The Haunting of Hill House was my second Halloween read of 2013, and is certainly one of my favourite books of 2013. I have wanted to read it for years; more so after very much enjoying Jackson’s We Have Always Lived in the Castle. I hoped that this novel would be just as good, and I was overjoyed to find that it was both better and creepier.
In The Haunting of Hill House, Jackson begins the story by telling the story of Dr John Montague, who goes to live in Hill House when he finds out that it is purported to be haunted. He invites a few select people along to Hill House in rural America to stay there with him, whom he feels are interested enough in hauntings to warrant a place in the experiment of sorts which he is conducting. One of the characters who accepts the invitation is Eleanor Vance, a spinster of sorts, who becomes the one whom Jackson places the most focus upon.
One of the primary things which I love about Jackson’s fiction is the way in which she makes the houses in which her protagonists live characters in themselves. I love the way in which Jackson introduces her characters too – for example, ‘Luke Sanderson was a liar’. I admire how matter-of-fact she can be, but how she also leaves many elements up to the imagination of the reader, and the way in which she weaves in loose ends at times in which they are not expected. The entirety of The Haunting of Hill House is beautifully written, and the prose works marvellously with regard to her unfolding of the plot. Some of the passages which Jackson crafts truly made me swoon. For example, when describing Eleanor’s journey to Hill House, she writes:
She nearly stopped forever just outside Ashton, because she came to a tiny cottage buried in a garden. I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin…
The novel, as it gains momentum, is marvellously creepy. The atmosphere which Jackson builds is powerful and rather oppressive. Her pace is perfect, and the conversation between characters is fabulous. Jackson never lingers into the field of mundanity, but is instead original in all that she writes and crafts. The relationship which she builds between Eleanor and another of those who has accepted the invitation to stay at Hill House, Theodora, is believable and so well structured. I read this novella almost in one go, as I struggled to tear myself away from it.