To my disappointment, I completely forgot to prepare a TBR for Women in Translation Month during 2021. I think this was due largely to the Olympics and Paralympics occurring, and the strange – and often uncomfortable – shifts which I felt I had to make toward a more normal life once all of the restrictions were lifted in England.
This year, I definitely want to actively take part in Women in Translation Month, which runs for the entire month of August. This post marks the beginning of a whole month of applicable reviews, which I have been having so much fun preparing for. I love reading books in translation, and those by women often appeal to me so much.
To kick off the month then, I wanted to gather together several books in translation which I read in the last couple of years, and all of which I thoroughly enjoyed. If you’re taking part in the challenge, I hope you find something here which you can include in your list for the month. If not, then please enjoy anyway. Stay tuned for the rest of the month’s content, too!
1. The Communist’s Daughter by Aroa Moreno Durán; translated from the Spanish by Katie Whittemore
‘Katia has spent her childhood in the eastern shadow of the Berlin Wall. For her father, refugee of the civil war in Spain, the communist side of Germany represents everything he fought and suffered for. Katia knows no other way of life, until a chance encounter with a young man from the West leaves her to wonder what the other side might offer. It’s only after she’s made the perilous journey that Katia understands all she has left behind, and years until she will finally know the devastating consequences it had on her family.
Translated for the first time in English, this exquisite and powerful novel punches right to the heart of how one choice can change a whole future.’
2. Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk; translated from the Polish by Antonia Lloyd-Jones
‘One of Poland’s most imaginative and lyrical writers, Olga Tokarczuk presents us with a detective story with a twist in Drive Your Plow Over the Bones of the Dead. After her two dogs go missing and members of the local hunting club are found murdered, teacher and animal rights activist Janina Duszejko becomes involved in the ensuing investigation. Part magic realism, part detective story, Drive Your Plow… is suspenseful and entertaining reimagining of the genre interwoven with poignant and insightful commentaries on our perceptions of madness, marginalised people and animal rights.’
3. I’m Writing You from Tehran by Delphine Minoui; translated from the French by Emma Ramadan
‘Suffering the recent loss of her beloved grandfather and newly committed to a career in journalism, Delphine Minoui decided to visit Iran for the first time since the revolution – since she was four years old. It was 1998. She would stay for ten years.
In the course of that decade, great change comes to both writer and country, often at the same time. Minoui settles into daily life – getting to know her devout grandmother for the first time, making friends with local women who help her escape secret dance parties when the morality police arrive, figuring out how to be a journalist in a country that is suspicious of the press and Westerners. Once she finally starts to learn Persian, she begins to see Iran through her grandfather’s eyes. And so it is all the more crushing when the political situation falters. She is caught up in protests and interrogated by secret police; some friends disappear and others may be tracking her movements. She finds love, loses her press credentials, marries, and is separated from her husband by erupting global conflict. Through it all, her love for this place and its people deepens and she discovers in her family’s past a mission that will shape her entire future.
Framed as a letter to her grandfather and filled with disarming characters in momentous times, I’m Writing You from Tehran is an unforgettable, moving view into an often obscured part of our world.’
4. Inlands by Elin Willows; translated from the Swedish by Duncan J. Lewis
If you wish to read a full review of Willows’ book, you can find one which I have written on the blog.
‘A young woman from Stockholm relocates to her boyfriend’s home town, a small village in the far north of Sweden. The relationship has ended by the time she arrives.
Inlands is a story about loss and change and examines the tangible mechanics of everyday life, the mentality of a small community and the relationship between freedom and loneliness.’
5. Letters from Tove by Tove Jansson; edited by Boel Westin and Helen Svensson; translated from the Swedish by Sarah Death
If you wish to read a more comprehensive review of Letters from Tove, you can find one which I have written on the blog.
‘Out of the thousands of letters Tove Jansson wrote a cache remains that she addressed to her family, her dearest confidantes, and her lovers, male and female. Into these she spilled her innermost thoughts, defended her ideals and revealed her heart. To read these letters is both an act of startling intimacy and a rare privilege.
Penned with grace and humour, Letters from Tove offers an almost seamless commentary on Tove Jansson’s life as it unfolds within Helsinki’s bohemian circles and her island home. Spanning fifty years between her art studies and the height of Moomin fame, we share with her the bleakness of war; the hopes for love that were dashed and renewed, and her determined attempts to establish herself as an artist.
Vivid, inspiring and shining with integrity, Letters from Tove shows precisely how an aspiring and courageous young artist can evolve into a very great one.’
