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Powell’s Picks of the Month 2019

Definitely the bookshop which I am most looking forward to visiting at some point, Powell’s Books of Portland, Oregon, has a wealth of wondrous website content.  They include frequent lists of books recommended by their booksellers, and have also collated their Picks of the Month for 2019 onto one handy page (see here).  I have scrolled through this list on many occasions, and thought it a worthwhile exercise to pick ten books from it which I am very much looking forward to reading.

 

1. The Swallows by Lisa Lutz 9781984818232
When Alexandra Witt joins the faculty at Stonebridge Academy, she’s hoping to put a painful past behind her. Then one of her creative writing assignments generates some disturbing responses from students. Before long, Alex is immersed in an investigation of the students atop the school’s social hierarchy — and their connection to something called the Darkroom. She soon inspires the girls who’ve started to question the school’s “boys will be boys” attitude and incites a resistance. But just as the movement is gaining momentum, Alex attracts the attention of an unknown enemy who knows a little too much about her — and what brought her to Stonebridge in the first place.  Meanwhile, Gemma, a defiant senior, has been plotting her attack for years, waiting for the right moment. Shy loner Norman hates his role in the Darkroom, but can’t find the courage to fight back until he makes an unlikely alliance. And then there’s Finn Ford, an English teacher with a shady reputation who keeps one eye on his literary ambitions and one on Ms. Witt. As the school’s secrets begin to trickle out, a boys-versus-girls skirmish turns into an all-out war, with deeply personal — and potentially fatal — consequences for everyone involved.  Lisa Lutz’s blistering, timely tale of revenge and disruption shows us what can happen when silence wins out over decency for too long — and why the scariest threat of all might be the idea that sooner or later, girls will be girls.’

 

97805255413322. Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk
‘In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind…  A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?’

 

3. Heads of the Coloured People by Nafissa Thompson Spires 9781501168000
‘Each captivating story plunges headfirst into the lives of new, utterly original characters. Some are darkly humorous — from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide — while others are devastatingly poignant — a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture.   Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body.’

 

97800628628534. Bowlaway by Elizabeth McCracken
From the day she is discovered unconscious in a New England cemetery at the turn of the twentieth century — nothing but a bowling ball, a candlepin, and fifteen pounds of gold on her person — Bertha Truitt is an enigma to everyone in Salford, Massachusetts. She has no past to speak of, or at least none she is willing to reveal, and her mysterious origin scandalizes and intrigues the townspeople, as does her choice to marry and start a family with Leviticus Sprague, the doctor who revived her. But Bertha is plucky, tenacious, and entrepreneurial, and the bowling alley she opens quickly becomes Salford’s most defining landmark — with Bertha its most notable resident.  When Bertha dies in a freak accident, her past resurfaces in the form of a heretofore-unheard-of son, who arrives in Salford claiming he is heir apparent to Truitt Alleys. Soon it becomes clear that, even in her death, Bertha’s defining spirit and the implications of her obfuscations live on, infecting and affecting future generations through inheritance battles, murky paternities, and hidden wills.  In a voice laced with insight and her signature sharp humor, Elizabeth McCracken has written an epic family saga set against the backdrop of twentieth-century America. Bowlaway is both a stunning feat of language and a brilliant unraveling of a family’s myths and secrets, its passions and betrayals, and the ties that bind and the rifts that divide.’

 

5. McGlue by Ottessa Moshfegh 9780525522768
‘Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation — he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.’

 

97815011346166. Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster by Adam Higginbotham
Journalist Adam Higginbotham’s definitive, years-in-the-making account of the Chernobyl nuclear power plant disaster — and a powerful investigation into how propaganda, secrecy, and myth have obscured the true story of one of the twentieth century’s greatest disasters.  Early in the morning of April 26, 1986, Reactor Number Four of the Chernobyl Atomic Energy Station exploded, triggering history’s worst nuclear disaster. In the thirty years since then, Chernobyl has become lodged in the collective nightmares of the world: shorthand for the spectral horrors of radiation poisoning, for a dangerous technology slipping its leash, for ecological fragility, and for what can happen when a dishonest and careless state endangers its citizens and the entire world. But the real story of the accident, clouded from the beginning by secrecy, propaganda, and misinformation, has long remained in dispute.   Drawing on hundreds of hours of interviews conducted over the course of more than ten years, as well as letters, unpublished memoirs, and documents from recently-declassified archives, Adam Higginbotham has written a harrowing and compelling narrative which brings the disaster to life through the eyes of the men and women who witnessed it firsthand. The result is a masterful nonfiction thriller, and the definitive account of an event that changed history: a story that is more complex, more human, and more terrifying than the Soviet myth.  Midnight in Chernobyl is an indelible portrait of one of the great disasters of the twentieth century, of human resilience and ingenuity, and the lessons learned when mankind seeks to bend the natural world to his will — lessons which, in the face of climate change and other threats, remain not just vital but necessary.’

