‘From the award-winning novelist and short story writer, Lionel Shriver, comes a literary gem, a story about love and the power of a gift. When Weston Babansky receives an extravagant engagement present from his best friend (and old flame) Jillian Frisk, he doesn’t quite know what to make of it – or how to get it past his fiancee. Especially as it’s a massive, handmade, intensely personal sculpture that they’d have to live with forever. As the argument rages about whether Jillian’s gift was an act of pure platonic generosity or something more insidious, battle lines are drawn… Can men and women ever be friends? Just friends? Described by the Sunday Times as ‘a brilliant writer’ with ‘a strong, clear and strangely seductive voice’, Lionel Shriver has written a glittering examination of friendship, ownership and the conditions of love.’
I really enjoy Shriver’s writing, and whilst I’ve not even got through more than one of her novels to date, I wanted to see how she would craft a shorter work stylistically. The main nub of The Standing Chandelier – can a man and woman be ‘just friends’? – sounded rather twee and overdone, and is something I would ordinarily avoid. I was more than intrigued by the way in which Shriver might handle it, however, and was pleasantly impressed. She manages to avoid an awful lot of cliched tropes, and creates an exploration which is more unusual than usual.
The prose throughout the novella is intelligent and taut, as I was expecting, and I was pulled in straight away. Shriver still involves a lot of depth when crafting her characters, and both Weston and Jillian come across as fully-formed and believable individuals. Darkly funny at times, the story carries one through from beginning to end at a perfectly adjusted pace. Rather than lose herself in the constrained form, or having to drop more interesting elements of storyline in order to obey the conventions of the novella, The Standing Chandelier is rather perfect in terms of its size. Yes, it can be read in a couple of hours, but it still feels rich, and has a lot of emotional depth to it.