The Judgment of Eve ****
The Judgment of Eve is the shortest Sinclair book yet in my reading of her entire bibliography. The author sets the scene wonderfully, and introduces the reader at once to protagonist, Aggie. Aggie herself is well-educated, but in true Edwardian fashion, the first quarter of the plot deals with which of her two suitors she will choose to marry. She is rather a progressive woman, willing to work if her fiance’s salary fails to rise as he has been promised. Sinclair’s prose is shrewd, as ever: ‘Nature, safeguarding her own interests, had whispered to Aggie that young ladies who live in Queningford are better without intellects that show’.
After a move to London, the intellect which Aggie prizes above all else disappears once one child after another is born. Our protagonist rises to the challenge of motherhood, but Sinclair makes us aware that it – and the never-ending domesticity which comes with it – is far from a perfect life for Aggie: ‘It was as if Nature had conceived a grudge against Aggie, and strove, through maternity, to stamp out her features as an individual’. Sinclair paints the role of the traditional Angel in the House in a very interesting light, essentially turning it on its head.
The Judgment of Eve is a short book, but it unquestionably has a lot of depth to it, and both asks and answers a plethora of question about womankind and their place within the world. Had it not been so brief, I would have definitely given it a five-star rating; regardless, it deserves to be read by a far wider audience.
The Helpmate *****
May Sinclair’s wonderful, and sadly neglected, novel The Helpmate details a marriage from its very beginnings. Her characters, in their entirety, feel touchably realistic, and their relationships with one another are complex. Here, Sinclair demonstrates the many different – and sometimes opposing – facets of married love. There is such emotional depth throughout, and one can never quite tell what is likely to happen next.
The Helpmate is so very compelling, and of course, it is wonderfully written. There is such a clarity to the whole. The novel was first published in 1907, but feels incredibly modern; many of the themes are just as relevant today as they were when it was written. Sinclair writes of love, deception, and grief in such a timely way; the modern reader can learn so much from it. It is sadly not a book which I can include in my PhD thesis, as it lacks the elements which I am looking at, but it is certainly a fascinating and well-paced read, which – along with all of Sinclair’s work – deserves to be widely read.