 

7. The Whiz Mob and the Grenadine Kid by Colin Meloy 9780062342461
It is an ordinary Tuesday morning in April when bored, lonely Charlie Fisher witnesses something incredible. Right before his eyes, in a busy square in Marseille, a group of pickpockets pulls off an amazing robbery. As the young bandits appear to melt into the crowd, Charlie realizes with a start that he himself was one of their marks.  Yet Charlie is less alarmed than intrigued. This is the most thrilling thing that’s happened to him since he came to France with his father, an American diplomat. So instead of reporting the thieves, Charlie defends one of their cannons, Amir, to the police, under one condition: he teach Charlie the tricks of the trade.  What starts off as a lesson on pinches, kicks, and chumps soon turns into an invitation for Charlie to join the secret world of the whiz mob, an international band of child thieves who trained at the mysterious School of Seven Bells. The whiz mob are independent and incredibly skilled and make their own way in the world — they are everything Charlie yearns to be. But what at first seemed like a (relatively) harmless new pastime draws him into a dangerous adventure with global stakes greater than he could have ever imagined.’

 

97803853526808. Lost and Wanted by Nell Freudenberger
‘An emotionally engaging, suspenseful new novel from the best-selling author, told in the voice of a renowned physicist: an exploration of female friendship, romantic love, and parenthood — bonds that show their power in surprising ways.  Helen Clapp’s breakthrough work on five-dimensional spacetime landed her a tenured professorship at MIT; her popular books explain physics in plain terms. Helen disdains notions of the supernatural in favor of rational thought and proven ideas. So it’s perhaps especially vexing for her when, on an otherwise unremarkable Wednesday in June, she gets a phone call from a friend who has just died.   That friend was Charlotte Boyce, Helen’s roommate at Harvard. The two women had once confided in each other about everything — in college, the unwanted advances Charlie received from a star literature professor; after graduation, Helen’s struggles as a young woman in science, Charlie’s as a black screenwriter in Hollywood, their shared challenges as parents. But as the years passed, Charlie became more elusive, and her calls came less and less often. And now she’s permanently, tragically gone.  As Helen is drawn back into Charlie’s orbit, and also into the web of feelings she once had for Neel Jonnal — a former college classmate now an acclaimed physicist on the verge of a Nobel Prize–winning discovery — she is forced to question the laws of the universe that had always steadied her mind and heart.’

 

9. Women Talking by Miriam Toews 9781635572582
Eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and over a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm.  While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women–all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in–have very little time to make a choice: Should they stay in the only world they’ve ever known or should they dare to escape?  Told through the “minutes” of the women’s all-female symposium, Toews’s masterful novel uses wry, politically engaged humor to relate this tale of a community wrestling with its own foundational myths. For readers of Lidia Yuknavitch’s The Book of Joan and Margaret Atwood’s The Handmaid’s Tale, Women Talking examines the consequences of religious fundamentalism and communal isolation, and it celebrates the strength of women claiming their own power to decide.’

 

978152476313810. Becoming by Michelle Obama
‘In a life filled with meaning and accomplishment, Michelle Obama has emerged as one of the most iconic and compelling women of our era. As First Lady of the United States of America — the first African American to serve in that role — she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments. Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare.  In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her — from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world’s most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it — in her own words and on her own terms. Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations — and whose story inspires us to do the same.’

 

Have you read any of these?  Which books on the list have piqued your interest?  Are you one of those lucky people that has been to Powell’s already?

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Books with Wonderful Titles

I am particularly drawn to books which have quirky and unusual titles.  I (sadly) tend to spot less of these in bookshops than I do when browsing book websites, and have so many of them on my to-read list.  I thought that it might be a fun idea to gather together ten wonderfully titled books, and display them alongside their synopses.  I have read a couple of these, and the rest are either on my wishlist, or ones which I came across whilst compiling this post.

