Television Was a Baby Crawling Toward That Deathchamber by Allen Ginsberg **** (#2)
This new collection of Beat poet Allen Ginsberg’s work, Television Was a Baby Crawling Toward That Deathchamber, is the second book in the Penguin Moderns series. Whilst the poems have been printed before, in Ginsberg’s Collected Poems 1947-1977 (2006), they have not appeared in this particular selection before.
Throughout the admirable poems exhibited here, Ginsberg tackles many issues which were contemporary to him – atom bombs, the political system in the United States, Communism, the Cold War, propaganda, the state of the world, and oppression, to name but a few. With regard to their approach, some of the poems here are far more structured; others read like stream-of-consciousness pieces, or monologues. In Television Was a Baby Crawling Toward That Deathchamber, Ginsberg presents a fascinating and creative view of a bygone time, whose issues are still relevant to our twenty-first century world. Despite the vulgarity at times, the wordplay here is impressive, and there is such a variance to the selection which has been made.
The Breakthrough by Daphne du Maurier **** (#3)
Daphne du Maurier’s short story ‘The Breakthrough’ has been reprinted by itself as the third book of the Penguin Moderns series. I have read it before, but was very much looking forward to coming back to it. Whilst not quite amongst my favourite pieces of her short work, there is so much here to admire. First published in 1966, ‘The Breakthrough’ still surprises and startles, even upon a second reading. I found this a chilling tale, and whilst I do not want to give any details of the plot away in my review, it is one which I would highly recommend.
The Custard Heart by Dorothy Parker **** (#4)
The Custard Heart is the fourth book in the Penguin Moderns series, which I have decided to read in order after receiving the full boxed collection in all of its glory. The three stories by Dorothy Parker in this collection – ‘The Custard Heart’, ‘Big Blonde’, and ‘You Were Perfectly Fine’ – have all been taken from The Collected Dorothy Parker, which was first published as The Portable Dorothy Parker in 1944. Whilst I’ve not read any of Parker’s short stories before, I have read the entirety of her poetry output.
The descriptions in each of these stories, which are ‘tales of women on the edge’ are startling and vivid. From ‘The Custard Heart’, for instance, ‘… Mrs Lanier wore yellow of evening. She had gowns of velvet like poured country cream and satin with the lacquer of buttercups and chiffon that spiraled about her like golden smoke. She wore them, and listened in shy surprise to the resulting comparisons to daffodils, and butterflies in the sunshine, and such…’.
Here, Parker paints intimate portraits of three women, in a perceptive and introspective manner. Parker looks at ageing, relationships, emotions, and womanhood at different stages, amongst other things. ‘Big Blonde’, which shows the slip into depression and its depths, was as tense as it was fantastic. I found each of these tales immediately immersive, and am very much looking forward to reading the rest of her stories in future.