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Reading the World: ‘The Beauty and the Beast’ by Gabrielle-Suzanne Barbot de Villeneuve ****

2017 seems a fitting year in which to read The Beauty and the Beast, as Disney released its live action blockbuster just a few months ago.  I did love the cartoon film as a child – my particular fondness, of course, was for the tiny chipped teacup and the glimpse of Belle’s library – but was very underwhelmed by the new interpretation.  Regardless, I had never read Gabrielle-Suzanne Barbot de Villeneuve’s original story before, and made up my mind to do so, tying it in with this year’s Reading the World Challenge.9780062456212

I’m sure everyone already knows the story of The Beauty and the Beast, but if not, I will offer a short recap.  The tale of a merchant opens the story; once prosperous, he has lost his fortune due to one catastrophe after another.  He moves his sizeable family – six daughters and six sons – to a secluded house which he owns, one hundred miles away.  Of the effects which this has upon the merchant’s largely spoilt and self-obsessed daughters, de Villeneuve writes: ‘They thought that if they wished only for a husband they would obtain one; but they did not remain very long in such a delightful illusion.  They had lost their greatest attractions when, like a flash of lightning, their father’s splendid fortune had disappeared, and their time for choosing had departed with it.  Their crowd of admirers vanished at the moment of their downfall; their beauty was not sufficiently powerful to retain one of them’.  The girls have no choice but to ‘shut themselves up in their country house, situated in the middle of an almost impenetrable forest, and which might well be considered the saddest abode in the world.’

The family’s youngest daughter, sixteen-year-old Beauty, is the anomaly.  She has so much compassion and empathy for her family, and is a refreshing addition to a brood of rather horrid, vain girls.  She in fact shows strength in the face of the family’s new-found adversity: ‘She bore her lot cheerfully, and with strength of mind much beyond her years’.  When her father has to undertake a long journey in the hope of reclaiming some of his former possessions, her sisters clamour for new dresses and finery.  Beauty simply asks him to bring her back a rose.  Her father is subsequently caught in a snowstorm which disorientates him, and seeks shelter in an enormous, grand castle.  He finds no inhabitant, but regardless, a meal is presented to him in a cosy room.  He – for no explicit reason – decides that, with no sign of an owner about, the castle must now belong to him.

The merchant becomes rather cocksure, and decides to kill two birds with one stone, taking a rose for his beloved younger daughter from the castle’s garden.  It is at this point that he is given his comeuppance, and reprimanded by the Beast, the castle’s owner: ‘He was terribly alarmed upon perceiving at his side a horrible beast, which, with an air of fury, laid upon his neck a kind of trunk, resembling an elephant’s…’.  The Beast pardons him only in exchange for one of his daughters.  When the merchant describes his plight, five of his six daughters are, unsurprisingly, selfish, and believe that he should sacrifice himself for their benefit.  Beauty, however, steps up to the mark, and is taken to the castle to live with the Beast.

The Beauty and the Beast has been so well plotted, and has many elements of the traditional fairytale in its favour.  Despite this, it goes further; its length allows de Villeneuve to really explore what could be termed magical realism.  The vivid dreams which Beauty has are beautifully depicted, and tension is built at times.  I found The Beauty and the Beast just as enjoyable as I would have as a child.  The magic which weaves its way through the novel cannot fail to draw one under its spell; there are talking animals, enchanted mirrors, and things which appear and disappear.  The talking crockery and candelabra are very much Disney additions; the novel reads as a far more fresh, and less gimmicky, version of the story.

I am pleased that I chose to read the unabridged version of de Villeneuve’s story, which was published in its original French in 1740.  This particular edition has been translated and adapted by Rachel Louise Lawrence, who has very much retained a lot of its antiquity.  The sentence structure is quite old-fashioned – charmingly so, in fact.  The writing and translation here are fluid and lovely.  I would urge you, if you’ve not seen the film, to pick up this delightful tome instead.  There is so much substance here, and it should definitely be placed alongside children’s classics such as The Railway Children and Mary Poppins.

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‘Keeping Henry’ by Nina Bawden ***

Keeping Henry by Nina Bawden – an author who is a firm favourite on the Modern Classics list – is one of the first of her books to be reissued by Virago for a younger audience, complete with new illustrations by Alan Marks.  First published in 1988, the Observer calls it ‘a subtle and many-layered story, one of Nina Bawden’s best’.  The aim of the new Virago series for children, which will expand to twenty titles at the end of 2017, is to publish ‘timeless tales with beautiful covers that will be treasured and shared across the generations’.  Other titles upon the list as it currently stands are a charming mixture, ranging from the likes of E. Nesbit’s The Railway Children, and Susan Coolidge’s What Katy Did, to Frances Hodgson Burnett’s beautiful The Secret Garden.