1. Animals Strike Curious Poses by Elena Passarello 29633820
‘Beginning with Yuka, a 39,000 year old mummified woolly mammoth recently found in the Siberian permafrost, each of the 16 essays in Animals Strike Curious Poses investigates a different famous animal named and immortalized by humans. Modeled loosely after a medieval bestiary, these witty, playful, whipsmart essays traverse history, myth, science, and more, bringing each beast vibrantly to life.’
2. Niagara Falls All Over Again by Elizabeth McCracken ****
Spanning the waning years of vaudeville and the golden age of Hollywood, Niagara Falls All Over Again chronicles a flawed, passionate friendship over thirty years, weaving a powerful story of family and love, grief and loss. In it, McCracken introduces her most singular and affecting hero: Mose Sharp — son, brother, husband, father, friend … and straight man to the fat guy in baggy pants who utterly transforms his life.
8751363. The Woman Who Gave Birth to Rabbits by Emma Donoghue
Donoghue finds her inspiration for these wry, robust tales in obscure scraps of historical records: an engraving of a woman giving birth to rabbits; a plague ballad; surgical case notes; theological pamphlets; an articulated skeleton. Here kings, surgeons, soldiers, and ladies of leisure rub shoulders with cross-dressers, cult leaders, poisoners, and arsonists.  Whether she’s spinning the tale of an Irish soldier tricked into marrying a dowdy spinster, a Victorian surgeon’s attempts to “improve” women, a seventeenth-century countess who ran away to Italy disguised as a man, or an “undead” murderess returning for the maid she left behind to be executed in her place, Emma Donoghue brings to her stories an “elegant, colorful prose filled with unforgettable sights, sounds and smells” (Elle). Here she summons the ghosts of those women who counted for nothing in their own day, but who come to unforgettable life in fiction.
4. Life is a Circus Run by a Platypus by Allison Hawn
Has being late to work due to dancing clowns ever been a problem for you? Have you ever had to defend yourself against a giant iguana? Does the overture to The Music Man make you violently twitch? In Life is a Circus Run by a Platypus readers are immersed into what it would be like to live every day as if a herd of ballerinas were chasing you, without the inconvenience of actually having to run. This collection of truly bizarre short stories taken from the author, Allison Hawn’s, life takes one across the world and into the strangest crevices of civilization. The lessons learned through her adventures might very well save the reader if they too ever have to face birthing a cow, calming distraught technical support or death by furniture.
5. The War of Don Emmanuel’s Nether Parts by Louis de Bernieres ** 828389
When the spoilt and haughty Dona Constanza tries to divert a river to fill her swimming pool, she starts a running battle with the locals. The skirmishes are so severe that the Government dispatches a squadron of soldiers led by the fat, brutal and stupid Figueras to deal with them.  Despite visiting plagues of laughing fits and giant cats upon the troops, the villagers know that to escape the cruel and unusual tortures planned for them, they must run. Thus they plan to head for the mountains and start a new and convivial civilisation.
6. From the Mixed-Up Files of Mrs Basil E. Frankweiler by E.L. Konigsburg ****
When suburban Claudia Kincaid decides to run away, she knows she doesn’t just want to run from somewhere, she wants to run to somewhere — to a place that is comfortable, beautiful, and, preferably, elegant. She chooses the Metropolitan Museum of Art in New York City. Knowing her younger brother Jamie has money and thus can help her with a serious cash-flow problem, she invites him along.  Once settled into the museum, Claudia and Jamie find themselves caught up in the mystery of an angel statue that the museum purchased at auction for a bargain price of $225. The statue is possibly an early work of the Renaissance master, Michelangelo, and therefore worth millions. Is it? Or isn’t it?  Claudia is determined to find out. Her quest leads her to Mrs. Basil E. Frankweiler, the remarkable old woman who sold the statue, and to some equally remarkable discoveries about herself.
8976517. The Man Who Mistook His Wife For a Hat by Oliver Sacks ****
In his most extraordinary book, “one of the great clinical writers of the twentieth century” (The New York Times) recounts the case histories of patients lost in the bizarre, apparently inescapable world of neurological disorders. Oliver Sacks’s The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents.
8. The Sound of a Wild Snail Eating by Elisabeth Tova Bailey ****
As a long illness keeps her bedridden, Elisabeth Tova Bailey becomes intrigued by a snail that has taken up residence in a pot plant next to her bed. Her fascination with the snail’s strange anatomy and its midnight wanderings kindles an interest that saves her sanity.  The Sound of a Wild Snail Eating is an inspiring and intimate story of resilience, and an affirmation of the healing power of nature. It reminds us of how a small part of the natural world can illuminate our existence and deepen our appreciation of what it means to be fully alive.

