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2018 Travel: Books Set in Austria

I have been incredibly lucky with my travelling so far this year, and was able to revisit beautiful Austria whilst based in Munich.  I hadn’t been to Salzburg before, but am absolutely in love with the city.  To honour lovely Austria, here are seven of my favourite books set in the country.

1. Let Me Go by Helga Schneider (2001) 1522423
The extraordinary memoir, praised across Europe, of a daughter’s final encounter with her mother, a former SS guard at Auschwitz.  In 1941, in Berlin, Helga Schneider’s mother abandoned her, her younger brother, and her father. Thirty years later– when she saw her mother again for the first time– Schneider discovered the shocking reason: Her mother had joined the Nazi SS and had become a guard in concentration camps, including Auschwitz-Birkenau and Ravensbrück, where she was in charge of a “correction” unit and responsible for untold acts of torture.  Nearly three more decades would pass before their second and final reunion, an emotional encounter at a Vienna nursing home, where her mother, then eighty-seven and unrepentant about her past, was ailing. Let Me Go is an extraordinary account of that meeting. Their conversation– which Schneider recounts in spellbinding detail– triggers childhood memories, and she weaves these into her account, powerfully evoking the misery of Nazi and postwar Berlin. Yet it is her internal struggle– a daughter’s sense of obligation colliding with the inescapable horror of what her mother has done– that will stay with readers long after the book has ended.
2. Persepolis 2: The Story of a Return by Marjane Satrapi (2001)
‘In Persepolis, heralded by the Los Angeles Times as ‘one of the freshest and most original memoirs of our day,’ Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.  Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.  As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism.’

175696223. The Exiles Return by Elisabeth de Waal (2013 in English)
The Exiles Return is set in Occupied Vienna in 1954-5. It describes five people who grew up there before the war and have come back to see if they can re-establish the life they have lost.  The novel begins with Professor Kuno Adler, who is Jewish and fled Vienna after the Anschluss (the events of March 1938 when Hitler’s troops marched into Austria). He is returning from New York to try and take up his old life as a research scientist. We realise through his confrontation with officialdom and with the changed fabric of the city (the lime trees are there no longer, it is hard to know who behaved well during the war and who was a Nazi sympathiser) that a refugee who goes back has a very difficult time.  Next we are introduced to a wealthy Greek named Kanakis. Before the war his family had lived in great style with a coach and horses and many servants, and now the 40 year-old Kanakis has come back to try and buy an eighteenth-century hotel particulier, a little palais, in which to live a life of eighteenth-century pleasure. He meets Prince Lorenzo Grein-Lauterbach (who owes more than a little to Tadzio in Death in Venice). Bimbo, as he is known – and the nickname is an accurate one – is a 24 year-old who, because his aristocratic, anti- Nazi parents were murdered by the Germans, was spirited away to the country during the war years and afterwards. He is penniless yet retains an overweening sense of entitlement. Kanakis and he develop a homosexual relationship (a brave thing to write about in the 1950s) and he is kept by his older lover. But he has a sister, Princess Nina, who works in a laboratory, the same one to which Adler returns. She lives modestly in the attic of her family’s former palais, is a devout Catholic, loyal to her brother and the memory of her parents, intelligent and hard-working, but, as she perceives it, is stocky and unattractive. Lastly, there is 18 year-old Marie-Theres, whose parents went to America just before the war; they, and her siblings, have become completely American, but Resi (as she is known, possibly with a deliberate echo of Henry James’s What Maisie Knew) has never fitted in and is déplacée. So she goes back to her Austrian aunt and uncle to see if she can make a life in the home country (from her parents point of view to see if she can be married off) yet here too she is an innocent abroad, unable, to put down roots. Her tragedy is at the core of this moving and evocative book, which explores a very complex and interesting question: if an exile returns, how should he or she behave morally? Some have moral fastidiousness (Adler, Nina), some are ruthlessly on the make (Kanakis, Bimbo), some have no moral code because they have never been educated to acquire one (Resi).
4. Airs Above the Ground by Mary Stewart (1965)
When Vanessa March arrived in Vienna she knew all about the white Lipizzan stallions at the Spanish Riding School. But she never expected to get involved with them or, indeed, with suspected murder.
5. Carmilla by Joseph Sheridan Le Fanu (1872) 17738894
When a mysterious carriage crashes outside their castle home in Styria, Austria, Laura and her father agree to take in its injured passenger, a young woman named Carmilla. Delighted to have some company of her own age, Laura is instantly drawn to Carmilla. But as their friendship grows, Carmilla’s countenance changes and she becomes increasingly secretive and volatile. As Carmilla’s moods shift and change, Laura starts to become ill, experiencing fiendish nightmares, her health deteriorating night after night. It is not until she and her father, increasingly concerned for Laura’s well-being, set out on a trip to discover more about the mysterious Carmilla that the terrifying truth reveals itself.
6. Letters to a Young Poet by Rainer Maria Rilke (1929)
Rainer Rilke is considered one of the most significant poets in the German language. The letters in this book were written by Rilke to Franz Kappus, a 19-year-old student at the Military Academy of Vienna. Discouraged by the prospect of military life, Kappus began to send his poetry to the 27-year-old Rilke, seeking both literary criticism and career advice. After Rilke’s death, Kappus assembled and published the letters.  Although the first letter from Kappus asked for critiques of his poetry, Rilke gave him very little during their correspondence. He also discouraged Kappus from reading criticism, advising him to trust his inner judgment. Instead, the majority of the letters address personal issues that Kappus revealed to Rilke; their span is tremendous, ranging from atheism, loneliness, sexuality, and career choices.
61319957. The Post Office Girl by Stefan Zweig (1982)
The post-office girl is Christine, who looks after her ailing mother and toils in a provincial Austrian post office in the years just after the Great War. One afternoon, as she is dozing among the official forms and stamps, a telegraph arrives addressed to her. It is from her rich aunt, who lives in America.