9780349009193Keeping Henry revolves around a young squirrel, who is found by a wartime family who have relocated from London to Wales, after the youngest son Charlie accidentally catapults him out of his nest.  Unable to be released back into the wild, the family keep the squirrel as one of their own, and swiftly name him Henry.  Keeping Henry is, in part, based upon Bawden’s own childhood, as she herself kept an abandoned squirrel as a pet, and was, like the family in the novel, evacuated to rural Wales during the Second World War.  The blurb plays upon this, describing Keeping Henry as a ‘winning combination’ between an evacuee and family story, and an ‘unlikely, mischievous pet’.  Indeed, the family within Keeping Henry were: ‘upturned from their old life just as Henry was “tipped out” of his nest.’

Keeping Henry, which is told from the first person perspective of an unnamed girl, opens in the following manner: ‘My brothers, Charlie and James, have always blamed me for what happened to Henry.  Even now, years and years later, Charlie still says it was my fault.’  Her ‘sharp-eyed’ brother ‘had spotted the nest high in the tree by the brook; who watched for a while, several days, and then fetched his friends, Tommy and Stan, and his big brother’s catapult.  A lucky shot for a little boy only seven years old, though not as lucky, of course, for the squirrels.’  Thankfully, the boys’ mother is accommodating, and does not mind looking after stray or lost creatures: ‘She was mad about animals.  Sometimes I thought that she preferred them to people.  Except for Charlie, of course; her baby, her favourite.’

As one familiar with Bawden’s work may have come to expect, Keeping Henry does include a level of psychological insight about the family, and their circumstances.  Charlie particularly is shown as being troubled by their uprooting to rural Wales: ‘Charlie had heard the bomb fall, and although it was three years now since we had left the city to live on this farm in the country, he still jumped and went pale when a tractor backfired or Mr Jones, the farmer, was out shooting rabbits’.  Whilst such occurrences are not shied away from, there are some wonderful evocations of the countryside within the pages of Keeping Henry.

Children are set to learn information about red squirrels as they read, and will come to care immensely for the animated Henry and his fate.  Bawden’s children’s books add something a little different to the genre; they are sweet but also witty, a little quaint at times but not old-fashioned, and as knowledgeable as they are perceptive.  Bawden characteristically deals with a lot of issues in Keeping Henry, but the main thread here is displacement; the children are away from their home and their father, who is in the Navy, just as Henry has lost his family and his nest.  Marks’ whimsical illustrations are comical and sweet, and fit well with the text.  Keeping Henry is sure to delight both nature-loving and thoughtful children, and to charm adults just as much.

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‘Good Night Stories for Rebel Girls’ by Elena Favilli and Francesca Cavallo ****

I chose to borrow Good Night Stories for Rebel Girls: 100 Tales of Extraordinary Women from the library and read it during the BookTubeathon in July.  Its blurb, as well as the librarian whom I spoke to about it, made it sound both inspiring and quirky, and it has also been highly recommended on a couple of blogs and channels which I love.  Good Night Stories for Rebel Girls is the ‘most funded original book in the history of crowdfunding’, which was certainly another reason to pick it up, to see whether the hype was justified.

Its authors, Elena Favilli and Francesca Cavallo, have collected short biographies of one hundred women, both famous and relatively forgotten, in order to prove ‘the world-changing power of a trusting heart’.  They have used a lot of different illustrators to provide accompanying portraits of each woman, and have arranged the entries in alphabetical order according to their first name.  The inclusions which Favilli and Cavallo have chosen range from mathematician Ada Lovelace and Russian ruler Catherine the Great, to the Bronte sisters, and a host of young activists trying to change the world around them for the better.  There are supermodels, cyclists, scientists, a deaf motocross racer, authors, illustrators, and world leaders; in short, a great cross-section of inspiring women from all walks of life can be found within the pages of Good Night Stories for Rebel Girls. 9780141986005

Far-reaching and thoughtful, Good Night Stories for Rebel Girls is an inspiring book, which has been beautifully laid out and put together.  Alongside each biography, which begins in the whimsical manner of ‘Once upon a time…’, biographical dates and pioneering and important things have been included about each entrant, as well as a quote.  Many of the women here have battled great adversity, but all have triumphed.

A lot of the women here are quite obvious inclusions – Amelia Earhart and Marie Curie, for instance – but others are less so.  There are some glaring omissions – no Anne Frank graces its pages, for instance – but of course there have been swathes of incredible women around the world who could have been included, and I understand what a tough job it must have been for Favilli and Cavallo to narrow down their choices to just one hundred.