 

9. The Elegance of the Hedgehog by Muriel Barbery **** 6238269
A moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.  We are in the center of Paris, in an elegant apartment building inhabited by bourgeois families. Renée, the concierge, is witness to the lavish but vacuous lives of her numerous employers. Outwardly she conforms to every stereotype of the concierge: fat, cantankerous, addicted to television. Yet, unbeknownst to her employers, Renée is a cultured autodidact who adores art, philosophy, music, and Japanese culture. With humor and intelligence she scrutinizes the lives of the building’s tenants, who for their part are barely aware of her existence.  Then there’s Paloma, a twelve-year-old genius. She is the daughter of a tedious parliamentarian, a talented and startlingly lucid child who has decided to end her life on the sixteenth of June, her thirteenth birthday. Until then she will continue behaving as everyone expects her to behave: a mediocre pre-teen high on adolescent subculture, a good but not an outstanding student, an obedient if obstinate daughter.  Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a wealthy Japanese man named Ozu arrives in the building. Only he is able to gain Paloma’s trust and to see through Renée’s timeworn disguise to the secret that haunts her. This is a moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.
10. Let’s Explore Diabetes with Owls by David Sedaris
A guy walks into a bar car and…  From here the story could take many turns. When this guy is David Sedaris, the possibilities are endless, but the result is always the same: he will both delight you with twists of humor and intelligence and leave you deeply moved.   Sedaris remembers his father’s dinnertime attire (shirtsleeves and underpants), his first colonoscopy (remarkably pleasant), and the time he considered buying the skeleton of a murdered Pygmy.  With Let’s Explore Diabetes with Owls, David Sedaris shows once again why his work has been called “hilarious, elegant, and surprisingly moving” (Washington Post).

 

Have you read any of these?  Which are your favourite book titles?

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A Month of Favourites: ‘The Giant’s House’ by Elizabeth McCracken

First published in 2012

The Giant’s House is told in retrospect from the first person perspective of librarian Peggy Cort. Thirty-five years after her story begins, Peggy is looking back on her life. From the outset, Peggy’s narrative voice is original and startling in places. She is such a charismatic, likeable narrator. Her narrative voice certainly has a distinctive style and is simultaneously chatty and eloquent, allowing the reader to be absorbed into her world from the outset. The novel addresses the audience as ‘you’ throughout which really makes the reader feel part of her story. We are consequently able to identify and empathise with Peggy completely.

9780099739913The Giant’s House does primarily deal with a love story, but it goes far deeper than that. The story begins in the autumn of 1950, when James Carlson Sweatt, the ‘giant’ of the novel, walks into the library in which Peggy works, joined by his teachers and classmates. Peggy is twenty-five years old when this happens, and James only eleven. By this point, James is already six foot four. The plot of The Giant’s House is original in that it transcends so many boundaries. In the 1950s, particularly in small-town America, many would not be aware of James’ medical condition which causes him to continually grow at an alarming rate. His classmates and other members of society treat him as an outsider. They are aware of his height towering above them but they do not really notice him as a human being. As the novel progresses, James becomes somewhat famed for his height and people begin to make special trips to Brewsterville in order to spot him.

Peggy’s sheer sense of loneliness is apparent from the outset. She has moved to Brewsterville, an unremarkable town in Cape Cod, Massachusetts, after finishing her course at library school in Philadephia. It seems that she is striving for something new – a fresh start away from everything she has ever known. Peggy, a self-confessed ‘spinster’ who has never before fallen in love, soon cares incredibly deeply for James. She does not just see him as someone too tall to fit in, but as a beautiful young boy who deserves to be loved and respected by his peers and elders. She begins a series of good deeds which eventually allow her to infiltrate James’ life, soon becoming a clear part of it. She begins by finding him different books on his weekly library trips and helping him to research other ‘giants’. The love which Peggy feels for James blossoms slowly at first. The prose is compelling, really making the reader believe in Peggy’s plight.

The Giant’s House transcends different stages in the lives of James and Peggy – stages both lived together and apart. The essence of the novel is about being different, being an outsider, trying so desperately to fit in even though you know your battle will ultimately be fruitless. The story itself builds to an incredibly sad crescendo and really jolts the reader’s heart.

