; womanhood; creativity)

‘In this sensational agenda-setting début, Michaela Coel, BAFTA-winning actor and writer of breakout series I May Destroy You and Chewing Gum, makes a compelling case for radical honesty.

Drawing on her unflinching Edinburgh Festival MacTaggart lecture, Misfits recounts deeply personal anecdotes from Coel’s life and work to argue for greater transparency. With insight and wit, it lays bare her journey to reclaiming her creativity and power, inviting readers to reflect on theirs.

Advocating for ‘misfits’ everywhere, this timely, necessary book is a rousing and bold case against fitting in.’

8. Be Prepared by Vera Brosgol (graphic novel, memoir; Russian culture in the United States; relationships)

‘A gripping and hilarious middle-grade summer camp memoir from the author of Anya’s Ghost.

All Vera wants to do is fit in—but that’s not easy for a Russian girl in the suburbs. Her friends live in fancy houses and their parents can afford to send them to the best summer camps. Vera’s single mother can’t afford that sort of luxury, but there’s one summer camp in her price range—Russian summer camp.

Vera is sure she’s found the one place she can fit in, but camp is far from what she imagined. And nothing could prepare her for all the “cool girl” drama, endless Russian history lessons, and outhouses straight out of nightmares!

Perfect for fans of Raina Telgemeier, Cece Bell, and Victoria Jamieson, Vera Brosgol’s Be Prepared is a funny and relatable middle-grade graphic novel about navigating your own culture, struggling to belong, and cherishing true friendship.’

9. The Gaps by Leanne Hall (fiction, mystery; race; class)

‘When sixteen-year-old Yin Mitchell is abducted, the news reverberates through the whole Year Ten class at Balmoral Ladies College. As the hours tick by, the girls know the chance of Yin being found alive is becoming smaller and smaller.

Police suspect the abduction is the work of a serial offender, with none in the community safe from suspicion. Everyone is affected by Yin’s disappearance—even scholarship student Chloe, who usually stays out of Balmoral drama, is drawn into the maelstrom. And when she begins to form an uneasy alliance with the queen of Year Ten, Natalia, things get even more complicated.

Looking over their shoulders at every turn, Chloe and Natalia must come together to cope with their fear and grief as best they can. A tribute to friendship in all its guises, The Gaps is a moving examination of vulnerability and strength, safety and danger, and the particular uncertainty of being a young woman in the world.’

10. Our Wives Under the Sea by Julia Armfield (fiction; magical realism; relationships)

‘Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home.

Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp.

Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of salt slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.’

Have you read any of these books? Which are your top picks from the last quarter?

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Ten Great Books

The instances in which I read a really enjoyable book, but don’t have time to write a comprehensive review of it seem to be increasing in frequency. I read so many works worthy of more comment, but unless I take comprehensive notes as I am going along, I rarely get around to writing about them in any detail.

With that in mind, I thought I would gather together ten books which I have read of late, and really enjoyed, and which I just haven’t had the time to review. I am loath to forget anything, so rather than leave you with a few hashed together thoughts from my reading journal, I have decided to copy across the blurb of each book. I hope that at least one of them tempts you, and that you find something of interest to add to your TBR

Summerwater by Sarah Moss

‘On the longest day of the summer, twelve people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisce about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. One particular family, a mother and daughter without the right clothes or the right manners, starts to draw the attention of the others. Tensions rise and all watch on, unaware of the tragedy that lies ahead as night finally falls.’

The Gustav Sonata by Rose Tremain

‘Gustav Perle grows up in a small town in Switzerland, where the horrors of the Second World War seem only a distant echo. An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. The novel follows Gustav’s family, tracing the roots of his mother’s anti-Semitism and its impact on her son and his beloved friend.

Moving backward to the war years and the painful repercussions of an act of conscience, and forward through the lives and careers of Gustav and Anton, The Gustav Sonata explores the passionate love of childhood friendship as it’s lost, transformed, and regained over a lifetime. It’s a powerful and deeply moving addition to the beloved oeuvre of one of our greatest contemporary novelists.’

Say Say Say by Lila Savage

‘Ella is nearing thirty, and not yet living the life she imagined. Her artistic ambitions as a student have given way to an unintended career as a care worker. One spring, Bryn – a retired carpenter – hires her to help him care for Jill, his wife of many years. A car accident caused a brain injury that has left Jill verbally diminished; she moves about the house like a ghost of her former self.