 

Have you read any of these?  Which, if any, have you added to your list?

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Snapshots: Munich and Salzburg (February-March 2018)

Snapshots from another fantastic holiday. Featuring trips to Bayern Munich, the Olympic Park in Munich, and Hohensalzburg Castle in Salzburg, alongside beautiful scenery.

Music:
‘Suffragette Suffragette’ by Everything Everything | ‘Better Open the Door’ by Motion City Soundtrack

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Instagram: @balancinghistorybooks
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Blog: https://theliterarysisters.wordpress.com
Academic blog: http://womenbetweenthelines.wordpress.com

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Reading the World: ‘The Empress and the Cake’ by Linda Stift ****

I am at that stage in my reading life where I purchase Peirene books without even reading their blurbs, almost certain as I am that I will enjoy them, and find them striking and thought-provoking.  I have only been disappointed with one of their titles to date, and they firmly remain one of my favourite publishing houses.  When I spotted a deal on the Kindle store for Linda Stift’s The Empress and the Cake then, I jumped at the chance of buying it, and read it the very next day.  Given its title too, it seems fitting that I am scheduling this post on my birthday!

The Empress and the Cake has been translated from its original German by Jamie Bulloch, and is set in Vienna.  Its Austrian author has won many awards for her writing.  The novella is part of Peirene’s Fairy Tale: End of Innocence series.  Of it, Meike Ziervogel, the founder of Peirene Press, writes: ‘On the surface this is a clever thriller-cum-horror story of three women and their descent into addiction, crime and madness.  And at times it’s very funny.  But don’t be fooled.  The book also offers an exploration of the way the mind creates its own realities and – quite often – deludes us into believing that we control what is actually controlling us.’ 9781908670304

The Empress and the Cake is split into two distinct parts, and opens with our narrator standing in a cake shop, where she sees a woman acting rather strangely: ‘She had no intention, so it appeared, of buying anything; she simply seemed to enjoy gazing at the layers of light and dark chocolate, the white cream toppings and the colourful sugar decorations’.  This woman, who later introduces herself as Frau Hohenembs, asks the narrator to share a splendidly named Gugelhupf with her.  Without explanation, the narrator then follows Frau Hohenembs to her apartment, under the pretence of eating cake and drinking coffee: ‘And I really didn’t have a clue what I was going to do with half a Gugelhupf after stuffing myself with cake at this woman’s place.  Even contemplating what might happen with my share was giving me a headache.’