Other characters feature in the novel but James features most heavily of all. He is the most pivotal character of The Giant’s House. The other characters, including Peggy, orbit around James and his wellbeing. He is their common link, an intrinsic fibre of the story and the bond which ties everything together. He really begins to come out of his shell as the story unfolds. The other characters who form different kinds of relationships with Peggy are Astoria Peck, a colleague at the library in which Peggy works, Mrs Sweatt, and Caroline and Oscar Strickland. James’ mother, Mrs Sweatt, seems a little troubled from the outset of the novel. Nobody knows her first name and she is consequently just known as ‘Missus’. She is described as being rather a heavy drinker. Caroline Strickland is the tomboyish aunt of James. She is friendly and humorous in the way in which she says things so matter-of-factly – for example, ‘Well Peggy Cort… You’re not an unpleasant woman’. Oscar Strickland is Caroline’s husband and James’ kindly uncle. At the start, James’ father does not feature in the story. He is being brought up by his mother, Aunt Caroline and Uncle Oscar in a white house painted with flowers.

The entire host of characters in The Giant’s House is incredibly believable. They fit together like people in a real twentieth century society. All of the characters are intriguing in their own ways. Despite the fact that they all live in the same small town, they are remarkably different from one another. This is another reason why they interact so well within the story. None of their dialogue, speech patterns, turns of phrase or elements which build their three-dimensional characters overlap in any way. Their interactions are always fresh and surprising, and nothing mundane is relayed in McCracken’s writing. Her dialogue is wonderful. She adds an extra depth to her characters by making them speak so realistically. Her dialogue becomes intrinsically linked with the bare bones of each character until they are suddenly fully fleshed out individuals walking around the town of Brewsterville as though they have always been there.

With regard to the writing style of the novel, McCracken is unlike many of the contemporary novelists publishing today. The first sentence of The Giant’s House – ‘I do not love mankind’ – immediately places a barrage of questions into the mind of the reader and makes us empathise with Peggy immediately.

The novel is split into three separate parts and the prose itself is haunting in places. The novel is set in the unfolding 1950s but McCracken writes in such a way that the setting and plot are vivid and alive. The reader feels that they are part of the action rather than wholly removed from it.

With each reading of The Giant’s House, new details seem to glow from the page. It is one of those novels that deepens and affects the reader more each time it is read. Something new is taken away with each consecutive reading of the novel. The Giant’s House is a story which seems to grow with the reader, and is a novel which deserves to be recognised as one of the highest peaks of modern literature.

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Two Non-Fiction Reviews: Elizabeth McCracken and Margaret Atwood

An Exact Replica of a Figment of My Imagination by Elizabeth McCracken *****

‘”This is the happiest story in the world with the saddest ending,” writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child.This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from this kind of loss? Of course you don’t–but you go on. And if you have ever experienced loss or love someone who has, the company of this remarkable book will help you go on.With humor and warmth and unfailing generosity, McCracken considers the nature of love and grief. She opens her heart and leaves all of ours the richer for it.’

9780316027663I reread An Exact Replica of a Figment of My Imagination for my Reading France project this year.  McCracken, whom I first discovered back in 2007 when a kind human in Waterstone’s recommended the fantastic The Giant’s House to me, is one of my favourite contemporary authors.  She is consistent, thoughtful, and striking in her prose.  This is the only piece of non-fiction which she has released to date, and it is a heartbreakingly honest work which details the stillbirth of her first son, Pudding.  The fragmented prose style, with its many short chapters made up of different memories, hopes, and dreams, is incredibly fitting, whilst giving the whole such depth.  An Exact Replica… is a beautiful and brave memorial to a lost son.

 

Strange Things by Margaret Atwood ****

‘Margaret Atwood’s witty and informative book focuses on the imaginative mystique of the wilderness of the Canadian North. She discusses the ‘Grey Owl Syndrome’ of white writers going native; the folklore arising from the mysterious– and disastrous — Franklin expedition of the nineteenth century; the myth of the dreaded snow monster, the Wendigo; the relations between nature writing and new forms of Gothic; and how a fresh generation of women writers in Canada have adapted the imagery of the Canadian North for the exploration of contemporary themes of gender, the family and sexuality. Writers discussed include Robert Service, Robertson Davies, Alice Munro, E.J. Pratt, Marian Engel, Margaret Laurence, and Gwendolyn MacEwan. This superbly written and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstanding literary presence.’ 9781844080823

I found out about Margaret Atwood’s Strange Things whilst reading through Kirsty Logan’s blog, and noting down all of those books which she has loved.  I have read – and largely enjoyed – several Atwood books to date, but this marked my first taste of her non-fiction.  I am rather obsessed at present with accounts of northerly snow-covered spaces, in which barely anyone lives.

Strange Things, which is subtitled ‘The Malevolent North in Canadian Literature’ therefore seemed a perfect tome for me.  It is comprised of four essays, which were originally given at the University of Oxford.  Her rendering of these essays is incredibly readable, and each, as anyone who is at all familiar with Atwood’s work, is so intelligently written.  The essays, which focus upon four core stereotypical representations of Canadian life and literature, are varied and memorable, and this is a volume which I would recommend to any world traveller.