As Ella is drawn ever deeper into the couple’s household, she is profoundly moved by the tenderness Bryn shows toward the wife he still fiercely loves. Ella is startled by the yearning this awakens in her, one that complicates her feelings for her girlfriend, Alix, and causes her to look at relationships of all kinds – between partners, between employer and employee, and above all between men and women – in new ways.

Tightly woven, humane and insightful, tracing the most intimate reaches of a young woman’s heart and mind, Say Say Say is a riveting story about what it means to love, in a world where time is always running out.’

The Fogging by Luke Horton

‘Tom and Clara are two struggling academics in their mid-thirties, who decide to take their first holiday in ten years. On the flight over to Indonesia, Tom experiences a debilitating panic attack, something he hasn’t had in a long time, which he keeps hidden from Clara. At the resort, they meet Madeleine, a charismatic French woman, her Australian partner, Jeremy, and five-year-old son, Ollie, and the two couples strike up an easy friendship. The holiday starts to look up, even to Tom, who is struggling to get out of his own head. But when Clara and Madeleine become trapped in the maze-like grounds of the hotel during ‘the fogging’ — a routine spraying of pesticide — the dynamics suddenly shift between Tom and Clara, and the atmosphere of the holiday darkens.

Told with equal parts compassion and irony, and brimming with observations that charm, illuminate, and devastate, The Fogging dives deep into what it means to be strong when your foundation is built on sand.’

Blueprint by Theresia Enzensberger

‘At the beginning of the turbulent 1920s, she leaves her father’s conservative household in Berlin for Weimar’s Bauhaus university, with dreams of studying architecture. But when she arrives and encounters a fractured social world of mystics and formalists, communists and fascists, the dichotomy between the rigid past and a hopeful future turns out to be a lot more muddled than she thought.

She gets involved with a cult-like spiritual group, looking for community and falling in love with elusive art student Jakob. Luise has ambitions of achieving a lot in life – but little of it has to do with paying homage to great men. Surrounded by luminaries of the period, like Gropius and Kandinsky, she throws herself into the dreams and ideas of her epoch.

While her art school friends retreat into a world of self-improvement and jargon, her home city of Berlin is embroiled in street fights. Amid the social upheaval, she has to decide where she stands. From technology to art, romanticism to the avant-garde, populism to the youth movement, Luise encounters themes, utopias and ideas that still sahep us to the present day. Blueprint is a young woman’s dispatch from a past culture war that rings all too familiar.’

The Glass House by Eve Chase

‘Outside a remote manor house in an idyllic wood, a baby girl is found.

The Harrington family takes her in and disbelief quickly turns to joy. They’re grieving a terrible tragedy of their own and the beautiful baby fills them with hope, lighting up the house’s dark, dusty corners. Desperate not to lose her to the authorities, they keep her secret, suspended in a blissful summer world where normal rules of behaviour – and the law – don’t seem to apply.

But within days a body will lie dead in the grounds. And their dreams of a perfect family will shatter like glass. Years later, the truth will need to be put back together again, piece by piece…

From the author of Black Rabbit Hall, The Glass House is a emotional, thrilling book about family secrets and belonging – and how we find ourselves when we are most lost.’

The Push by Ashley Audrain

‘A tense, page-turning psychological drama about the making and breaking of a family, told through the eyes of a woman whose experience of motherhood is nothing at all what she hoped for–and everything she feared.

Blythe Connor is determined that she will be the warm, supportive mother she never had to her new baby Violet.

But in the thick of motherhood’s exhausting early days, Blythe doesn’t find the connection with her daughter she expected. She’s convinced that something is wrong with Violet–the little girl is distant, rejects affection, and becomes increasingly disruptive at preschool.

Or is it all in Blythe’s head? Her husband, Fox, says she is imagining things. Fox doesn’t see what Blythe sees; he sees a wife who is struggling to cope with the day-to-day challenges of being a mother. And the more Fox dismisses her fears, the more Blythe begins to question her own sanity…

Then their son Sam is born–and with him, Blythe has the natural maternal connection she’d always dreamed of. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth about herself, her past, and her daughter.