Good Night Stories for Rebel Girls is, without doubt, a wonderful tome, and is sure to delight and empower girls – and women – around the world.  The only inclusion which I found myself questioning from an ‘inspiring’ perspective is Margaret Thatcher; she would not have even made my longlist.  Regardless, there are women here whom every girl can relate to, and a second volume following similar guidelines would, I am sure, be welcomed with open hearts.

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One From the Archive: ‘Puck of Pook’s Hill’ by Rudyard Kipling ****

Rudyard Kipling has left a plethora of fantastic writing behind him, ranging from his moralistic Just-So Stories and his beautiful and far-reaching collection of poems, to his delightful work for children.  Each story in Puck of Pook’s Hill – which was first published in 1906, and is possibly the most charming novel which Kipling turned his hand to writing – ‘mixes war and politics with adventure and intrigue’. 9781843915027

The foreword to Hesperus Minor’s beautiful new reprint of Kipling’s classic children’s novel has been written by Marcus Sedgwick.  He explains, first and foremost, that a puck is ‘an ancient creature of British mythology, a catch-all name for the “little people”, the fairy-folk, or the People of the Hills’.

The novel is comprised of short stories which relate to one another in terms of the central thread running through them, and which are separated by rousing poems.  Surely such a format deems them perfect for bedtime reading.  In the novel, we are introduced to siblings Una and Dan, who live in rural Sussex.  On Midsummer’s Eve, whilst they are reciting – rather fittingly, one feels – the beautiful A Midsummer Night’s Dream to one another, using a fairy ring ‘of darkened grass’ as their stage, they manage to summon an elf named Puck, and ‘are taken on a fantastic journey through Britain’s past’.  Kipling describes the little creature in rather a charming and vivid manner: all of a sudden, ‘in the very spot where Dan had stood as Puck they saw a small, brown, broad-shouldered, pointy-eared person with a snub nose, slanting blue eyes, and a grin that ran right across his freckled face’.  Pook’s Hill, upon which the children sit, belong to Puck: ‘it is just that’, Sedgwick writes, ‘as the years go by, words and names change’.

The entirety of Puck of Pook’s Hill is filled with history.  Una and Dan meet, amongst other figures of yore, a Roman Centurion and the knight Sir Richard, who came to England with William the Conqueror.  Both figures tell many tales of their pasts.  In this way, the book is both entertaining and educative, telling the story of Britain’s important past by way of events which are sure to pique the interest of children.  Throughout, Kipling balances the adventurous tales with beautiful descriptions – for example, ‘The trees closing overhead made long tunnels through which the sunshine worked in blobs and patches’, and ‘the little voices of the slipping water began again’.

Puck of Pook’s Hill is of the rare kind of children’s literature, presenting as it does a story which will equally appeal to both boys and girls.  It is filled to the brim with magic, folklore, ancient beings, other-worldly creatures, and two very endearing children.  The charming story which Kipling has woven is ready to be rediscovered by a whole new generation of readers, who are sure to treasure it.

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One From The Archive: ‘John Diamond’ by Leon Garfield ***

Leon Garfield’s John Diamond, which was first published in 1980, has been reissued in a lovely new edition as part of the Vintage Children’s Classics range.  Peter Williamson’s cover design is marvellous, and it fits wonderfully with the darkness of the story.  Vintage have recommended that the book is suitable for everyone over the age of nine, and upon reading it from an adult stance, it is difficult to envision that anybody – indeed, of any age – would dislike it.

9780099583271The novel opens in a manner which immediately piques the interest: ‘I ought to begin with the footsteps, but first of all I must tell you that my name is William Jones and that I was twelve years old when I began to hear them’.  His father tells him whilst on his deathbed that he ‘swindled’ Mr Diamond out of a great fortune, and thus, the main thread of the story concerns William’s travels to London to ‘make amends’ with his late father’s old business partner.  The ‘murky big city, with its sinister characters and treacherous back streets’ is clearly no place for him.

William tells us that ‘This story is about my father, chiefly.  He was a tall, handsome man, with his own hair, his own teeth, and, in fact, with nothing false about him’. After his father’s death, he goes on to say, ‘I knew that, until I found Mr Diamond, neither my father nor I would ever have peace.  Night after night he would shuffle and drag across the floor, amd night after night I would hear him; unless I left the house and set out on the journey that would lay his ghost’.

John Diamond is rather atmospheric at times, and it is filled with childish and rather amusing caricatures of those around William.  His Uncle Turner, for example, with his ‘bullying face’ and ‘strong smell of peppermint’, was ‘a stern, God-fearing man, and I think the feeling must have been mutual – God, I mean, being frightened of him’.  William himself is brave and likeable, and much care and compassion is built up for him as the novel progresses.