 

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One From the Archive: ‘The Giant’s House’ by Elizabeth McCracken *****

First published in 2012

The Giant’s House is told in retrospect from the first person perspective of librarian Peggy Cort. Thirty-five years after her story begins, Peggy is looking back on her life. From the outset, Peggy’s narrative voice is original and startling in places. She is such a charismatic, likeable narrator. Her narrative voice certainly has a distinctive style and is simultaneously chatty and eloquent, allowing the reader to be absorbed into her world from the outset. The novel addresses the audience as ‘you’ throughout which really makes the reader feel part of her story. We are consequently able to identify and empathise with Peggy completely.

9780099739913The Giant’s House does primarily deal with a love story, but it goes far deeper than that. The story begins in the autumn of 1950, when James Carlson Sweatt, the ‘giant’ of the novel, walks into the library in which Peggy works, joined by his teachers and classmates. Peggy is twenty-five years old when this happens, and James only eleven. By this point, James is already six foot four. The plot of The Giant’s House is original in that it transcends so many boundaries. In the 1950s, particularly in small-town America, many would not be aware of James’ medical condition which causes him to continually grow at an alarming rate. His classmates and other members of society treat him as an outsider. They are aware of his height towering above them but they do not really notice him as a human being. As the novel progresses, James becomes somewhat famed for his height and people begin to make special trips to Brewsterville in order to spot him.

Peggy’s sheer sense of loneliness is apparent from the outset. She has moved to Brewsterville, an unremarkable town in Cape Cod, Massachusetts, after finishing her course at library school in Philadephia. It seems that she is striving for something new – a fresh start away from everything she has ever known. Peggy, a self-confessed ‘spinster’ who has never before fallen in love, soon cares incredibly deeply for James. She does not just see him as someone too tall to fit in, but as a beautiful young boy who deserves to be loved and respected by his peers and elders. She begins a series of good deeds which eventually allow her to infiltrate James’ life, soon becoming a clear part of it. She begins by finding him different books on his weekly library trips and helping him to research other ‘giants’. The love which Peggy feels for James blossoms slowly at first. The prose is compelling, really making the reader believe in Peggy’s plight.

The Giant’s House transcends different stages in the lives of James and Peggy – stages both lived together and apart. The essence of the novel is about being different, being an outsider, trying so desperately to fit in even though you know your battle will ultimately be fruitless. The story itself builds to an incredibly sad crescendo and really jolts the reader’s heart.

Other characters feature in the novel but James features most heavily of all. He is the most pivotal character of The Giant’s House. The other characters, including Peggy, orbit around James and his wellbeing. He is their common link, an intrinsic fibre of the story and the bond which ties everything together. He really begins to come out of his shell as the story unfolds. The other characters who form different kinds of relationships with Peggy are Astoria Peck, a colleague at the library in which Peggy works, Mrs Sweatt, and Caroline and Oscar Strickland. James’ mother, Mrs Sweatt, seems a little troubled from the outset of the novel. Nobody knows her first name and she is consequently just known as ‘Missus’. She is described as being rather a heavy drinker. Caroline Strickland is the tomboyish aunt of James. She is friendly and humorous in the way in which she says things so matter-of-factly – for example, ‘Well Peggy Cort… You’re not an unpleasant woman’. Oscar Strickland is Caroline’s husband and James’ kindly uncle. At the start, James’ father does not feature in the story. He is being brought up by his mother, Aunt Caroline and Uncle Oscar in a white house painted with flowers.

The entire host of characters in The Giant’s House is incredibly believable. They fit together like people in a real twentieth century society. All of the characters are intriguing in their own ways. Despite the fact that they all live in the same small town, they are remarkably different from one another. This is another reason why they interact so well within the story. None of their dialogue, speech patterns, turns of phrase or elements which build their three-dimensional characters overlap in any way. Their interactions are always fresh and surprising, and nothing mundane is relayed in McCracken’s writing. Her dialogue is wonderful. She adds an extra depth to her characters by making them speak so realistically. Her dialogue becomes intrinsically linked with the bare bones of each character until they are suddenly fully fleshed out individuals walking around the town of Brewsterville as though they have always been there.

With regard to the writing style of the novel, McCracken is unlike many of the contemporary novelists publishing today. The first sentence of The Giant’s House – ‘I do not love mankind’ – immediately places a barrage of questions into the mind of the reader and makes us empathise with Peggy immediately.

