George Burnham Ives’ 1902 translation has been used in Michael Wallmer’s lovely edition of George Sand’s Lavinia. Sand was an incredibly prolific author; her oeuvre is something which most writers can only dream of. Her work spans four decades, being published as she was between 1831 and 1876. Lavinia is one of her earliest books, in fact, and was first published in its original French in 1833.
After a young and rather well-to-do English traveller, Sir Lionel Bridgemont, abandons well-born Portuguese Lavinia Buenafe, he breaks her heart. She consequently marries a nobleman, and is soon widowed. Some time later, after asking Sir Lionel – himself just about to be married – to return the love letters which she sent him many moons ago, she finds that they are near one another in the Pyrenees. They thus decide to meet, and along with their present-day story, elements of their past are revealed.
Lavinia’s cousin, Sir Henry, who has accompanied his friend Sir Lionel to the Pyrenees, adds some humour to the whole. When Sir Lionel berates him for telling Lavinia that her letters were in his constant possession, he says: ‘”Good, Lionel, good!… I like to see you in a fit of temper; it makes you poetic. At such times, you are yourself a stream, a river of metaphors, a torrent of eloquence, a reservoir of allegories…”‘. Sir Henry has rather an adoring, if slightly tongue-in-cheek, view of Lavinia, calling her: ‘”… as fresh as the flowers, lovely as the angels, lively as a bird, light-hearted, rosy, stylish, and coquettish…”‘. Sir Lionel is really his antithesis, in speech at least, holding as he does a very conventional, if amusingly relayed, view of womankind: ‘”… In the opinion of every man of sense, a lawful wife should be a gentle and placid helpmeet, an Englishwoman to the very depths of her being, not very susceptible to love, incapable of jealousy, fond of sleep, and sufficiently addicted to the excessive use of black tea to keep her faculties in a conjugal state…”‘.
Lavinia is a slim novella at its modest 71 pages; perhaps deceptively so, as there is quite a lot of depth to it. The descriptions are perhaps the real strength of the piece: ‘… the lovely valley, bathed in sparkling dew, floated in the light and formed a sheet of gold in a frame of black marble’. Lavinia is beautifully written, and so well translated; it is a real treat to settle down for an hour or two with. There are amusing asides which pepper the text, and make it feel far more contemporary than it is in actuality. There is a wonderful pace to the novella, and the structure of one singular chapter works well with regard to its length. Strong and thoughtful, Lavinia is perhaps most interesting when one looks at the shifting relationships and passing of time within it.