The Push is a rare and extraordinary gift to readers: a novel about the expectations of motherhood we’re taught not to challenge and what really happens behind the closed doors of even the most perfect-looking families. It’s impossible to put down and impossible to forget.’

After Midnight by Irmgard Keun

‘Nineteen-year-old Sanna just wants to drink her beer in peace, but that’s difficult when Hitler has come to town and his motorcade is blocking the streets of Frankfurt. What’s more, her best friend Gerti is in love with a Jewish boy, her brother writes books that have been blacklisted and her own aunt may denounce her to the authorities at any moment, as Germany teeters on the edge of the abyss. Written after she had fled the Nazi regime, Irmgard Keun’s masterly novel captures the feverish hysteria and horror of the era with devastating perceptiveness and humour.’

The Glass House by Beatrice Colin

‘Scotland, 1912. Antonia McCulloch’s life hasn’t gone the way she planned. She and her husband, Malcolm, have drifted apart; her burgeoning art career came to nothing; and when she looks in the mirror, she sees disappointment. But at least she will always have Balmarra, her family’s grand Scottish estate, and its exquisite glass house, filled with exotic plants that can take her far away.

When her estranged brother’s wife, Cicely Pick, arrives unannounced, with her young daughter and enough trunks to last the summer, Antonia is instantly suspicious. What besides an inheritance dispute could have brought her glamorous sister-in-law all the way from India? Still, Cicely introduces excitement and intrigue into Antonia’s life, and, as they get to know one another, Antonia realizes that Cicely has her own burdens to bear. Slowly, a fragile friendship grows between them. But when the secrets each are keeping become too explosive to conceal, the truth threatens their uneasy balance and the course of their entire lives.’

Salt Slow by Julia Armfield

‘This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.’

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Eight Great Audiobooks

I had sampled the odd audiobook in the past, but it wasn’t until 2020 that I began to listen to them regularly. I am fortunate that my local library offers a great deal of titles for free on the BorrowBox app, and although this is the sole resource which I personally use for audiobooks, I know that many people pay for subscriptions to the likes of Audible and Scribd.

I haven’t reviewed any of the books which I came to on audio, but the following eight were standouts to me last year. I loved the narration and delivery for the mostpart, and also the way in which I was able to immerse myself in so many titles which I otherwise would not have been able to find very easily. I would highly recommend that if you are interested in the following books, you should try and find the audio version. However, I’m sure they would be just as good on the page too!

The Bright Hour: A Memoir of Living and Dying by Nina Riggs
‘Nina Riggs was just thirty-seven years old when initially diagnosed with breast cancer–one small spot. Within a year, the mother of two sons, ages seven and nine, and married sixteen years to her best friend, received the devastating news that her cancer was terminal. How does one live each day, “unattached to outcome”? How does one approach the moments, big and small, with both love and honesty.

Exploring motherhood, marriage, friendship, and memory, even as she wrestles with the legacy of her great-great-great grandfather, Ralph Waldo Emerson, Nina Riggs’s breathtaking memoir continues the urgent conversation that Paul Kalanithi began in his gorgeous When Breath Becomes Air. She asks, what makes a meaningful life when one has limited time?

Brilliantly written, disarmingly funny, and deeply moving, The Bright Hour is about how to love all the days, even the bad ones, and it’s about the way literature, especially Emerson, and Nina’s other muse, Montaigne, can be a balm and a form of prayer. It’s a book about looking death squarely in the face and saying “this is what will be.” Especially poignant in these uncertain times, The Bright Hour urges us to live well and not lose sight of what makes us human: love, art, music, words.’

Death and the Seaside by Alison Moore
‘With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents’ home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together – to the seaside, perhaps.

The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.’

I Want You To Know We’re Still Here: A Post-Holocaust Memoir by Esther Safran-Foer
‘Esther Safran Foer grew up in a home where the past was too terrible to speak of. The child of parents who were each the sole survivors of their respective families, for Esther the Holocaust loomed in the backdrop of daily life, felt but never discussed. The result was a childhood marked by painful silences and continued tragedy. Even as she built a successful career, married, and raised three children, Esther always felt herself searching.