The novel is split into three separate parts and the prose itself is haunting in places. The novel is set in the unfolding 1950s but McCracken writes in such a way that the setting and plot are vivid and alive. The reader feels that they are part of the action rather than wholly removed from it.

With each reading of The Giant’s House, new details seem to glow from the page. It is one of those novels that deepens and affects the reader more each time it is read. Something new is taken away with each consecutive reading of the novel. The Giant’s House is a story which seems to grow with the reader, and is a novel which deserves to be recognised as one of the highest peaks of modern literature.

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One From the Archive: Five Favourite Authors

First published in July 2013.

1. Elizabeth McCracken
I read the marvellous The Giant’s House whilst I was still a teenager, and have read it many more times since.  McCracken’s writing is truly lovely, and the characters she crafts stay with the reader long after the last page has been read.

Tove Jansson

Tove Jansson

2. Tove Jansson
Jansson is best known as the creator of The Moomins, but her adult fiction is just as wonderful.  To fit the season, I would recommend The Summer Book, which is a glorious musing on life on a tiny Scandinavian island.

3. Jon McGregor
I first read McGregor a good few years ago, when my Dad recommended the stunning If Nobody Speaks of Remarkable Things to me.  It is a novel which challenges your perceptions, and its storyline and characters, whilst not named, are so very memorable.

4. Sylvia Townsend Warner
Despite only having read one of her novels (Lolly Willowes, or the Loving Huntsman) and one of her short story collections (The Doll’s House and Other Stories), Townsend Warner is one of my favourite authors on the Virago list.  She creates such atmosphere, and her characters are wonderfully crafted.  The majority of her stories contain unexpected twists, and her writing is very lovely indeed.  I would recommend beginning with either of the titles listed above in order to get a real sense of her style.

Stella Benson

Stella Benson

5. Stella Benson
For some reason unbeknownst to me, Stella Benson is rather a neglected twentieth century author.  Her writing is glorious, and the way in which she uses magical realism against the ordinary aspects of the lives of her characters is marvellous.  I would recommend the lovely Living Alone, set during the First World War.  Who cannot fail to be charmed by the following author introduction?

This is not a real book. It does not deal with real people, nor should it be read by real people. But there are in the world so many real books already written for the benefit of real people, and there are still so many to be written, that I cannot believe that a little alien book such as this, written for the magically-inclined minority, can be considered too assertive a trespasser.

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Short Story Series: Part Four

I adore reading short stories, and don’t see many reviews of collections on blogs in comparison to novels and the like.  I thought that I would make a weekly series to showcase short stories, and point interested readers in the direction of some of my favourite collections.  Rather than ramble in adoration for every single book, I have decided to copy their official blurb.  I have linked my blog reviews where appropriate.

1. No One Belongs Here More Than You by Miranda July
‘Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly–they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. “No One Belongs Here More Than You” is a stunning debut, the work of a writer with a spectacularly original and compelling voice.’

2. How They Met and Other Stories by David Levithan
‘This is a collection of stories about love from the New York Times bestselling author of Every Day. They met on a plane / at Starbucks / in class. It was a set-up / it was completely random / they were dancing. It was love at first sight / it took time / it was a disaster! Love is a complicated, addictive, volatile, scary, wonderful thing. Many of the stories in this collection started out as gifts for the author’s friends. From the happy-ever-after to the unrequited, they explore the many aspects of the emotion that has at some time turned us all inside out and upside down.’

3. The Garden Party and Other Stories by Katherine Mansfield
‘Innovative, startlingly perceptive and aglow with colour, these fifteen stories were written towards the end of Katherine Mansfield’s tragically short life. Many are set in the author’s native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience – from the blackly comic “The Daughters of the Late Colonel”, and the short, sharp sketch “Miss Brill”, in which a lonely woman’s precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in “At the Bay”. ‘All that I write,’ Mansfield said, ‘all that I am – is on the borders of the sea. It is a kind of playing.”

4. Don’t Look Now and Other Stories by Daphne du Maurier
‘John and Laura have come to Venice to try and escape the pain of their young daughter’s death. But when they encounter two old women who claim to have second sight, they find that, instead of laying their ghosts to rest, they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple; a young woman confronting her father’s past; a party of pilgrims who meet disaster in Jerusalem; and a scientist who harnesses the power of the mind to chilling effect.’

