Dear Scott, Dearest Zelda is one of the books which I have most looked forward to reading – ever, I think. I spotted it quite by chance in Cambridge Central Library whilst I was browsing the biography section, and may have given a tiny squeal of joy before snapping it up. To add to my excitement, it is also the favourite book of one of my absolute favourite musicians, Ben Gibbard of Death Cab for Cutie.
The letters in Dear Scott, Dearest Zelda have never before been published in the same volume. The informative preface which the editors of the book, Jackson R. Bryer and Cathy W. Bates have penned, states the way in which they have chosen to adopt a chronological approach to present the correspondence of the husband and wife. This is certainly my preferred form for letter collections and works of non-fiction, and it has been used to great effect here.
Elements of biography can be found before each letter, and it is clear that Bryer and Bates have greatly respected the material which they have presented in the volume. So much thought has been put into how the letters are presented, and each section has a nicely written introduction, which sets out the point at which the lives of the Fitzgeralds were in each particular period. Eleanor Lanahan, the granddaughter of F. Scott and Zelda Fitzgerald, has written the introduction to Dear Scott, Dearest Zelda, and its inclusion feels so very fitting for a number of reasons. Her words are touching, and it is pleasing that she sets such stock by the work of her grandparents.
Throughout, I felt privileged to be able to read the correspondence of Scott and Zelda. Their letters to one another, even in the more troubled years of their marriage, are just darling. The prose is beautiful, the similes and metaphors gorgeous, and the spontaneity in each and every letter is marvellous. What characters both Scott and Zelda were, and how lucky we are as readers to be able to read their most private of works. I admire the way in which the editors have kept the original spellings and punctuation in the letters. The photographs and facsimiles of letters are a lovely addition to the text too.
The story of Scott and Zelda is often very sad, with Zelda being hospitalised for mental illness during the later years of her life, and Scott’s alcoholism, but their love is always there, no matter which situations they may find themselves in. Love is the enduring factor here, in all of its many forms.
Dear Scott, Dearest Zelda is a fascinating collection of correspondence, which continually exemplifies the depths of Scott and Zelda’s love for one another. Many of the letters here were penned by Zelda, and she writes beautifully. Some of the sentences which she crafts are breathtaking and heartfelt, such as this, written in November 1931:
“… if you will come back I will make the jasmine bloom and all the trees come out in flower and we will eat clouds for des[s]ert[,] bathe in the foam of the rain – and I will let you play with my pistol and you can win every golf game and I will make you a new suit from a blue hydrangea bush and shoes from pecan-shells and I’ll sew you a belt from leaves like maps of the world and you can always be the one that’s perfect.”
Dear Scott, Dearest Zelda comes highly recommended, and it is certainly a book which I will be purchasing my own copy of in future, so that I can read it all over again.