Garfield’s novel is cleverly crafted, the first person narration works marvellously, and plot details are dripped in at intervals throughout to keep the interest of the reader.  Vintage have lovingly overseen the production of John Diamond, adding rather a fun section called ‘The Backstory’ at the end of the book, which invited readers to learn how to speak in Cockney rhyming slang, as well as providing a quiz, an author biography, and facts about London in the time in which the novel is set.  John Diamond is certainly deserving of this reprinting, and it is sure to be a wonderful addition to any bookshelf.

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Furrowed Middlebrow

I’m sure that a lot of you are already familiar with Furrowed Middlebrow‘s fantastic and comprehensive ‘British Women Writers of Fiction, 1910-1960’ list (here).  If not, US blogger Scott has compiled an enormous list of just what it says above; British women writers, both popular and forgotten.  He has recently teamed up with Dean Street Press to bring some of the more neglected female authors back into the public eye, making their work more easily accessible to the modern reader.

With this in mind, I have perused the list and picked out ten novels which I very much like the look of, and will try my best to find in the weeks to come.  I would love nothing more than to work my way through Scott’s entire list, but this seems a little unrealistic, particularly with a thesis to write, and after yesterday’s announcement that I’m not doing that well with 2017’s reading challenges!

I have chosen books which I have never heard discussed for this list, and whilst all of the Dean Street Press publications (yes, all of them) appeal to me, I have deliberately not included any of them.  (That said, please go and read Ursula Orange and Frances Faviell immediately.  They are fantastic.)  For many of my choices, I have been unable to find a blurb, but have used the information which Scott has very helpfully written alongside his entries.

1. Perronelle by Valentina Hawtrey
This 1904 novel is set within fifteenth-century Paris, and is by an author who received most success with a translation of a book on Mary Magdalene.  You can read a 1904 review of the novel on the New York Times‘ site (here).

2. Island Farm by Hilda Brearley 51rd5fktvjl-_sx333_bo1204203200_
This children’s book was published in 1940, and was the first of the author’s three novels.  I cannot find much information about it aside from the following, but it sounds quirky and Enid Blyton-esque; what’s not to like?:  ‘3 children are the family of 2 unconventional archaeologists, and are sent to stay at an east-coast farmhouse.’

3. The Chinese Goose by Jean Edminson (aka Helen Robertson)
This 1960 novel sounds wonderfully strange; it is a mystery novel which revolves around a woman killed by swans.  I’ve never read anything quite like it, but am suitably intrigued!

4. Alice by Elizabeth Eliot
Alice was published in 1950, and compared to Nancy Mitford.  Scott deems it ‘clever’ and ‘darkly humorous’.  Kirkus Review writes the following: ‘A first novel which has considerable charm, an insouciant brightness, and a definite knowledge of the rather worldly world from which it derives- the indolent, elegant upper classes in England between the wars. As told by Margaret, her oldest friend, this follows the story of Alice from the time when they attend a rather impossible finishing school. Everything Alice does goes badly; she seems attuned to failure in her search for emotional security, the only thing she wants. The first boy she loves is appropriated by her older sister; she marries Cassius Skeffington, a self-absorbed, self-indulgent exquisite; she has an affair with a bluff but bad-tempered older man; and as finally she makes a success in the theatre, she obliterates reality when she loses her memory, her identity… The early scenes here, of both these jeunes filles en fleur and their devastating deflation of their elders and betters are highly entertaining; and if the wit here is more disarming and not quite as deadly as Nancy Mitford’s- who deals with much this same type of milieu- there should be a parallel public.’

vaughan-thinkofnoughttitlepage5. A Thing of Nought by Hilda Vaughan
This 1934 novel is Vaughan’s most famous, and is set in her native Wales.  It tells a couple who fall in love, but have to be separated when Penry Price, the youngest of five sons of a farming family, has to go to Australia in order to make enough money to marry his sweetheart.  Scott’s beguiling review of A Thing of Nought can be found here.

6. The Two Windows by Mary Cleland
I can find hardly any information about this 1922 novel, but Scott has found a charming quote from the Queenslander, which deems it ‘something fragrant, delicate, and altogether charming’.

7. The House by the Sea by Jon Godden
Jon Godden, real name Winsome Ruth Key Godden, was the older sister of the far more famous Rumer.  She wrote twelve novels of her own, and the siblings also co-authored several tomes.  This particular novel is about a woman named Edwina, who is able to embark on her own, free life after being left some money.  The lovely Jane at Beyond Eden Rock wrote an utterly splendid review of The House by the Sea, which can be found here.