6. A Woman in the Polar Night by Christiane Ritter; translated from the German by Jane Degras
‘In 1934, the painter Christiane Ritter leaves her comfortable life in Austria and travels to the remote Arctic island of Spitsbergen, to spend a year there with her husband. She thinks it will be a relaxing trip, a chance to “read thick books in the remote quiet and, not least, sleep to my heart’s content”, but when Christiane arrives she is shocked to realize that they are to live in a tiny ramshackle hut on the shores of a lonely fjord, hundreds of miles from the nearest settlement, battling the elements every day, just to survive.
At first, Christiane is horrified by the freezing cold, the bleak landscape the lack of equipment and supplies… But as time passes, after encounters with bears and seals, long treks over the ice and months on end of perpetual night, she finds herself falling in love with the Arctic’s harsh, otherworldly beauty, gaining a great sense of inner peace and a new appreciation for the sanctity of life.’
7. Lizard by Banana Yoshimoto; translated from the Japanese by Ann Sherif
‘In these six stories, the author of Goodbye Tsugumi and N.P. explores themes of time, healing and fate, and how her urban, sophisticated, independent young men and women come to terms with them. The stories are a blend of traditional Japanese and contemporary popular culture.’
8. After Midnight by Irmgard Keun; translated from the German by Anthea Bell
‘Nineteen-year-old Sanna just wants to drink her beer in peace, but that’s difficult when Hitler has come to town and his motorcade is blocking the streets of Frankfurt. What’s more, her best friend Gerti is in love with a Jewish boy, her brother writes books that have been blacklisted and her own aunt may denounce her to the authorities at any moment, as Germany teeters on the edge of the abyss. Written after she had fled the Nazi regime, Irmgard Keun’s masterly novel captures the feverish hysteria and horror of the era with devastating perceptiveness and humour.’
9. Based on a True Story by Delphine de Vigan; translated from the French by George Miller
‘Overwhelmed by the huge success of her latest novel, exhausted and suffering from a crippling inability to write, Delphine meets L.
L. embodies everything Delphine has always secretly admired; she is a glittering image of feminine sophistication and spontaneity and she has an uncanny knack of always saying the right thing. Unusually intuitive, L. senses Delphine’s vulnerability and slowly but deliberately carves herself a niche in the writer’s life. However, as L. makes herself indispensable to Delphine, the intensity of this unexpected friendship manifests itself in increasingly sinister ways. As their lives become more and more entwined, L. threatens Delphine’s identity, both as a writer and as an individual.
This sophisticated psychological thriller skillfully blurs the line between fact and fiction, reality and artifice. Delphine de Vigan has crafted a terrifying, insidious, meta-fictional thriller; a haunting vision of seduction and betrayal; a book which in its hungering for truth implicates the reader, too—even as it holds us in its thrall.
Win a copy of the international sensation that sold half a million copies in France: a chilling work of true-crime literature about a friendship gone terrifyingly toxic and the very nature of reality.’
10. The Disaster Tourist by Yun Ko-eun; translated from the Korean by Lizzie Buehler
‘An eco-thriller with a fierce feminist sensibility, The Disaster Tourist engages with the global dialog around climate activism, dark tourism, and the #MeToo movement.
For ten years, Yona has been stuck behind a desk as a coordinator for Jungle, a travel company specializing in vacation packages to destinations devastated by disaster and climate change. Her work life is uneventful until trouble arises in the form of a predatory colleague.
To forestall any disruption of business-as-usual, Jungle makes Yona a proposition: a paid “vacation” to the desert island of Mui. But Yona must pose as a tourist and assess whether Jungle should continue their partnership with the unprofitable destination.
Yona travels to the remote island, whose major attraction is an underwhelming sinkhole, a huge disappointment to the customers who’ve paid a premium. Soon Yona discovers the resort’s plan to fabricate a catastrophe in the interest of regaining their good standing with Jungle–and the manager enlists Yona’s help. Yona must choose between the callous company to whom she’s dedicated her life, or the possibility of a fresh start in a powerful new position. As she begins to understand the cost of the manufactured disaster, Yona realizes that the lives of Mui’s citizens are in danger–and so is she.
In The Disaster Tourist, Korean author Yun Ko-eun grapples with the consequences of our fascination with disaster, and questions an individual’s culpability in the harm done by their industry.’
Please let me know if you are taking part in Women in Translation Month this August, and what your TBR is looking like.