5. Here’s Your Hat What’s Your Hurry by Elizabeth McCracken
‘Like her extraordinary novel, McCracken’s stories are a delightful blend of eccentricity and romanticism. In the title story, a young man and his wife are intrigued and amused when a peculiar unknown aunt announces a surprise visit–only the old woman can’t be traced on the family tree. In ‘What We Know About the Lost Aztec Children’, the normal middle-class son of a former circus performer (the Armless Woman) must suddenly confront his mother’s pain. In ‘It’s Bad Luck to Die’, a young woman discovers that her husband’s loving creations–he’s a tattoo artist–make her feel at home in her skin for the first time. Daring, offbeat, and utterly unforgettable, Here’s Your Hat What’s Your Hurry is the work of a n unparalleled young storyteller who possesses a rare insight and unconventional wisdom far beyond her years. Her stories will steal your heart.’

6. This Isn’t the Sort of Thing That Happens to Someone Like You by Jon McGregor
‘From the publication of his first Booker-nominated novel at the age of twenty-six, Jon McGregor’s fiction has consistently been defined by lean poetic language, a keen sense of detail, and insightful characterization. Now, after publishing three novels, he’s turning his considerable talent toward short fiction. The stories in this beautifully wrought collection explore a specific physical world and the people who inhabit it.Set among the lowlands and levees, the fens and ditches that mark the spare landscape of eastern England, the stories expose lives where much is buried, much is at risk, and tender moments are hard-won. The narrators of these delicate, dangerous, and sometimes deeply funny stories tell us what they believe to be important-in language inflected with the landscape’s own understatement-while the real stories lie in what they unwittingly let slip.A man builds a tree house by a river in preparation for a coming flood. A boy sets fire to a barn. A pair of itinerant laborers sit by a lake and talk, while fighter-planes fly low overhead and prepare for war. “This Isn’t the Sort of Thing That Happens to Someone Like You” is an intricate exploration of isolation, self-discovery, and the impact of place on the human psyche.’

7. Everything That Rises Must Converge by Flannery O’Connor
‘Flannery O’Connor was working on “Everything That Rises Must Converge” at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.’

8. Good Evening, Mrs Craven: The Wartime Stories by Mollie Panter-Downes
‘For fifty years, Mollie Panter-Downes’ name was associated with “The New Yorker.” She wrote a regular column (“Letter from London”), book reviews, and over thirty short stories about English domestic life during World War Two. Twenty-one of these stories are included in “Good Evening Mrs Craven”–the first collected volume of her work.Mollie Panter-Downes writes about those coping on the periphery of the war who attend sewing parties, host evacuees sent to the country, and obsess over food and rationing. She captures the quiet moments of fear and courage. Here we find “the mistress, unlike the wife, who has to worry and mourn in secret for her man” and a “middle-aged spinster finds herself alone again when the camaraderie of the air-raids is over.’

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Sunday Snapshot: Five Authors

For today’s Sunday Snapshot, I have chosen to write a list of five authors, whose work you may not have read.  I have listed my favourite of their books beside their names for your perusal.

1. Elizabeth McCracken
I read the marvellous The Giant’s House whilst I was still a teenager, and have read it many more times since.  McCracken’s writing is truly lovely, and the characters she crafts stay with the reader long after the last page has been read.

2. Tove Jansson
Jansson is best known as the creator of The Moomins, but her adult fiction is just as wonderful.  To fit the season, I would recommend The Summer Book, which is a glorious musing on life on a tiny Scandinavian island.

3. Jon McGregor
I first read McGregor a good few years ago, when my Dad recommended the stunning If Nobody Speaks of Remarkable Things to me.  It is a novel which challenges your perceptions, and its storyline and characters, whilst not named, are so very memorable.

4. Sylvia Townsend Warner
Despite only having read one of her novels (Lolly Willowes, or the Loving Huntsman) and one of her short story collections (The Doll’s House and Other Stories), Townsend Warner is one of my favourite authors on the Virago list.  She creates such atmosphere, and her characters are wonderfully crafted.  The majority of her stories contain unexpected twists, and her writing is very lovely indeed.  I would recommend beginning with either of the titles listed above in order to get a real sense of her style.

5. Stella Benson
For some reason unbeknownst to me, Stella Benson is rather a neglected twentieth century author.  Her writing is glorious, and the way in which she uses magical realism against the ordinary aspects of the lives of her characters is marvellous.  I would recommend the lovely Living Alone, set during the First World War.  Who cannot fail to be charmed by the following author introduction?

This is not a real book. It does not deal with real people, nor should it be read by real people. But there are in the world so many real books already written for the benefit of real people, and there are still so many to be written, that I cannot believe that a little alien book such as this, written for the magically-inclined minority, can be considered too assertive a trespasser.