8. Before the Wind by Janet Laing

Before the Wind is a 1918 novel, an ‘energetic comedy’, which focuses upon a young woman who serves as a companion to ‘two eccentric women in wartime Scotland’.  It sounds as though it includes everything I look for in a novel, and I shall be very pleased indeed when I can find my own copy!

9. Sallypark by Margaret Hassett 35490183
This entertaining story by the author of ‘Educating Elizabeth’ etc., tells of the experience of Mrs. Warmbath, a widow, when visiting her cousins the Hartes in Cork.  The atmosphere at Sallypark is extremely well done. The father is a local doctor, who keeps his three daughters in subjection and refuses to let any of them marry; the daughters, while paying respect to their father, carry on their love affairs behind his back; Mrs. Warmbath, against her will, gets involved in these affairs, and manages the father so successfully that the family become suspicious of her motive.  However all ends well in this highly amusing tale.

10. The Tinsel November by Julia Rhys
This 1962 children’s book is wonderfully described as as: “A fantasy tale of a gloomy All Hallow’s Eve, an old English house, some mysterious antique marionettes and a magical time of dark November days which will usher in the candle-glow of Christmas.”  It sounds utterly splendid, and I’m hoping that copies won’t be too difficult to find by the time the year is out!

 

Have you read any of these books?  Are you, too, wishing that you could work through the entirety of the Furrowed Middlebrow list, or are you actually in the process of doing so?  If so, which has been your favourite discovery to date?

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One From the Archive: ‘Little Women’ by Louisa May Alcott ****

I first encountered Little Women when I was seven or eight; I distinctly remember opening it on a cold December day and bemoaning the fact that I had to stop reading it when our family friends came round for lunch, simply because I could not tear myself away.  Whilst I so enjoyed my first encounter with the March sisters, for some reason I had not picked up the novel since.  I decided to add it to my Classics Club list merely because I felt that a re-read was long overdue.

9780147514011I am sure that Little Women has been a part of the childhoods of many, but I will recap the main details of the story for those who have perhaps not come across it before, or are yet to read the novel.  The four March sisters – Jo, Meg, Beth and Amy – all in their formative years, begin their tale by lamenting over having to forfeit their usual Christmas presents due to it being ‘a hard winter for everyone’.  Their mother tells them that she thinks ‘we ought not to spend money for pleasure, when our men are suffering so in the army’.  The novel is set against the backdrop of the American Civil War, which adds a relatively dark and ever-present edge to the whole.   Their father – a hero of sorts – is fighting in the conflict, and it is his reference to his daughters as ‘little women’ that gives the novel its title.

I found myself automatically endeared to bookish Jo and young Amy, whose initial slips in vocabulary were rather adorable.  Jo is headstrong and very determined about those things which matter to her: ‘I’m not [a young lady]!  And if turning up my hair makes me one, I’ll wear it in two tails till I’m twenty…  I hate to think I’ve got to grow up, and be Miss March, and wear long gowns, and look as prim as a China Aster!  It’s bad enough to be a girl, anyway, when I like boys’ games and work and manners!  I can’t get over my disappointment in not being a boy!’  The dynamic between the sisters is so well crafted; there are squabbles and rivalries from time to time, but an overriding sense of love – even adoration for one another – cushions the whole.

Alcott sets the scene immediately; in just the first few pages, we find out that the Marches are relatively poor, and the detailed jobs which the girls have had to take on to aid their mother in the running of the household and the monetary needs of the family.  Her descriptions are lovely: ‘A quick, bright smile went round like a streak of sunshine’.  She is very perceptive of her characters, the girls particularly; whilst they are part of the same unit, each separate protagonist is so distinctive due to the varied character traits which prevail in their personas.  Meg is sensible, Jo concerned about maintaining a tough outer image, Beth kindly and sensitive, and Amy aware of what she believes is her own importance in the world.  Their mother, whom they affectionately call Marmee, too, is well crafted, and the initial description which Alcott gives of her is darling: ‘a tall, motherly lady with a “can I help you” look about her which was truly delightful.  She was not elegantly dressed, but a noble-looking woman, and the girls thought the gray cloak and unfashionable bonnet covered the most splendid mother in the world’.

I really like the way in which Little Women begins around Christmastime; parts of it made for a wonderful and cosy festive read.  The novel is incredibly well written, and the dialogue throughout has been well constructed.  The conversations which the characters have – particularly those which take place between the sisters – are believable, and all daily mundanity has been left out for the mostpart.