So when Esther’s mother casually mentions an astonishing revelation–that her father had a previous wife and daughter, both killed in the Holocaust–Esther resolves to find out who they were, and how her father survived. Armed with only a black-and-white photo and a hand-drawn map, she travels to Ukraine, determined to find the shtetl where her father hid during the war. What she finds reshapes her identity and gives her the opportunity to finally mourn.

I Want You to Know We’re Still Here is the poignant and deeply moving story not only of Esther’s journey but of four generations living in the shadow of the Holocaust. They are four generations of survivors, storytellers, and memory keepers, determined not just to keep the past alive but to imbue the present with life and more life.’

Salt Slow by Julia Armfield
‘This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.’

The Wolf Border by Sarah Hall
‘Rachel Caine is a zoologist working in Nez Perce, Idaho, as part of a wolf recovery project. She spends her days, and often nights, tracking the every move of a wild wolf pack—their size, their behavior, their howl patterns. It is a fairly solitary existence, but Rachel is content.

When she receives a call from the wealthy and mysterious Earl of Annerdale, who is interested in reintroducing the grey wolf to Northern England, Rachel agrees to a meeting. She is certain she wants no part of this project, but the Earl’s estate is close to the village where Rachel grew up, and where her aging mother now lives in a care facility. It has been far too long since Rachel has gone home, and so she returns to face the ghosts of her past.

The Wolf Border is a breathtaking story about the frontier of the human spirit, from one of the most celebrated young writers working today.’

The Glass House by Eve Chase
‘Outside a remote manor house in an idyllic wood, a baby girl is found. The Harrington family takes her in and disbelief quickly turns to joy. They’re grieving a terrible tragedy of their own and the beautiful baby fills them with hope, lighting up the house’s dark, dusty corners. Desperate not to lose her to the authorities, they keep her secret, suspended in a blissful summer world where normal rules of behaviour – and the law – don’t seem to apply.

But within days a body will lie dead in the grounds. And their dreams of a perfect family will shatter like glass. Years later, the truth will need to be put back together again, piece by piece . . .

From the author of Black Rabbit Hall, The Glass House is a emotional, thrilling book about family secrets and belonging – and how we find ourselves when we are most lost.’

Vesper Flights by Helen Macdonald
‘Helen Macdonald’s bestselling debut H is for Hawk brought the astonishing story of her relationship with goshawk Mabel to global critical acclaim and announced Macdonald as one of this century’s most important and insightful nature writers. H is for Hawk won the Samuel Johnson Prize for Nonfiction and the Costa Book Award, and was a finalist for the National Book Critics Circle Award and the Kirkus Prize for Nonfiction, launching poet and falconer Macdonald as our preeminent nature essayist, with a semi-regular column in the New York Times Magazine.

In Vesper Flights Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing songbirds from the Empire State Building as they migrate through the Tribute of Light, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk’s poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds’ nests, and the unexpected guidance and comfort we find when watching wildlife. By one of this century’s most important and insightful nature writers, Vesper Flights is a captivating and foundational book about observation, fascination, time, memory, love and loss and how we make sense of the world around us.’

Uncanny Valley by Anna Wiener
‘At twenty-five years old, Anna Wiener was beginning to tire of her assistant job in New York publishing. There was no room to grow, and the voyeuristic thrill of answering someone else’s phone had worn thin. Within a year she had moved to San Francisco to take up a job at a data analytics start-up in Silicon Valley. Leaving her business casual skirts and shirts in the wardrobe, she began working in company-branded T-shirts and hoodies. She had a healthy income for the first time in her life. She felt like part of the future.

But a tide was beginning to turn. People were speaking of tech start-ups as surveillance companies. Out of sixty employees, only eight of her colleagues were women. Casual sexism was rife. Sexual harassment cases were proliferating. And soon, like everyone else, she was addicted to the internet, refreshing the news, refreshing social media, scrolling and scrolling and scrolling. Slowly, she began to realise that her blind faith in ambitious, arrogant young men from America’s soft suburbs wasn’t just her own personal pathology. It had become a global affliction.

Uncanny Valley is a coming of age story set against the backdrop of our generation’s very own gold rush. It’s a story about the tension between old and new, between art and tech, between the quest for money and the quest for meaning – about how our world is changing for ever.’

Have you read, or listened to, any of these books? Are you a fan of audiobooks? Which is your favourite?