A distinct contrast to Frau Hohenembs is her housekeeper, Ida: Frau Hohenembs ‘definitely fell into the category of thin, if not emaciated.  [Overweight] Ida rapidly ate four pieces of cake, one after the other…’.  We find, rather soon, that our narrator suffered with bulimia when she was younger, and the gluttony of eating of the cake – something which she would ordinarily avoid – brings on a relapse: ‘The grotesque face of my abnormality, which had lain dormant within me, resurfaced.  It was the first time in fifteen years.  I had always known that there was no safety net.  But I hadn’t suspected that it would arrive so unspectacularly, that it would not be preceded by a disaster such as heartbreak or dismissal or a death.’

The present-day story is interspersed with extracts from a fairytale-like text, which allows the reader to muse somewhat upon whose story it is, and who is doing the telling of it.  These sections render the whole peculiar, yet beguiling; there is almost a compulsion to keep reading.  Stift has cleverly, in such a restricted space as a novella, presented an almost impossible plot to correctly guess at.  The Empress and the Cake is rather unsettling, particularly toward the end, but if you like quirky and unusual books, it is one which is well worth picking up.

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Reading the World 2017: ‘Maybe This Time’ by Alois Hotschnig ****

Originally released in 2006, and rendered into English into 2011, Alois Hotschnig’s Maybe This Time is one of Peirene Press’ earliest publications.  World Literature Today declares that ‘Hotschnig’s prose dramatizes the voice of conscience and the psychological mechanisms we use to face reality or, just as often, to avoid it’.  Hotschnig is one of Austria’s most critically acclaimed authors, and he has won major Austrian, and international, literary prizes over his career.  The collection has been translated from the Austrian German by Tess Lewis.

9780956284051Hotschnig’s short story collection has been described by many readers as ‘unsettling’, and this, I feel, is quite a fitting appraisal.  There is a creeping sense of unease which comes over one as soon as the stories are begun.  The initial tale, ‘The Same Silence, the Same Noise’, is about a pair of neighbours who sit side by side in the narrator’s eyeline for days on end: ‘… they didn’t move, not even to wave away the mosquitoes or scratch themselves’.  This has rather a distressing effect upon our unnamed observer: ‘Every day, every night, always the same.  Their stillness made me feel uneasy, and my unease grew until it festered into an affliction I could no longer bear’.  His reaction is perhaps the most interesting one which Hotschnig could have come up with in this instance: ‘I drew closer to them because they rejected me.  Rejection, after all, is still a kind of contact’.  As one might expect as the midway point is reached in this tale, the narrator soon becomes obsessed: ‘I decided to observe them even more closely to calm my unease, as if I no longer had a life of my own but lived only through them’.

There are nine short stories included within Maybe This Time, all of which have rather intriguing titles.  These include the likes of ‘Then a Door Opens and Swings Shut’, and ‘You Don’t Know Them, They’re Strangers’.  Some rather thoughtful ideas have been woven in; they have a definite profundity at times: ‘We looked at the same views, heard the same noises.  We shared a common world and were separated by it’.  Each of the tales is sharp; every one relatively brief, but all of which have a wealth of emotions and scenes packed into them.  Hotschnig is shrewd, and in control at all times; he makes the reader fear impending danger with the most subtle of hints.

No particular time periods have been specified within the collection, and only small clues have been left as to when each story takes place.  They are, one and all, essentially suspended in time.  I did find a couple of the stories a little abrupt in terms of their endings, but this collection is certainly a memorable one.  There is a great fluency in Lewis’ translation, which helps to render Maybe This Time one of the creepiest reads on Peirene’s list thus far.

 

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Stefan Zweig: 2 Novellas of Unrequited Love

stefan_zweig_1900_croppedAmongst all the new authors I endeavoured to read since last year, Stefan Zweig quickly came to be one of my most endeared ones. After a quick research, I found out that while he was widely popular in a great number of Western countries in the Interwar years, his popularity started declining soon after. Nowadays, readers have started to rediscover Zweig, with many revisited or brand new translations of his work surfacing as a result.