Little Women is an absolute delight to read – it is endearing, sweet, amusing and engaging, and the storyline holds interest throughout.  A lot can be learnt from this novel; the girls may not have all that much by way of possessions or money, but they always make the best of their lot, and know how to appreciate everything about them.  Through her characters especially, Alcott is rather wise at times.  I personally preferred the girls far more when they were younger; they were still interesting constructs as adults, but they were nowhere near as endearing, and for that reason alone, the novel receives a four star rating from me.

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‘Monsters’ by Emerald Fennell ****

I don’t tend to read much children’s fiction nowadays, cultivating the image, as I am, of a sensible PhD student.  Regardless, I really do enjoy it, and every now and then, something aimed at younger readers really catches my eye.  Monsters by Emerald Fennell was such a book.  The sparsity of its blurb made it sound deliciously creepy, and I have seen favourable reviews from a lot of fellow adults who have succumbed to it.

9781471404627From the outset, I was reminded of The Wasp Factory by Iain Banks; yes, it is aimed at a different audience entirely, but there are rather a lot of similarities with regard to the narrative voice and the uneasiness which sets in almost immediately.  The matter-of-fact way in which it opens, too, contributed to the comparison for me: ‘My parents got smashed to death in a boating accident when I was nine.  Don’t worry – I’m not that sad about it’.  When her parents are killed, the narrator goes to live with her grandmother: ‘The good thing about living with Granny is that she has no idea about twelve-year-old girls and what they should be reading or watching on the television, so she lets me sit up with her and watch gory films while she picks the polish off her nails and feeds it to her dog, John.  John is permanently at death’s door but never actually hobbles through it’.

Monsters is filled with dark humour, such as the above.  The voice of our unnamed narrator was engaging as much as it was detached from things going on around her: ‘Mummy was obsessed with being thin – it was the thing she was most proud of.  At meal times she only ate peas, one at a time, with her fingers’.  There is a grasp of reality here, but whilst in charge of her own thoughts and feelings, the narrator is very much led.  When she meets fellow twelve-year-old Miles Giffard, who is holidaying in the Cornish town of Fowey where she is staying with her aunt and uncle, another darkness entirely enters the novel.

Our narrator has a vivid, and often rather frightening, imagination: ‘I really like my school but, honestly, sometimes I think it would be better if someone just burned the place to the ground’.  With Miles in tow, she soon has a fascination with murder, which is piqued when female bodies begin to wash up upon the beach.  She and Miles decide to investigate, and churn up horrors from which most twelve-year-olds would run away screaming.

The narrative voice feels natural after the first few pages, but some of the comments which the protagonist makes either startled me, or caught me so by surprise that I ended up snorting with laughter, such as with the following: ‘Sometimes I’m so tired I can barely move or think straight.  But it gets better after I’ve had a couple of strong coffees from the buffet.  Jean doesn’t approve of twelve-year-old girls drinking coffee, but truly, Jean can get fucked’.

Fennell is a talented writer, whose characters – young and old – felt immediately realistic.  She has such an awareness of her narrator, and has crafted a book which is really chilling at times, even to those who fall several (ahem) years outside of her target demographic.  The plot and pace within Monsters are faultless, and the reader is always aware that something sinister is on the horizon.  Monsters is a real page turner, for audiences young and old(er).  I could never quite guess where it would end up, and it kept me surprised throughout, particularly with its clever twists and its fantastic ending.

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‘Thursday’s Children’ by Rumer Godden ****

Rumer Godden is the author of over sixty works of fiction and non-fiction, for both children and adults. Virago have recently reprinted a handful of her books to add to their impressive canon of women’s fiction. First published in 1984, Thursday’s Children is amongst the newest offerings. As its title suggests, this novel is based upon the childhood rhyme ‘Monday’s Child’, in which ‘Thursday’s child has far to go’ – a definite precedent for the story which Godden has woven. 9781844088485

Thursday’s Children focuses upon a young boy named Doone Penny, who was ‘born to dance’. His sister Crystal, also a dancer, receives much of the attention in the Penny family, and Doone’s brothers and father look upon him with something akin to contempt at times, believing that any boy who enjoys ballet is the worst kind of ‘sissy’. He is the youngest child in rather a large family, a surprise baby who was born to a mother who wanted her beloved daughter, born after four boys, to be her last. ‘To be the youngest in a family is supposed to be enviable, but that is in fairy-tales; with four older brothers and an important older sister, Doone rarely had a chance to speak’. From the start, Doone is not treasured as he should have been: ‘… he was an unsatisfactory child… [he] was persistently ragamuffin, his socks falling down, his shoes scuffed… he was often puzzled and, often, when spoken to seemed curiously absent, too dreamy to be trusted with the simplest message. He was to be a failure at school – every term a worse report – did not learn to read properly till he was ten and was so silent that he seemed to Ma secretive’.

The first part of the novel opens with Doone’s spoilt elder sister complaining about having to take her brother along to the dance class which she attends. Since his early childhood, Doone has been largely ignored by those around him, and even his mother sees him as somewhat of a burden. He is an incredibly musical child and is taught to play the mouth organ when a tiny little boy by a wonderfully crafted little man named Beppo who helps out in his father’s North London grocery shop. When Beppo is forced to leave his employment, Doone realises ‘that now there was nobody who wanted him’. When the eldest brother, Will, suggests that he should be given lessons in his beloved mouth organ as it is unfair that the majority of the family’s money is spent on Crystal and her dancing, Ma Penny says, ‘… when, in a family, one child has real talent, the rest have to make some sacrifice’.

Doone’s own love of dancing is realised when he is given the opportunity to attend a professional ballet performance with his mother. He begins to have clandestine dance classes along with four other London boys. It is a coming of age novel of the most satisfying type. We see Doone, our protagonist, grow before our eyes, and triumph over the situations and family members which try to overcome him.

Dance runs throughout the entire book, as one might expect given the storyline. However, Godden has gone further than merely to write about dance. Indeed, the novel is presented as something akin to a theatre programme, outlining the ‘cast list’ before it begins, and opening with a ‘Prelude’, which sets out the ‘World Premiere of Yuri Koszorz’s “Leda and the Swan”‘. Here, Doone has been cast as a cygnet: ‘No boy of that age, in Mr Max’s remembrance, had been entrusted with dancing a solo role in a ballet at the Royal Theatre’. Despite this prelude merely being Doone’s dream, these nice touches to the book launch us straight into the life of the ballet.

Godden’s writing is marvellous. She weaves an absorbing story and intersperses it with touching anecdotes about its characters, pitch perfect dialogue and the loveliest of descriptions. The settings which she uses come to life in the mind of the reader: ‘It was only a prelude; the music changed, the clouds came down, and Doone could feel an almost magnetic stir in the audience beyond the orchestra pit’, and ‘the Royal Theatre, for an English-born dancer, was not only the Mecca, the peak of ambition, but also home’. Her love of dancing and the theatre shines through on every page: ‘the music, the lights, the little girls – it seemed to him a hundred little girls – all in party dresses and dancing shoes, moving to the music in what seemed to him a miracle of marching, running, leaping’. Her character descriptions, too, give us a real feel for the leading men and women of the book: ‘It was difficult to believe Pa had once been a romantic young man who, when he was not learning to be a greengrocer, willingly went without tea or supper to go to a musical or a revue’.

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3

Really Underrated Books (Part One)

I’m sure I’m not alone when I express my love for Goodreads lists.  I’m not really a reader of popular fiction, and prefer those works which sneak under the radar for the mostpart, so the ‘underrated’ section for books to buy and consequently fall in love with is perfect for me.  To procrastinate ever so slightly from a proofreading manuscript, I have decided to detail fifty very underrated books which I have my eye on over the next week.  They are certainly a mixed bag, but all have intrigued me.  Have you read any of these?

 

1. Collected Stories by Wallace Stegner 9780143039792
‘In a literary career spanning more than fifty years, Wallace Stegner created a remarkable record of the history and culture of twentieth-century America. Each of the thirty-one stories contained in this volume embody some of the best virtues and values to be found in contemporary fiction, demonstrating why the author is acclaimed as one of America’s master storytellers.’

 

2. The Adventures and Misadventures of Maqroll by Alvaro Mutis
‘Maqroll the Gaviero (the Lookout) is one of the most alluring and memorable characters in the fiction of the last twenty-five years. His extravagant and hopeless undertakings, his brushes with the law and scrapes with death, and his enduring friendships and unlooked-for love affairs make him a Don Quixote for our day, driven from one place to another by a restless and irregular quest for the absolute. Álvaro Mutis’s seven dazzling chronicles of the adventures and misadventures of Maqroll have won him numerous honors and a passionately devoted readership throughout the world. Here for the first time in English all these wonderful stories appear in a single volume in Edith Grossman’s prize-winning translation.’