I have merely read two of Zweig’s novellas as of yet, compared to the wealth of various literary genres he ventured into, but I have chosen to make a post about them as I find them absolutely beautiful pieces of literature.

My very first encounter with Zweig’s writing was through his novella Confusion (original title: Verwirrung der Gefühle), which was first published in 1926. The 2012 English translation published by NYRB Classics’ blurb is as follows: 12143104

Stefan Zweig was particularly drawn to the novella, and ‘Confusion,’ a rigorous and yet transporting dramatization of the conflict between the heart and the mind, is among his supreme achievements in the form.
A young man who is rapidly going to the dogs in Berlin is packed off by his father to a university in a sleepy provincial town. There a brilliant lecture awakens in him a wild passion for learning—as well as a peculiarly intense fascination with the graying professor who gave the talk. The student grows close to the professor, be­coming a regular visitor to the apartment he shares with his much younger wife. He takes it upon himself to urge his teacher to finish the great work of scholarship that he has been laboring at for years and even offers to help him in any way he can. The professor welcomes the young man’s attentions, at least on some days. On others, he rages without apparent reason or turns away from his disciple with cold scorn. The young man is baffled, wounded. He cannot understand.
But the wife understands. She understands perfectly. And one way or another she will help him to understand too.

This was a novella filled with emotions. Exceptionally well-written, it tackles a topic which used to be very sensitive at the time it was written (and still is), yet Zweig handles it with the utmost care and with admirable sensibility and understanding. I also loved how scholarship was included in the story, since, as an aspiring academic myself, it is a topic that never ceases to fascinate me. Having read Natsume Soseki’s Kokoro a few months before Zweig’s Confusion, I couldn’t help but notice some similarities in the relationships between the student-protagonists and their professors (although the main element which makes Confusion what it is was completely absent from Kokoro, the main point of which was radically different, but still).

The second novella of his I read was Journey into the Past (original title: Widerstand der Wirklichkeit), first published in 1976, approximately 35 years after his death. According to the blurb of the 2010 English translation published by NYRB Classics:

7938057A deep study of the uneasy heart by one of the masters of the psychological novel, ‘Journey into the Past’, published here for the first time in America, is a novella that was found among Zweig’s papers after his death. Investigating the strange ways in which love, in spite of everything – time, war, betrayal – can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

Yet another deeply heartfelt story, which comes to enhance and further prove Zweig’s aptitude in delving into the human soul and baring it for the entire world to see, without being afraid of judgement or taboos.

If you have yet to discover Zweig’s writing, do treat yourself with one of his books. He is a writer who deserves to be as widely read as possible.

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Reading the World: Austria

Austria, one of the most beautiful countries which I have been lucky enough to visit thus far, is next on the list.  This is possibly my most varied list of recommendations for my Reading the World project, containing, as it does, a graphic novel, a book which nestles somewhere between child and adult literature, a novel, a piece of non-fiction, and a collection of poetry.

1. Persepolis II: The Story of a Return by Marjane Satrapi 9780375714665(2004)
‘In” Persepolis,” heralded by the “Los Angeles Times” as one of the freshest and most original memoirs of our day, Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging. Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran. As funny and poignant as its predecessor, “Persepolis 2” is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up here compounded by Marjane’s status as an outsider both abroad and at home it is raw, honest, and incredibly illuminating.’

2. A Song for Summer by Eva Ibbotson (1997)
‘When Ellen Carr abandons grey, dreary London to become housekeeper at an experimental school in Austria, she finds her destiny. Swept into an idyllic world of mountains, music, eccentric teachers and wayward children, Ellen brings order and joy to all around her. But it’s the handsome, mysterious gardener, Marek, who intrigues her – Marek, who has a dangerous secret. As Hitler’s troops spread across Europe, Ellen has promises to keep, even if they mean she must sacrifice her future happiness.’