 

97800620590553. The Bat-Poet by Randall Jarrell
‘There was once a little brown bat who couldn’t sleep days—he kept waking up and looking at the world. Before long he began to see things differently from the other bats who from dawn to sunset never opened their eyes. The Bat-Poet is the story of how he tried to make the other bats see the world his way.  With illustrations by Maurice Sendak, The Bat-Poet—a New York Times Best Illustrated Children’s Book selection—is a collection of the bat’s own poems and the bat’s own world: the owl who almost eats him; the mockingbird whose irritable genius almost overpowers him; the chipmunk who loves his poems, and the bats who can’t make heads or tails of them; the cardinals, blue jays, chickadees, and sparrows who fly in and out of Randall Jarrell’s funny, lovable, truthful fable. ‘

 

4. An Exaltation of Larks by James Lipton
‘An “exaltation of larks”? Yes! And a “leap of leopards,” a “parliament of owls,” an “ostentation of peacocks,” a “smack of jellyfish,” and a “murder of crows”! For those who have ever wondered if the familiar “pride of lions” and “gaggle of geese” were only the tip of a linguistic iceberg, James Lipton has provided the definitive answer: here are hundreds of equally pithy, and often poetic, terms unearthed by Mr. Lipton in the Books of Venery that were the constant study of anyone who aspired to the title of gentleman in the fifteenth century. When Mr. Lipton’s painstaking research revealed that five hundred years ago the terms of venery had already been turned into the Game of Venery, he embarked on an odyssey that has given us a “slouch of models,” a “shrivel of critics,” an “unction of undertakers,” a “blur of Impressionists,” a “score of bachelors,” and a “pocket of quarterbacks.” This ultimate edition of An Exaltation of Larks is Mr. Lipton’s brilliant answer to the assault on language and literacy in the last decades of the twentieth century. In it you will find more than 1,100 resurrected or newly minted contributions to that most endangered of all species, our language, in a setting of 250 witty, beautiful, and remarkably apt engravings.’

 

5. Tell Me That You Love Me, Junie Moon by Marjorie Kellogg
‘Junie Moon, Warren, and Arthur meet in the hospital and decide to live together when they leave. Each is coping with a disability with courage, strength, and friendship.’

 

6. The Tightrope Walker by Dorothy Gilman 9780449211779
‘When the quiet and shy Amelia Jones reads these words, her life changes irrevocably. She’s just become the new owner of the Ebbtide Shop, a musty antique store filled with merry-go-round horses and hurdy-gurdies, and it is while fixing one of these barrel organs that the scrawled and threatening note falls out. Armed only with the strange woman’s first name and the note written years before, Amelia begins a journey into the past, a search that takes her from the protective cocoon she’s wrapped herself in to a precarious world where passions boil underneath the surface, where nothing is the way it seems, where fear is second nature, and dark secrets just might uncover murder—her own…’

 

7. The Peabody Sisters: Three Women Who Ignited American Romanticism by Megan Marshall
‘Elizabeth, Mary, and Sophia Peabody were in many ways our American Brontes. The story of these remarkable sisters — and their central role in shaping the thinking of their day — has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biograpy brings the era of creative ferment known as American Romanticism to new life. Elizabeth, the oldest sister, was a mind-on-fire thinker. A powerful influence on the great writers of the era — Emerson, Hawthorne, and Thoreau among them — she also published some of their earliest works. It was Elizabeth who prodded these newly minted Transcendentalists away from Emerson’s individualism and toward a greater connection to others. Mary was a determined and passionate reformer who finally found her soul mate in the great educator Horace Mann. The frail Sophia was a painter who won the admiration of the preeminent society artists of the day. She married Nathaniel Hawthorne — but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Marshall focuses on the moment when the Peabody sisters made their indelible mark on history. Her unprecedented research into these lives uncovered thousands of letters never read before as well as other previously unmined original sources. The Peabody Sisters casts new light on a legendary American era. Its publication is destined to become an event in American biography. This book is highly recommended for students and reading groups interested in American history, American literature, and women’s studies. It is a wonderful look into 19th-century life.’

 

97801411837498. Southern Mail by Antoine de Saint-Exupery
‘In his first novel, Saint-Exupéry pays homage to “those elemental divinities-night, day, mountain, sea, and storm,” turning an account of a routine mail flight from France to North Africa into an epic rendering of the pioneer days of commercial aviation. The book is also a poignant reminiscence of a tragic affair, in which the uncertainties of love and flight enhance the mystery of one another.’

 

9. At the Gates of the Animal Kingdom: Stories by Amy Hempel
‘Amy Hempel’s collection of 16 stories seems to ask: “What if people could be just a little more like dogs – -forever loyal, ardent and loving in our hearts?”‘

 

10. Later the Same Day by Grace Paley
‘In the 17 short stories collected here, Paley writes with verbal economy and resonance, pithy insights, and warmth and humor. The themes are familiar: friendship, commitment, responsibility, love, political idealism and activism, children, the nuclear shadow.’

 

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