97809542217203. The Post Office Girl by Stefan Zweig (1982)
‘It’s the 1930s. Christine, A young Austrian woman whose family has been impoverished by the war, toils away in a provincial post office. Out of the blue, a telegram arrives from an American aunt she’s never known, inviting her to spend two weeks in a Grand Hotel in a fashionable Swiss resort. She accepts and is swept up into a world of almost inconceivable wealth and unleashed desire, where she allows herself to be utterly transformed. Then, just as abruptly, her aunt cuts her loose and she has to return to the post office, where – yes – nothing will ever be the same.’

4. The Hare With Amber Eyes by Edmund de Waal (2010)
‘The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke drunken monks, almost-ripe plums, snarling tigers were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s “Luncheon of”” the Boating Party.” Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in “Remembrance of Things Past.”Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In “The Hare with Amber Eyes,” Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.’

5. Poetry by Rainer Maria Rilke (ed. Edward Snow, 2011) 9780374532710
‘”The Poetry of Rilke” the single most comprehensive volume of Rilke’s German poetry ever to be published in English is the culmination of this effort. With more than two hundred and fifty selected poems by Rilke, including complete translations of the “Sonnets to Orpheus “and the “Duino Elegies,” “The Poetry of Rilke “spans the arc of Rilke’s work, from the breakthrough poems of “The Book of Hours “to the visionary masterpieces written only weeks before his death.’

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Two Persephones

The Far Cry by Emma Smith ****

‘The Far Cry’ by Emma Smith

The endpapers of Emma Smith’s The Far Cry are gorgeous – my favourites yet, I think.  I knew next to nothing about this novel, and wasn’t sure what to expect from it.  The Far Cry has a broad and sweeping plot, in which a young girl named Teresa Digby goes to India with her father, in order to escape the impending arrival of her overbearing mother from America.  They go to stay with Teresa’s elder half-sister Ruth, and her husband, Edwin Tracy.  Teresa is a complex construction, emotionally realistic and believable in everything she says and does.  Ruth is formidable and mysterious, and Edwin is the kindest of the characters by far.

Smith has crafted her writing beautifully, and her turns of phrase are lovely.  She writes descriptions with such clarity, and her ardent appreciation for nature is clear from the very start.  The sense of place is so well described that it almost feels claustrophobic at times, particularly with regard to the Indian vistas.  It presses in upon its characters, and the things which befall them along the way.  I was swept away in the story, and found it very difficult to put A Far Cry down.  It was a marvellous companion for an enormous Channel Tunnel delay which I was stuck in, and I would absolutely adore to read more of Smith’s work.

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The Exiles Return by Elisabeth de Waal ****

The endpapers of ‘The Exiles Return’

This is the 102nd book on the Persephone list.  As with The Far Cry, I did not know much about this novel before I began to read it, apart from the fact that it was set in Austria.  The Exiles Return was written in the late 1950s, and was not published in de Waal’s lifetime.  The preface to the Persephone edition is written by the Viennese author’s grandson, Edmund de Waal.  He states that his grandmother ‘wanted… to create novels of ideas’, and his introduction is truly fascinating.

The novel takes place over a relatively short period, beginning in 1954 and ending the following year, just after Austria recovered her independence following Hitler’s Anschluss.  Whilst there are several characters who are introduced and focused upon in detail, the two protagonists of the piece are Professor Kuno Adler, ‘the academic whose need to return to Vienna is at the heart of the book’, and a ‘beautiful girl’ named Marie-Theres, the American-raised daughter of an Austrian princess, who comes to be known as Resi.  Adler is barely on speaking terms with his wife, and has returned from New York alone, leaving his daughters in her care.  Resi is sent to stay with her uncle and aunt, a Count and Countess, because it is believed that a change of scenery will be ‘good’ for her.

The characters whom de Waal focuses upon come from different walks of life – a prince who has lost most of his family to the Gestapo, a rich Greek man, and the children of the Count and Countess, for example.  Pre- and post-war differences within Vienna are set out well, as are the ways in which the place impacts upon those who live within it.  Lots of history has been bound alongside the story, and the novel consequently has such depths; it becomes richer as each new character or scene is introduced.  The whole is rendered almost luscious in this respect.  The Exiles Return is a fabulous addition to the Persephone list, and I can only hope that the rest of de Waal’s books are – or will soon be, at any rate – readily available in English.

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